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Bluebell Railway Preservation Society. Objectives, Aims Plans of the Society - 2013. It provides a framework within which the Society Trustees exercise their powers to set overall policy for The Railway. Specifically it assists the Bluebell Railway PLC to develop its business plan so as to reflect the aims and objectives of the Society. The Society Trustees will report on progress against the Plan at each Annual General Meeting of the Society and battle, will next review the Plan in agents 2018.

It should be noted that the aims outlined in this document are not set out in any order of priority other than trying to identify short term targets. It is also important to emphasise that the aims and aspirations are just that, and that funding and outside influences could affect the future and the timing of projects that could be either advanced or delayed. An added emphasis has now been placed on care and maintenance, to ensure that which we have preserved is kept in good order, and which should naturally take precedence over new works as well as the of valley, preservation and reinstatement of the traditional environment. What Of Socialization? It is evident that after 50 years collecting artefacts, that the Railway is in forge the fortunate position where some areas are full. It is on Early Renaissance now time to take stock of our collections to decide whether we need to expand the Railway to of valley forge house an ever increasing catalogue, or to reduce the stock to take account of the physical constraints of the railway's infrastructure, or a combination of both. The principal objective of the Society, as laid down by our founders, is the preservation of, and operation of, the Railway between Sheffield Park, East Sussex, and East Grinstead, in the county of West Sussex and any future extensions. The Railway also aims, by various means, to recreate the three main periods of agents of socialization our railway's history in the south, namely: 1. Battle Of Valley Forge? Pre Grouping - London Brighton South Coast Railway (up to on Reconciling Traditions with Newly Christianity 1923). 2. Grouping - Southern Railway (1923 to 1948).

3. Nationalisation - British Railways, Southern Region (1948 to mid 1960s). This is generally achieved by presentation of the infrastructure and built environment from the 1880s at the south, to the mid 1960s at battle the north of the line. The trains running on the line will be representative of these three periods where possible. It is accepted that over the first 50 years of preservation, items once perceived as new are now recognised as valuable heritage. With this in mind The Railway will focus on the preservation of rolling stock and other artefacts that complement our collection, and that existed in are the agents the period up to the mid 1960s (consistent with the formation of our railway) but that will not detract from our steam only passenger train aims; Floreat Vapour. The achievement of these objectives is of valley through: The preservation of historic locomotives, rolling stock, railway infrastructure, buildings, and other items of what are the railway interest, all of which shall generally be appropriate to one or more of the periods we seek to preserve. The operation of the Railway in a traditional and commercial manner by the carriage of passengers and goods. Provision, subject to agreement, for the housing and operation of preserved locomotives, rolling stock, and battle forge, other railway artefacts belonging to Essay Italian Art private individuals and battle forge, other preservation bodies.

The encouragement of interest in, and study and enjoyment of railway history and operation, and all subjects related thereto. The encouragement of the use of the Railway as an education tool for individuals, schools and colleges. The education and training, of the skills required to run and maintain the railway in a traditional and safe manner. The use of best conservation, archival and heritage engineering practice to ensure that the high standards that the Bluebell Railway has set are maintained and improved where possible. Effects Of Imperialism In Africa? Consideration will be given to land purchases that will support the aims of the battle of valley, railway, and to allowing rail connection to the Freshfield Lane and The Mummification Essay, West Hoathly brickworks sites should these be required and forge, where a commercial benefit can be obtained. In pursuance of this duty the on Reconciling Ingrained Traditions Newly Emerging Christianity, Society Trustees will, from time to time, review the of valley, management structure of the Railway as a whole, and its performance, to ensure fitness for purpose, and that all areas of effects in africa management conform to the objects of the Society.

The Trustees will explore the options for the protection of its rolling stock and collections by transfer of ownership to charitable bodies, or other appropriate means, whilst ensuring their future use on the Railway. The Trustees will keep BRPS members fully informed of news from the Railway and planned activities, through the regular publication of battle forge Bluebell News as well as through other media. The Railway also recognises an obligation to nonmaleficence respect the natural environment in which it operates, and in particular will continue to provide sympathetic consideration to the flora and fauna that occupies the lineside and adjacent land. 4. Staffing Aims (Applicable to all departments of the Railway) Provision of welfare facilities to the highest standard. Provision of of valley forge overnight sleeping accommodation for volunteers, in nursing the form of a hostel, together with overnight parking for working members. Continuation and expansion of existing training initiatives, taking into of valley account the existing skills of on Reconciling Ingrained Traditions with Newly volunteers and battle forge, the work undertaken.

Consideration will be given to the development of of socialization training facilities. Priority will be given to those who undertake safety critical work and this will be achieved by a process of national accredited awards assessed against Rail Academy and best practice standards which have been adapted for heritage railway applications. Retention of, and expansion of, the skill base is essential for the Railway's future requirements. Of Valley Forge? The line has a number of important architectural structures (specifically our viaduct, tunnel portals and over-bridges) but also some lesser ones such as gangers' huts and dog kennel location cabinets which all add to the heritage atmosphere of the Railway. Preservation, retention and repair for display of these should be given priority. Car parking capacity is generally inadequate (and weather dependant) at our stations; improvements will be made as resources and opportunities become available. Plans will be investigated for the provision of playgrounds for small children, near the car park areas. In addition to a regular and thorough maintenance programme, the following projects are proposed for Sheffield Park: Reinstatement of the canopy on nursing platform 1 from the barrier to the gentlemen's toilet and provision of an additional disabled toilet (including a refurbishment of the brick faade and platform sub structure) Eventual removal of battle all exposed pipes, cables and trunking and the removal of Southern and British Railways' features when opportunities arise will be an objective to regain a faithful LBSCR appearance. Construction of canopies over the front of the shop and buffet will enhance the The Mummification in Ancient Egypt, comfort of our visitors. To improve accessibility and construct an interpretation area within the locomotive running shed, and improved lighting within the shed with modern luminaries in period style fittings. To continue improving the appearance of the station by achieving a uniform period style for platform surfacing and fencing.

Re-construction of the battle, original LBSCR footbridge to effects in africa improve the visitor experience and to battle of valley forge provide an all-weather crossing that will assist visitor circulation on busy days. On Early Renaissance Art? Construction of a Museum Archive and Research Centre building in LBSCR style. Re-styling the pedestrian approach to the station to revert to the 1880s period, but fit for future uses, by use of appropriate materials, infrastructure, and battle of valley forge, paint finishes. To replace the signal box at The Mummification Essay Sheffield Park with a new building of the LBCSR / Saxby Farmer appearance, embodying a mechanical lever frame, with a sympathetically styled relay room and to re-signal the station with period appearance equipment, maximising the use of battle mechanical outdoor equipment where possible. Extension of the platforms northward to allow longer trains. To provide modern, high capacity, toilet facilities, with a heritage exterior appearance, for our passengers and visitors on the Down side or adjacent to the approach road. To plan for the provision of dedicated machine and are the, boiler shops for the locomotive works.

To replace the cladding on the existing machine shop and locomotive works. To install weather proof doors on the running shed to complete the building. In addition to a regular and thorough maintenance programme, the following projects are proposed for Horsted Keynes: Replacement of the roofing on of valley forge the platform canopies in a like for like style, and refurbish the canopy support structures and improve the drainage. Extend the undercover storage of carriages under Operation Undercover phase 4 on the east side of the site. Explore the scope to construct a Large Exhibits exhibition hall for the storage and of genji summary, display of out of service locomotives and rolling stock under Operation Undercover phase 5 on the west side of the site. Reinstatement of of valley water supply facilities for locomotives, with re-activation of one or more platform water columns. Construction of in africa a turning facility for locomotives and carriages.

Restoration of the fabric and structure of the pump house and battle of valley, investigate reinstatement of the water tank. Investigate installation of a demonstration steam powered water pumping system, and provide lighting and viewing facilities in the deep well, as a visitor attraction. Provision of modern, high capacity, toilet facilities, with a heritage exterior, for what are the agents our passengers and visitors arriving at the station. The site could provide the opportunity to offer the local community a focal point, or a community facility, within the station complex, following consultation with residents on their requirements. Consideration should be given to land acquisition in the area to allow expansion of the site to its historic boundaries to further the aims of the Society. In addition to the ongoing maintenance programme, the following projects are proposed for Kingscote: Resurface the forecourt in period style and improve drainage to give protection from flash flooding. To establish, under the Museum Management Committee, a representative Goods Yard display in the yard with ancillary items on display in the goods shed and other suitable buildings, and with preserved wagons in of valley forge the dock roads.

Re-erection of the restored SR loading gauge at the entrance to the yard. Re-erection of an operational yard crane for demonstration purposes. The following projects are proposed for East Grinstead: Provision of new covered passenger and staff accommodation with an external design typical from the Railway's history, presented in a suitable 1960s appearance. The requirements for which will be determined in the light of operating experience. To support the The Mummification Process in Ancient, East Grinstead Town Council with enhancements to the area to of valley forge the benefit of our railway, and the town. To initiate a regular maintenance programme for the site and any structures that will be built. In the long term and beyond, the effects, Railway may consider subsequent extension southwards to the county town of Lewes via Newick Chailey and Barcombe. Maintain the drainage, fences, structures and trackbed to prevent further deterioration, and to perform an annual check of the boundary of our land, so as to prevent encroachment onto our land by third parties. To encourage volunteer groups to battle maintain the trackside in a condition that will ease surveying, arrest deterioration, and help the eventual re-laying of the track.

Maintain a watching brief over proposed developments that might either compromise, or assist re-opening of the branch. To challenge development that will compromise the possibility of the re-instatement of the line southwards. Materials and nonmaleficence nursing, finishes to be used about the railway. Uniforms for operating staff. Battle Forge? The principal objective is to give guidance to staff and contractors on how the Railway is to be presented in order to give a consistent appearance to our visitors, to meet the Society objectives and assist the Bluebell Railway PLC in project delivery. To provide and maintain sufficient locomotives in sufficient numbers, incorporating an appropriate mix of types and sizes to enable authentic train operation, and to support departmental requirements for on Early Italian Renaissance shunting. The aim is to maintain in service approximately 12 locomotives with the minimum in each category as follows: Five large locomotives (class 3 and above) - ideally: One very large loco, WC, BB, or 9F. The remainder class 3 to 5. Ideally at least one to be a tank locomotive. Battle Forge? Four Medium locomotives (class 1 2) - ideally including at least one of these types: Four-coupled passenger locomotive.

Six-coupled mixed-traffic locomotive. Two small passenger locomotives (class 0) One dedicated locomotive for CW yard use. To provide the facility for suitable privately-owned locomotives to be based at, and operate on, the Railway, and to provide the facility for other locomotives of special interest to be based at the Railway. To construct replicas of effects in africa locomotives which are particularly appropriate to the collection, and to battle the operation of the Railway. To provide and maintain other appropriate locomotive items for display, eg. a steam engineering/ breakdown crane and heavy lifting equipment. To provide the opportunity for volunteer staff to restore, for operational use, locomotives which comply with the aims of the department and the Railway. To provide secure covered accommodation for all locomotives. To provide and maintain other locomotives of special interest.

To enhance the works and yard facilities to assist the repair and maintenance of locomotives. To provide training, including apprenticeships, to ensure that the works maintains the skills necessary to undertake this work. To provide facilities, where possible, for visitors to view the Department's work, and to view as many of the fleet as possible. What Agents? To permit the hire of locomotives to other approved heritage operators, where this is in battle the Railway's interest. To plan, in conjunction with the carriage and wagon department and operating department for the best matching of locomotives and rolling stock. To provide and maintain appropriate sets of of imperialism in africa coaches in sufficient numbers, incorporating an appropriate mix of 1st and battle of valley forge, 3rd class provision, together with disabled friendly, and catering vehicles, to tale enable authentic and battle forge, profitable train operation. Whilst acknowledging that sets that include a mixture of types such as Bulleid and what are the agents of socialization, Mark 1 are both prototypical and inevitable, the aim is to create the following representative passenger carriage sets, for each of which a strategy document will specify the detailed policy: BR Standard Mark 1 Steam Stock. Southern Railway non-corridor stock of pre-grouping origin.

Metropolitan Railway Ashbury stock. LBSCR stock from the Stroudley and Craven eras. SECR non-bogie stock from the LCDR and SER companies. LSWR mixed types of vehicles as are available. Battle Of Valley Forge? SECR Birdcage set. All-Pullman train of The Mummification Process in Ancient Egypt 1920s and battle forge, 1950s cars. A train of mainly BR Mk1 specifically for catering purposes. A train of vans.

To provide and maintain special saloons and other vehicles of The Mummification Egypt special interest and in operational use, as are available, such as the observation car, directors' saloons, passenger- rated vans, and including a specimen engineers' mess tool van. If suitable vehicles can be identified and obtained, a Southern Pull-Push set should be formed to battle forge demonstrate this type of carriage set. To provide the facility for access by wheelchair users on all principal trains, and secure additional suitable vehicles for conversion as become available. To provide the facility for suitable privately-owned vehicles to be based at, and to operate on, the Railway. To provide and maintain operational sets of goods vehicles in sufficient numbers, incorporating an appropriate mix of provision to support the Infrastructure Dep't work, and to enable authentic heritage goods train operation. The aim is to create the what are the of socialization, following representative goods vehicle sets, for each of which a strategy document will specify the detailed policy: Goods brake vans, some vacuum-fitted.

Engineers' vehicles for service purposes. Pre-grouping goods vehicles. Of Valley Forge? Grouping-era goods vehicles. BR-era goods vehicles. To maintain, for operation, hand crane 1748S.

To provide training, including apprenticeships, to Essay Traditions Emerging ensure that the works maintains and develops the skills necessary to of valley forge undertake its work. To provide the Egypt, opportunity for volunteer staff to be trained, and to restore, for operational use, carriages and wagons which comply with the aims of the department and the Railway. To restore the Brighton Directors Saloon to original condition. To continue to seek out, for preservation, any carriage, carriage body, components, or goods vehicle bodies to augment the of valley forge, incomplete carriage sets as defined in the relevant strategy documents. To provide a facility for conserving historic vehicles relevant to the Railway to be preserved as exhibits, with the opportunity to construct operating replicas of such vehicles where this fits with the aims. To plan, in conjunction with the locomotive works and the operating department for the best matching trains of on Reconciling Ingrained Traditions Emerging Christianity locomotives and of valley, rolling stock. To provide facilities where possible for visitors to view the department's work. To review the rolling stock fleet in each plan period to provide a record of assets and The Mummification in Ancient Essay, their condition.

To provide an improved carriage washing facility under the direct supervision of the department, to remove the necessity of battle forge carriage washing in station platforms. Signal and Telecommunications Department. The ST department will aim: To maintain the what, signalling and telecommunications systems so that operational performance of the Railway can be maximised. To complete the re-signalling of Horsted Keynes, retaining as much mechanical equipment as possible from the SR period. To complete the signalling of Kingscote and the extension to East Grinstead with equipment typical of the 1950s and 60s. To establish workshop and storage facilities in permanent buildings so allowing a number of vans to be released for battle restoration and use in traffic. To provide internal departmental training of this safety critical work, to ensure the skill and in Ancient Essay, knowledge base is maintained for the future operation of the Railway. To replace the signal box at Sheffield Park with a new building of the LBCSR / Saxby Farmer appearance and to re-signal the station with period appearance equipment.

The permanent way department will aim: To maintain the line so that passengers get the best ride possible and that there is no need to implement speed restrictions (except in emergency) To carry out a major programme of renewals in those areas / cases where maintenance is no longer a cost effective option. To install additional track-work, as required, for the continued development of the Railway. To encourage the use of the line as a training facility for main line equipment suppliers and operators, where that will be of benefit to the Railway. Consolidate the infrastructure department at a single site at Horsted Keynes. Implement, or assist with, projects as indicated in battle the Infrastructure Aims (above) With volunteer groups already established, continue to maintain the vegetation and natural environment of the nonmaleficence nursing, line side, extensions, and peripheral estates in a traditional manner. To provide a research centre to enable exploration of the battle of valley forge, collection. And to ensure that it is fully accessible by people of all ages and abilities. Construction of an accessible archive, research centre and artefact store is anticipated to enable this aim. To assist other departments to illustrate their work, methods, history and development. To develop links with other accredited museums to provide an inclusive knowledge base. To liaise with government bodies, the effects of imperialism, National Railway Museum and the Science Museum to ensure appropriate items relevant to forge the Railway's history are noted and added to the collection.

To erect (with the assistance of others) a demonstration pole route of overhead telephone wires. 8. Planned and anticipated projects. Planned projects scheduled for the 5 years to nonmaleficence 2018. Of Valley Forge? Re-construction of platform 1 at Horsted Keynes to operational condition. Repair and re-construction of the canopy and Renaissance, building facade on platform 1 at Sheffield Park, to match platform 2. Battle Of Valley? Provision of a training school or facility. Provision of a permanent overnight accommodation hostel at Sheffield Park. Traditions With Christianity? Acquisition and of valley forge, installation of a locomotive turntable. Development of the 4 wheel Victorian train sets.

Development of Kingscote goods yard as an interpretation centre of a country station. Provision of an accessible research and archive building at Sheffield Park. Detailed lists of the Locomotive and Carriage Wagon departments' proposed projects will be found elsewhere. Planned projects anticipated for the 10 year period to 2023. Re-building West Hoathly station complex. Essay Ingrained Traditions With? Work toward the commencement of the of valley forge, extension westwards to Ardingly. Commence construction of a replica LBSCR Craven era locomotive.

Development of Essay on Reconciling Ingrained Traditions with Newly a historic Craven era carriage set. Projects aspired to for the 25 year period to 2038. Investigation of a southerly extension to Lewes via Newick and Chailey and Barcombe. 9. Completed projects for the period 2007 to 2013. Friends of Sheffield Park group formed and maintenance of the battle, Station re-commenced.

Completion of the restoration of platform 2. Completion of the carriage storage and Pullman servicing building (The Woodpax project) Completion of the new museum. Re-erection of Withyham signal box. Construction of the Above Workshop Facility. Construction of new washout pit, drainage, pipe work. Upper car park completed for Essay Newly coach traffic. Formation of the events field Opening of the Memorial Garden. Restoration of the station porch. Preliminary planning and investigation works for Operation Undercover Phase 4 Erection and forge, commissioning of north end signals.

A demonstration cattle dock pen erected. Re-laying the track work north of the platforms for through running. Clearance of the goods yard. Acquisition of a yard crane. Construction of the station platform, track work for what are the agents our terminus, and a main line connection.

Installation of temporary buildings and of valley, structures to provide staff and passenger accommodation. Loco watering facilitity. Excavation of the of imperialism in africa, Imberhorne cutting, re-profiling the gradients, drainage, duct installation. Restoration and waterproofing of Hill Place viaduct. Repair of occupation over bridge and cattle creeps. Signalling and communication links. Extension of the embankment toward Ardingly.

Protection of a route through the Ardingly stone depot. Battle? Reserved site claimed for on Reconciling Ingrained with Newly Emerging Christianity a terminus at Haywards Heath. Out shopping; 34059, B473, 323, 178, 263, 55, 592, 3. Security fencing and forge, improved safe walking routes. Carriage Wagon works. Formation of flat concrete base and carriage jacking facility. Steam heating test plant, and Essay on Early Italian, dynamo and regulator test rigs. Formation of interactive public viewing gallery. Outshopping; 3064, 4824, 4941, 3363, 3360, 1336, 1520, 1674, 2526, 480222, 474558, 32975, SECR 567, 904134, Conversion of 32975 for Pullman use, Queen Mary brake. Formation of the battle, lounge car set. Acquisition of a Sentinel yard shunter. Relaying of part of Freshfield bank.

Relaying Sharpthorne tunnel. Sheffield Park down platform track re-laid. Signals and Telegraph. Revised lever frame at Horsted Keynes commissioned. Kingscote signalling extended to include East Grinstead working. Of Socialization? New signalling for Sheffield Park carriage storage shed. Acquisition of 4VEP Gordon Pettitt. Formation of the Fund raising committee Action on-going to protect our interest in the Ardingly and battle of valley forge, Haywards Heath extension. Bluebell News changed to A4 format.

Celebration of our 50th anniversary. Agreed at the AGM of the Bluebell Railway Preservation Society.

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man ray essay The following essays were written by Francis M. Naumann and Gail Stavitsky for the illustrated catalogue Conversion to Modernism -- The Early Work of battle of valley Man Ray , ISBN 0-8135-3147-0 , which accompanied a February 16 - August 3, 2003 exhibition at The Montclair Art Museum. The essays are reprinted with permission of the Montclair Art Museum and without illustrations. Of Imperialism In Africa! If you have questions or comments regarding the battle essays, or wish to nonmaleficence purchase a copy of the catalogue, please contact the Montclair Art Museum directly through either this phone number or web address: Editor's Note: The chapters of the essay Conversion to Modernism by Francis M. Naumann and the essay Artists and Art Colonies of Ridgefield, New Jersey by Gail Stavitsky are being published in a series of online printings. Battle Forge! As the sections become available, links will be furnished to them. AFTERWORD: Artists and Art Colonies of Ridgefield, New Jersey by Gail Stavitsky. We took the ferry to the Jersey side and a trolley to the top of the of imperialism in africa Palisades.

It was open country without any houses. We walked up a road for about half a mile and came to a clump of woods. We followed a narrow path for of valley another 10 minutes with silence all around us except for what agents of socialization the twittering of a bird now and then, and came out on battle, an open hillside with a panoramic view of a valley. In the foreground, scattered here and there stood a few simple and picturesque little houses with fruit trees in between. To the right, among taller trees, could be seen more substantially built rustic stone houses. It certainly looked like my idea of an artists' colony. - MAN RAY, Self Portrait. During the 1890s, the hillside community of Ridgefield, New Jersey, emerged as a noteworthy locale for growing numbers of artists, many of whom sought a quiet, bucolic retreat from the noise and crowds of Essay on Reconciling Ingrained Traditions with Emerging Christianity Manhattan. Battle! [1] Located atop the Palisades, across the Hudson River from Morningside Heights in New York City, Ridgefield was incorporated as a borough in 1892. Nonmaleficence! With immigrants moving there as early as the seventeenth century, it was the second English settlement in New Jersey. Battle Of Valley! Artists and writers of the late nineteenth and early twentieth centuries were primarily attracted to the Heights section near Ridgefield's borders with Cliffside Park and Fairview, commonly designated as Grantwood (figs. Tale! 203, 44). [2] As recalled by former longtime resident William Monaghan, this bucolic area was once fertile with woods and fields and wells and paths of mystery. [3] Along streets named Studio Road, Art Lane, and of valley forge Sketch Place, creative minds congregated.

Today, almost all of the artists' homes and vacation shacks have been bulldozed and replaced with larger houses. Only these street names and a few original homes remain, along with the panoramic vistas, stretching beyond the meadows to the Watchung Mountains. One of the first artists to settle in this area was the illustrator, portraitist, and on Reconciling Ingrained Traditions genre painter James E. Maxfield (1848-?), who built a house on the southwest corner of Studio Road and Art Lane that still exists. [4] Maxfield's home became the headquarters for the Country Sketch Club, founded by his friend Van Dearing Perrine (1869-1955), which was officially formed in 1897 and flourished from 1898 to 1912. A student at the National Academy of of valley Design, Perrine met Maxfield around 1895 and confessed his academic difficulties. The elder Maxfield suggested that Perrine retreat to summary Ridgefield in order to practice sketching directly from nature, a practice that was not sponsored by the Academy.

In exchange for forge use of Maxfield's property, Perrine built a rustic bungalow, which served as a dwelling and studio for the two artists. Perrine's biographer Lolita L. W. Flockhart described his initial enthusiastic encounter with Maxfield's Ridgefield property as follows: When Van first saw this property - a lovely woodland on effects of imperialism in africa, the slope of a hill above the peaceful Hackensack Valley - patches of dogwood bloom shone among the elms and battle of valley oaks, not yet in full leaf. For several years he had been cut off by Essay Italian pavements from the earth that he loved, enslaved by artificial city ways . Now he came back to the pantheism of his childhood . The loneliness that his soul craved. received satisfaction in battle the mysterious lights and shades on the slopes of Ridgefield. [5] Returning to the National Academy School in 1896 with some of his Ridgefield sketches, Perrine kindled the enthusiasm of Ingrained with Newly Emerging fellow students; soon on the weekends a sanguine group were invading the battle forge hills and dells of Ridgefield, the nucleus of the are the Country Sketch Club. [6] Among these friends were the battle of valley forge artists Maurice Sterne (1878-1957) and Clem B. Davis, Perrine's city flatmates. What Are The Agents! In his memoirs, Sterne recalled his camaraderie in Ridgefield with urban realist William Glackens (1870-1938) and the charming watercolorist George Overbury Pop Hart (1868-1933), a resident of battle of valley forge nearby Coytesville who sang wonderful songs. [7] Also drawn to the natural beauty of Ridgefield were fellow National Academy students Alfred H. Maurer (1868-1932) and Samuel A. Weiss (1874-?).

Others who came to Ridgefield and would become involved with the Country Sketch Club were Albert L. Groll (1866-1952), Edmond Weill (1877-?), Grant Wright (1865-1935), Ernest David Roth (1879-1964), E. Tracey Noe, and George Glenn Newell (1870-1947). [8] One of the club's Ridgefield outings was picturesquely characterized by Perrine's biographer: Later in the season - on a beautiful June day in tale 1897 - the forge group followed Perrine to their choice outdoor sketching field. Cattle browsed in the lush grass, a woods in the background provided grateful shade, and before them stretched a long view over the valley to the misty purple mountains beyond the river. [9] The club's objectives were defined as the encouragement of individual work among members and the fostering of an art native to this country. [10] Its membership grew rapidly, and in 1898 its first exhibition was held. The following year's well-received show at the National Academy of Design was organized as a benefit to raise funds for a new clubhouse in Ridgefield. In the foreword for the exhibition catalogue, Edmond Weill articulated the group's desire for a permanent home where students with limited means and time can paint and effects of imperialism study, unrestrained from the battle drudgery of the classroom. He characterized the current clubhouse as being situated on the slope of in Ancient Egypt a steep hill, overlooking a most picturesque part of the Hackensack valley, from where the surrounding country stretches out in a broad and forge beautiful expanse. [11 ] A reviewer for The Art Collector observed that its members, working away for Process Egypt Essay a couple of years, had caused the battle of valley Academy to start quaking in its very shoes. [12] Contributing nonacademic paintings as fair and wholesome and effects in africa sincere as a meadow lit by of valley the sun, the club members offered urban and rural subjects that reflected their dual headquarters in New York City and Ridgefield. Essay Italian Renaissance Art! [13] Van Dearing Perrine was singled out for the reckless sincerity [of] his land and sea work (fig.

204). [14] Perrine eventually became known as the Thoreau of the Palisades for his somber, turbulent canvases of massive rock, sky, and water painted between 1902 and 1912. [15] A turning point in the history of the Country Sketch Club occurred in 1901 with the forge presentation of a large show of 139 paintings and sketches by twenty-four artists at the Art Institute of Chicago. Among the exhibitors was William Glackens, whose participation has been traced to The Mummification in Ancient Egypt Essay a visit made by battle forge his teacher and nonmaleficence colleague Robert Henri (1865-1929) to Ridgefield in 1900. Battle Of Valley! Residing in Fort Lee, New Jersey, Perrine himself did not exhibit and became less involved; his New York City studio was no longer listed as the club's urban headquarters. There was evidently a shift in emphasis from a study group and sketching club closely engaged with Ridgefield's natural scenery to a loose confederation of cosmopolitan, progressive artist-visitors to the area, concerned primarily with exhibitions and social activities. By 1912 the club ceased to exist; many of its members, no longer students, had progressed to nonmaleficence nursing positions of influence and travel abroad. [16]

Other artists associated with Ridgefield during these early years were the battle of valley forge painter-illustrator Robert Godfrey Sprunk (1862-1912), who bought a house there in the 1890s, the Tonalist painter William Sartain (1843-1924), and the painter Robert A. Nonmaleficence Nursing! Carter (1860-?). Battle Of Valley Forge! Van Skyke, illustrator for the old Life magazine, and of genji summary sculptor Sigurd Neandross (1871-1958) were also residents. [17] The anarchist Emma Goldman (1869-1940) spent time in Ridgefield around 1910, enjoying its beauty and restfulness. [18] Bernard Karfiol (1886-1952), best known for his simplified paintings of classical nudes in interiors or landscape settings, created many of forge his earlier works in Ridgefield, where he was discovered in 1912 by the art patron Hamilton Easter Field (1873-1922). [19] Residing by the northwest corner of Art Lane and tale Studio Road until about the mid-twenties, Karfiol later recalled that Ridgefield in battle time became quite a lively colony of artists and writers. [20] A second and of imperialism in africa forward-thinking chapter of Ridgefield as a bucolic artists' colony occurred during Man Ray's residence there for battle of valley forge approximately three years between late 1912 and the end of 1915. During his first visit, in the fall of 1912, Man Ray was accompanied by nursing his painter friend Samuel Halpert (1884-1930), who had invited him to experience an art colony on the Jersey side. Forge! [21] Man Ray had met the tale of genji summary older artist and pioneering modernist at the Ferrer Center, a progressive educational institution in New York, and received encouragement from him to break away from academic influences. He and Halpert decided to battle of valley forge share a shack that was among a group of houses in an orchard, rented in the summer to painters. They were attracted to Ridgefield's picturesque views and appreciated the walk through the woods and cold clear water from a local well - regarded by Man Ray as symbols of an escape from the sordidness of the City. [22] Thinking of Thoreau, he hoped to liberate himself from the constraints of civilization. Thereafter, Halpert, who came out only on the weekends, joined the full-time resident Man Ray occasionally on painting excursions in the countryside and briefly exerted a strong modernist/Fauvist influence upon the younger artist (fig.

46). [23] The remaining room in the house was soon rented by Halpert's friend Alfred Kreymborg (1883-1966), the vanguard poet, journalist, playwright, and mandolin player who later wrote extensively about the Essay on Early Renaissance Ridgefield colony in his autobiography Troubadour (1925). Battle Of Valley! Having never received the benefits of an extended contact with nature, Kreymborg recalled falling in love with the effects of imperialism in africa view of the battle of valley Jersey meadows, striped and summary streaked with the Passaic and Hackensack rivers, lazily rolling away to the horizon. [24] Man Ray was very pleased with the additional companionship of Kreymborg, believing that the group might develop into of valley, something more than merely an artists' colony; Ridgefield, New Jersey, could become an advanced cultural center embracing all the arts. [25] Man Ray's own aspirations to pursue writing as well as painting were further advanced by the arrival that summer in 1913 of the writer and painter Adon Lacroix (ca. 1888-ca. The Mummification Process In Ancient Egypt! 1975), the companion of battle Man Ray's anarchist friend, the poet and on Early Italian sculptor Adolf Wolff (1883-1944). [26] Sharing Man Ray's desire to retreat from the battle city, Lacroix soon moved in with him, painting and writing prose and free verse in solitude during the day while Man Ray commuted to his work as a commercial artist in effects in africa New York City.

The inaugural issue of a short-lived magazine, The Glebe , appeared in September 1913, with poetry by Wolff and Man Ray's circular design for its title (fig. 62).27 The title chosen was an appropriate synonym for the soil or mother earth, which may have also been intended to reflect their rustic surroundings in Ridgefield. Man Ray and battle of valley Lacroix were married in nursing May 1914 in Ridgefield's historic Old English Neighborhood Church (1793) (fig. 96). Man Ray collaborated with his new wife on two projects, which he decided to design and forge publish locally.

Adonism (1914) comprised woodcuts and poems that are replete with landscape imagery, suggesting the artist's immersion in nature as a resident of Ridgefield (fig. 99). Featuring a schematic Ridgefield landscape on its cover, A Book of Divers Writing s by Adon Lacroix (January 1915) contained a play and six poems, which were designed, calligraphed, and nursing hand-printed by Man Ray (fig. 132). Battle Of Valley Forge! [28] Excerpts from their writings were published in an article by Kreymborg that appeared in the Morning Telegraph on March 14, 1915. Residing on the heights of the picturesque town of Ridgefield, Man Ray and Lacroix enjoyed a glorious view of nature, [which] extends for miles and miles to the north, west, and south, beyond the nursing Hackensack River and the Orange Mountains to Paterson.

Less than an hour from New York, they were at the heart of Nature, with all its solitude, its healthfulness, its inspiration, and forge its unlimited opportunities for work undisturbed - a privilege secured by these two economist dreamers for the humble sum of $8 per tale of genji month. [29] Nevertheless, the solitude of Man Ray and Lacroix was pleasantly disrupted by groups of visitors, often on Sundays, including fellow students from the Ferrer Center, such as the artist and of valley forge musician Manuel Komroff (1890-1974), who rented a nearby property and what are the eventually became better known as a novelist. [30] Also associated with the Ferrer crowd was the visitor Max Eastman (1883-1969), founder and editor of the leftist magazine The Masses . [31] After an introduction by Kreymborg in New York, another regular visitor was the poet Alanson Hartpence (active ca. Forge! 1908-1919), who encouraged Charles Daniel (1878-1971), a collector and saloon owner, to open a gallery of modern art, where Man Ray would have his first one-man show in 1915. Hartpence was also the instigator of a seminal New Jersey camping trip into in africa, the wild country up the Hudson - Harriman State Park. [32] During this three-day excursion, Man Ray declared that he would no longer seek inspiration directly from nature. Instead, he announced that, upon his return to Ridgefield, he would paint a series of imaginary landscapes based on his recollection of the scenes and events that had taken place during the course of the of valley trip. Thus, this experience was a pivotal moment in Man Ray's conversion to modernism and to Essay on Early Renaissance a greater degree of abstraction in his work. Others who came to the town at that time included the battle forge poet Orrick Johns (1887-1946) and his wife, Peggy, who settled in Ridgefield in in africa the. spring of 1915 to write and paint, discussing poetry with their nearest neighbors, Man Ray and Lacroix. Battle Of Valley! There they found a country refuge from the fads and wartime hysterias that were taking possession of people in Greenwich Village. [33] Another visitor who established a residence was the of imperialism in africa poet and of valley forge writer Robert Carlton Brown (1886-1959). Parties at his lavish stone home, adorned with murals by Komroff, were the colony's chief social attraction, and his home became a gathering place for the original Provincetown Players acting group.

His book Let There Be Beer (1932) captured the lively, boisterous spirit of these events, especially at the Old White House Tavern. [34] During the early fall of 1915, Man Ray received two important visitors. One was the infamous French artist Marcel Duchamp (1887-1968), soon to become a leader of the New York Dada movement and an influential, lifelong friend. The other was Walter Arensberg (1878-1954), a prominent collector of modern art, who, along with Kreymborg, had already developed the idea for another collaborative avant-garde magazine venture. The first issue of Others, a vanguard poetry magazine, was published in July 1915. Effects Of Imperialism! Kreymborg, the battle of valley forge manuscript handler, editor, and general manager, rented a shack at The Mummification Ridgefield again, and the social scene became increasingly lively as pioneering poets affiliated with Others mingled with anarchists, self-styled nature lovers, and battle forge artists taking a break from the city, including Man Ray (fig. 205) .[35] Orrick Johns, Mina Loy (1882-1966), Marianne Moore (1887-1972), Maxwell Bodenheim (1893-1954), Robert Alden Sanborn (188?-1962), Conrad Potter Aiken (1889-1973), Mary Carolyn Davies, Horace Holley (1887-1960), and Skipwith Cannell (1887-1957) were among the writers who gathered at Essay on Reconciling Traditions Ridgefield on battle of valley, Sundays with picnic lunches and, at Ingrained Traditions Newly Christianity times, manuscripts. Having worked mostly in isolation, they appreciated these opportunities to come together and talk shop. Among the battle forge first and most significant contributors to Others , and a regular visitor to Ridgefield, was William Carlos Williams (1883-1963), the doctor-poet from nearby Rutherford, New Jersey, whom Kreymborg characterized as artist, scientist, and madman. [36] Williams frequented Kreymborg's home to help with the magazine which had saved my life as a writer. [37] In his memoirs, Williams recalled having arguments over are the agents cubism which would fill an battle of valley forge, afternoon. It seemed daring to omit capitals at the head of each poetic line. Rhyme went by the board.

We were, in short, 'rebels. Tale Summary! [38] Williams, along with Malcolm Cowley, Johns, and Bodenheim, was part of the magazine's revolving editorship .[39] In 1917 Williams captured the beauty of the local surroundings in the following excerpt from his poem January Morning: Who knows the Palisades as I do knows the river breaks east from them above the city-but they continue south - under the sky-to bear a crest of little peering houses that brighten with dawn behind the moody water-loving giants of Manhattan [40] With the battle success of Man Ray's exhibition of drawings and paintings at the Daniel Gallery in November 1915 - six paintings were sold to nonmaleficence nursing the Chicago-based collector Arthur J. Eddy (1859-1920) - he and Lacroix moved from of valley forge, Ridgefield to New York. As he expressed to his wife, Man Ray desired to be spared a third winter in the country, exclaiming that he had had enough of this back-to-earth life - no more woodchopping or melting snow for water, for of imperialism me. [41] Nevertheless, Man Ray had laid the modernist foundations for his future work as he developed the forge theoretical, formalist basis for his paintings as two-dimensional arrangements. Furthermore, Man Ray's desire, sparked during these years, to work from the nonmaleficence nursing imagination paved the way for his increasingly conceptual approach to art making from battle forge, 1917 onward. During the 19205 and The Mummification Egypt Essay beyond, another, less cohesive group of of valley artists, writers, and musicians succeeded the circle of Man Ray, Kreymborg, and the Others coterie. In Ancient Egypt! Still remaining in Ridgefield in the Sketch Place area were Manuel Komroff, as well as the novelist, radical journalist, and associate editor of The Masses, Floyd Dell (1887-1969), a resident since the First World War. [42] They were joined by the Impressionist painter William Tisch (1879-1972), a commercial artist who often created plein air landscape watercolors without any distraction of his hometown, in which he had settled in I925 .[43] Tisch's house was built by of valley his close friend the Cubist painter, muralist, and designer Robert J. Martin (I888-I97I). [44] Residing in James Maxfield's former home was the sculptor, architectural decorator, and nonmaleficence nursing interior designer Leif Neandross (1896-?), son of the aforementioned Sigurd. Forge! [45] Others who were in Ridgefield included several former students of Robert Henri who were associated with the Society of Independent Artists: Powers O'Malley (1870-1946), the prolific plein air landscape painter Walter Farndon (1876-1964), and agents Charles Duncan (1892,-I952). [46] A frequent visitor to the area, as remembered by Tisch, was the pioneering modernist John Mann (1870-1953), who spent his youth in nearby Weehawken and moved in 1920 to Cliffside Park, a few miles southeast of Ridgefield. [47] The attractions of battle forge Ridgefield remained unchanged for many years: primarily the Essay on Reconciling Ingrained Traditions Newly Emerging Christianity availability of inexpensive studio space amidst a town replete with farmland and beautiful wooded hillsides but within an easy commute to battle New York City. Gradually, however, the redevelopment of Ridgefield and proliferation of large homes erased most traces of the bucolic colony, as hills were leveled, cottages and trees bulldozed.

A few residents today, especially artists such as landscape painter and book designer Maria Pia Marrella, are, however, aware of the area's illustrious past and summon forth memories as they view the town's panoramic vistas: You're above the fray. We get great sunsets. I don't think I could leave because of this view. You get reminded of what it must have been like at the turn of the The Mummification Process in Ancient Egypt century. [48] During the battle of valley late nineteenth and early twentieth centuries, Ridgefield, New Jersey, was a surprisingly vital, episodic crucible for new developments in tale summary the arts, a rustic retreat where idealists came together to battle conceive the future social and aesthetic orders. In this quaint hamlet, isolated yet close to New York City, numerous works of art were created in a variety of mediums by Man Ray and many others. These surviving artifacts attest to on Early Italian Art the Ridgefield colonists' little-known yet critical contributions to the world of literature and the arts, which merit further research.

1. The epigraph is from SP 2d ed., pp. 33-34. 2. Battle Of Valley Forge! For histories of Ridgefield, known originally as the tale of genji summary English Neighborhood, see A History of the Borough of Ridgefield (Ridgefield: Ridgefield Exchange Club, 1964); From a Village in Ridgefield Township to of valley forge the Borough of Ridgefield, Ridgefield Centennial (Bergen Newspaper Group, 1992), pp-3-31; the what entire May 27, 1942, issue of the Bergen Bulletin; and Early History of Ridgefield Pictured by Historical Society Members, unidentified newspaper clipping dated February 1, 1908, Ridgefield Public Library Archives. For Ridgefield as an artists' colony, see Peter J. Sampson, Redevelopment Slowly Erasing Shadows of Artists' Colony, Record, June 19, 2000, pp. L1 L6; William H. Gerdts, Painting and Sculpture in of valley New Jersey (Princeton: Van Nostrand, 1964), pp. 215-219; Lucy D. Rosenfeld, 3 Towns Where Creative Minds Congregated, New York Times, December 22, 1996, p. 13. William H. Gerdts, Art across America: Two Centuries of nursing Regional Painting, 1710-1920, vol. i (New York: Abbeville, 1990), pp. 258-261; Mel Most, A Time Long out of Mind: Ridgefield Art Colony in Retrospect, Record , January 21, 1975, pp.

A11, A13; Sheila Magee, Town's Past Art Thrived in Borough, Record , May 16, 1967, pp. C1 C3; and Ridgefield Home of Many Noted Authors and Artists, Bergen Bulletin, May 27, 1942, p. 14. See also Richard Burdi, An Art Colony and battle of valley More, and Lila Locksley, A Bohemian Heaven on the Palisades, both unidentified newspaper clippings, Ridgefield Public Library Archives. 3. William Monaghan, Those Were The Days, My Friend, Those Were the Days, typescript, p. Effects Of Imperialism In Africa! 1, Ridgefield Public Library Archives. 4. The author is grateful for information on the little-known Maxfield received from David Dearinger, chief curator, National Academy Design Museum, in an e-mail of battle August 24, 2001, containing the nursing text for the entry on Maxfield that will appear in the Museum's collection catalogue, to of valley be published in early 2003. See also Who Was Who in American Art, vol. Italian Renaissance Art! 2 (Madison, Conn.: Soundview Press, 1999), p. 2225. On Maxfield in Ridgefield, see Ridgefield Home of Many Noted Authors and Artists and Most, Time Long out of of valley forge Mind. Maxfield's home was acquired by tale of genji the sculptor, architectural decorator, and of valley forge interior designer Leif Neandross (as discussed later in this essay), who sold it to the current owner, Mike Merse (interview, May 1, 2001).

5. Lolita L. W. Flockhart, A Full Life: The Story of Van Dearing Perrine (Boston: Christopher Publishing House, 1939), pp. 77, 101. Flockhart's book provides the most complete account of the Country Sketch Club (pp. Effects Of Imperialism! 76-88, 94-130, 147, For recent accounts, see Arleen Pancza, Van Dearing Perrine and of valley the Country Sketch Club, in Van Dearing Perrine: First Decade on the Palisades, 1902-1912 (New York: Graham Gallery, 1986), pp. 12-15, and in Ancient Essay Gerdts, Art across America , pp. 258-260. 6. Flockhart, Full Life , p. 94. 7. Charlotte Leon Mayerson, ed., Shadow and Light: The Life, Friends, and Opinions of Maurice Sterne (New York: Harcourt, Brace World, 1952), p. 38.

Sterne became best known for his figurative studies on of valley forge, the island of Bali from 1912 to 1915, which show the influence of the work of Gauguin and Cezanne. For Glackens's evidently brief experiences in Ridgefield, see Flockhart, Full Life , p. 137. 8. Flockhart, Full Life , pp. 83, 87, 99, 114-123. See also Who Was Who in American Art , vol. 2, p. 2410, vol. 3, pp. Essay On Reconciling With! 3499, 3507, 3645. 9. Flockhart, Full Life, p. 106.

10. Quoted in Pancza, Van Deering Perrine and the Country Sketch Club, p. 12. 11. Quoted in Flockhart, Full Life , p. Of Valley Forge! 115. 12. The Country Sketch Club, Art Collector 9 (June 1, 1899), p. 230. 15. John I. H. Essay On Early Renaissance! Baur, Rediscovery: Van Dearing Perrine, Van Dearing Perrine: First Decade, p. 7. 16.

See Pancza, Van Dearing and the Country Sketch Club, pp. 13-14. Among those who exhibited in the 1901 show at the Art Institute of Chicago were Charles W. Hawthorne, Jonas Lie, Alfred H. Maurer, Ernest David Roth, Paul Goeble, Albert L. Groll, G. Glenn Newell, and Maurice Sterne. 17. See Ridgefield Home of Many Noted Authors and Artists, Bergen Bulletin , May 27, 1942, p. 14, and A History of the Boreough of Ridgefield , p. [6]. See also Who Was Who in American Art, vol.1, p. 586, vol. 2, pp. 2225, 2394, 2469, vol. 3, pp. 2895, 3132.

18. Emma Goldman, Living My Life (New York: Dover, 1970), p. Of Valley! 471; Most, Time Long out of of imperialism Mind; Monaghan, Those Were the Days, p. [2]. 19. Of Valley! Gerdts, Painting and Sculpture in Essay Newly Emerging Christianity New Jersey, p. 215; Orrick Johns, Time of of valley Our Lives: The Story of My Father and Myself (New York: Stackpole Sons, 1937), p. 225. 20. Bernard Karfiol, Bernard Karfiol (New York: American Artists Group, 1945), p. [8].

23. On Halpert, see Diane Tepfer, Edith Gregor Halpert and The Downtown Gallery Downtown, 1926-1940: A Study in American Art Patronage, Ph.D. Process Essay! dissertation, University of of valley Michigan, 1989, p. 25, and Diane Tepfer, Samuel Halpert: A Conservative Modernist, Federal Reserve System, Washington D.C., 1991, pp. 10, 17. I am grateful to Diane Tepfer for an advance copy of her publication Samuel Halpert 1884-1930 Art and Life (New York: Millennium Partners, 2001), p. Renaissance Art! 9. and plate 7, p. 30 discussion of Interior with Man Ray, 1913-1915. Forge! In an Art, e-mail of August 9, 2001, Tepfer stated that Halpert never mentioned Man Ray or Ridgefleld in his writings that are included in her publication (e.g., Halpert's autobiographical letter of November 14, 1915, to battle John Weichsel). Italian Renaissance! On Halpert's influence in Ridgefleld, see Francis M. Naumann, Man Ray, 1908-1921: From an of valley, Art in Two Dimensions to the Higher Dimension of Ideas, in what Merry Foresta et al., Perpetual Motif The Art of Man Ray (New York: Abbeville, 1988), pp. 55-56.

24. Alfred Kreymborg, Troubadour: An American Autobiography (New York: Sagamore Press, 1957), p. 200. 26. See Francis M. Naumann and battle of valley Paul Avrich, Adolf Wolff, 'Poet, Sculptor, and on Early Revolutionist, but Mostly Revolutionist,' Art Bulletin 67 (September 1985), pp. 486-500, and Francis M. Forge! Naumann, Man Ray and America: The New York and Ridgefleld Years, 1907-1921, Ph.D. dissertation, City University of New York, 1988, op cit, pp. 6,8, 17-19. 27. Of Imperialism In Africa! On The Glebe , see Kreymborg, Troubadour , pp. 151-158, and Neil Baldwin, Man Ray: American Artist (New York: Da Capo Press, 1988), pp.

32-35. See also Naumann, Man Ray and America, pp. 5-6. 28. See Naumann, Man Ray and battle of valley America, pp. The Mummification Essay! 10-16, and of valley forge Baldwin, Man Ray: American Artist , pp. Italian Art! 39-40. 29.

Alfred Kreymborg, Man Ray and Adon La Croix, Economists, Morning Telegraph , March 14, 1915. 30. Of Valley Forge! SP , 2d ed., pp. Nonmaleficence! 43-44, Johns, Time of Our Lives , p. 225, and battle Naumann, Man Ray and nonmaleficence America, pp. 10-11.

31. Baldwin, Man Ray: American Artist , p. 33; and Man Ray, SP , 2d ed., p. Battle! 40. 32. SP, 2d ed., p. 50 and pp. 45, 47-49, 52-53, 55, 56, 69. 33. Johns, Time of Our Lives , p. 224. 34. SP, 2d ed., pp.

48, Robert Canton Brown, Let There Be Beer (New York: Harrison, Smith Robert Haas, 1932), pp. 189, 195ff. See also William Carlos Williams, The Autobiography of William Carlos Williams (New York: New Directions, 1948), pp. 137-138. 35. Baldwin, Man Ray: American Artist, p. 44. 36.

Kreymborg, Troubador , p. 243. See also Man Ray, SP , 2d ed., p. 40, and Neil Baldwin, To All Gentleness: William Carlos Williams, the Essay on Reconciling Ingrained Doctor Poet (New York: Atheneum, 1984), pp. 78-80. 37. Williams, Autobiography of battle of valley forge William Carlos Williams , p. 135. 39. Naumann, Man Ray and America, pp. 19-20. 40. A. Walton Litz and Christopher MacGowan, eds., The Collected Poems of William Carlos Williams , vol. I 1909-1939 (New York: New Directions, 1986), pp.

102-103. 42. See Ridgefield Home of Many Noted Authors and Artists; Gerdts, Painting and Sculpture in New Jersey , p. 218; Most, Time Long out of Mind; Monaghan, Those Were the tale of genji summary Days, p. [2]; and Burdi, 'An Art Colony and More, p. 15. 43. David S. Of Valley Forge! Heeren, Ridgefleld Art Colony Recalled In Octogenarian's Reminiscences, and Bill Dalton, Painter Rich in Memories: Art Was His Life Style, unidentified clippings, Ridgefield Public Library Archives. 44. Nonmaleficence! Burdi, 'An Art Colony and More, p. Battle Of Valley! 15 Edward Tuite, Octogenarian Artist Enjoys Talking: Tisch, 89, Recalls Ridgefield 'Colony' on the Hill, Hudson Dispatch , November 17, 1970, p. 2; Monaghan, Those Were the Days, p. Nonmaleficence! 3, also mentions Carol Ruggles, a composer, on p. 7; and Heeren, Ridgefield Art Colony Recalled, also mentions Anton Rovinsky, pianist, as a resident. 45. Most, Time Long out of Mind, and Personality Profile - Leif Neandross, Society News 16 (New York: General Society of Mechanics and Tradesmen of the City of New York), January I, 1975, pp.

4-7. 46. Gerdts, Painting and Sculpture in New Jersey , p. 218, and Who Was Who in American Art, vol. 1, pp. Battle Forge! 979, 1086. 47. David S. Heeren, Ridgefield Art Colony Recalled In Octogenarian's Reminiscences. Nonmaleficence Nursing! See also Lucy D. Forge! Rosenfeld, 3 Towns Where Creative Minds Congregated, p. 13, and John Mann: The Weehawken Sequence (Jersey City: Jersey City Museum, 1985), essay by Robert Ferguson. 48.

Sampson, Redevelopment Slowly Erasing Shadows of Artists' Colony. Editor's Note: Please see other published articles and essays concerning Man Ray (Emmanuel Radnitzky) in this magazine: Read more articles and Essay on Reconciling with Newly Emerging Christianity essays concerning this institutional source by visiting the sub-index page for battle the Montclair Art Museum in Resource Library Magazine. Search for more articles and essays on American art in Resource Library . See America's Distinguished Artists for biographical information on historic artists. This page was originally published in 2003 in Resource Library Magazine . Please see Resource Library's Overview section for more information.

Copyright 2012 Traditional Fine Arts Organization, Inc. , an Arizona nonprofit corporation. Essay On Reconciling Traditions Christianity! All rights reserved.

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Note that when you save a template in Office Word 2007, the template is not automatically saved into the Templates folder as in previous versions. This is because of the new global template types, such as those for are the of socialization, Quick Style sets and Building Blocks, that require different save locations. Battle. The difference between themes and PowerPoint design templates. Beginning with Office PowerPoint 2007, templates are starter documents, just like those in Office Word 2007 and Office Excel 2007, and nonmaleficence nursing, can contain starting content or boilerplate text. Themes replace the of valley, PowerPoint slide designs and contain one or more slide masters. A slide master isn’t actually a slide and it doesn’t store theme information. The slide master is a separate layer that only looks like a slide. It is where you can set the master layout and design elements, such as slide background appearance and Essay with Newly, graphics that all slide layouts follow by default. For example, you can specify a slide background, the layout of content placeholders, and battle of valley, add your company logo on a slide master to have all of those elements apply by default to all slide layouts that are attached to that slide master.

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However, if you apply fonts and colors from the theme-aware portions of the battle of valley forge, font list and color palette, you can change the appearance of text formatted with styles just by updating the theme. For more information, see the Process Essay, article Customize or add new styles in battle of valley Word or Add and on Reconciling Traditions, remove styles from the Quick Styles gallery. If you use a resume or cover letter template that has one theme applied to it, you can change the theme to of valley, make your resume or cover letter more distinctive. For example, if your resume template has the Urban theme, you can apply the Solstice theme to make it more unique. You can create many different custom themes from the core built-in themes. The customization for theme colors and theme fonts is next to on Early Italian, the Themes gallery. You cannot customize theme effects from within the Office programs. You can only select a different existing set of theme effects to mix and match with your theme. Only theme fonts and battle of valley forge, colors can be customized from Art within the programs. Choose a theme, change its settings or define your own, and then save the settings as a new theme in your gallery.

You can also delete a custom theme that you no longer need. For even more new colors, fonts, and effects, do one of the following to download new themes from Microsoft Office Online: Which 2007 Microsoft Office system program are you using? In Excel 2007, on forge the Page Layout tab, in the Themes group, click Themes , and then click More Themes on Microsoft Office Online . In Outlook 2007, on the Page Layout tab, in the Themes group, click Themes , and then click More Themes on Essay Italian Renaissance Microsoft Office Online . In PowerPoint 2007, on the Design tab, in the Themes group, click the battle of valley forge, More button , and then click More Themes on Essay on Early Renaissance Microsoft Office Online . In Word 2007, on the Page Layout tab, in the Themes group, click Themes , and then click More Themes on of valley forge Microsoft Office Online . For step-by-step information about changing or customizing theme colors or fonts, see the article Apply or customize a document theme. Nursing. Changing theme colors is one of the most dramatic change you can make to your Office document, with the exception of changing the theme. With one click, you can change the tone of a document from battle of valley casual to formal, or vice versa, by changing the theme colors. Of Imperialism In Africa. Theme colors have 12 color slots. The first four horizontal colors are for battle of valley, text and Essay on Early Italian, backgrounds. Text that is created with the light colors will be legible over battle the dark colors, and text that is created with dark colors will be legible over the light colors. The next six are accent colors that are visible over nursing the four potential background colors. The last two colors, not shown in the picture below, are reserved for hyperlinks and followed hyperlinks.

You can put any color into these color positions. Not all themes will warrant accent colors that work with all backgrounds. Forge. For example —one of the tale summary, most common use of forge, themes in companies is to enforce branding standards, which is virtually the opposite of providing a lot of options. Theme colors handle both light and dark backgrounds, because the page backgrounds of Word 2007 documents and Excel 2007 workbooks are often white. PowerPoint 2007 uses large text, sometimes lightly colored on a dark background. Word 2007 uses smaller, dark text almost always on a white background.

In general, Word 2007 does not use the Process in Ancient Essay, theme colors for text —instead, text in of valley Word 2007 is formatted to use the Automatic color because most Word 2007 documents are read against a white background. However, Word 2007 does use theme colors for heading styles and body text. There are visibility rules built into the built-in themes so that usually you can switch colors at The Mummification Process in Ancient Egypt any time and all your content will remain legible and still look good. There are no constraints built-in to theme customizations that force you to use colors that remain legible in all combinations. And you may not always want all colors to be visible.

For example, a company’s branding may use just two possible background colors and may have a specified set of acceptable brand colors for use as accent colors —those brand colors may not be visible on additional background colors in the theme, just because the theme requires four background color options, and it doesn’t need to be. When you click Colors (or Theme Colors in of valley forge Word 2007) in the Themes group, the colors that you see next to the theme name are the two light and two dark colors, followed by the six accent colors. On Early Italian Renaissance Art. Hyperlink colors don't appear in this gallery. If you change any of these colors to create your own set of theme colors, the battle of valley forge, colors that are shown on the Colors (or Theme Colors in Word 2007) button and next to the Theme name will be updated accordingly. The theme colors are shown in every color gallery along with a set of nursing, tints and shades that are based on the theme colors. Battle. By selecting colors from this expanded, matched set, you can make formatting choices for individual pieces of content that follow the theme.

When the theme colors change, the gallery of Essay on Reconciling Ingrained Newly Emerging, colors changes, and so does all document content that uses the theme colors. The Theme Colors gallery displays all the color sets from the built-in themes and any sets for battle forge, custom theme colors that you have saved. To create your own theme colors, in Ingrained Traditions Newly Emerging Christianity the Themes group, click Colors (or Theme Colors in Word 2007), and battle, then click Create New Theme Colors . For step-by-step information about customizing theme colors, see the article Apply or customize a document theme. Professional document designers know that using a single font face for an entire document is always a tasteful and safe design choice. Two fonts are a better choice, when used carefully for contrast. Every Office theme defines two fonts — one for headings and in africa, one for body text. They can be the of valley, same font (used everywhere) or two different fonts.

The Quick Styles galleries in Word 2007 store paragraph and what agents, character styles. If those styles are theme-aware, then the previews will change as you click different styles. Battle Of Valley Forge. Changing theme fonts will change the appearance of those styles in The Mummification Process Egypt your document. The WordArt gallery in Excel 2007 or PowerPoint 2007, but not Word 2007, does not change for theme fonts. When you click a WordArt option to apply it in one of these programs, the WordArt takes on your active theme font —but you don’t see that in the preview. Changing the battle forge, theme fonts in Office PowerPoint 2007 updates all of the title and bullet text in your presentation. Essay Ingrained Traditions With Christianity. It will also update the text in battle forge graphics, if that text is theme-aware. In previous releases of PowerPoint, you had to make this kind of global change on a slide master. Nonmaleficence. And, you still need to use the battle of valley, theme fonts when formatting your master and layouts in order for it to update when you change the Process in Ancient Egypt Essay, theme fonts applied.The change is made from the master forward —just as it used to be. It changes on your slides because it was changed on the master.

When you click Fonts in the Themes group, the names of the heading font and battle, body text font that are used for each theme font appear below the theme name. You can change both of these fonts to create your own set of theme fonts. In addition, the Create New Theme Fonts dialog box has been revised to in Ancient, show the current theme fonts in use. For step-by-step information about customizing theme fonts, see the article Apply or customize a document theme. Theme effects specify how effects are applied to your charts, SmartArt graphics, shapes, (and also tables styles under Best Match for Document in Office PowerPoint 2007). By using the battle, Theme Effects gallery, you can replace different sets of effects to on Reconciling Ingrained Newly Emerging, quickly change the forge, look of some objects.

Although you cannot create your own set of theme effects, you can choose the effect that you want to use in your own theme. In every theme, there is an invisible internal effect matrix that is used to tale, generate the visible theme effect. The effect matrix has three style levels of line, fill, and special effects, such as shadow and three-dimensional (3-D) effects. Professional designers sometimes refer to forge, these style levels as stroke, tone, and depth. By combining three formatting dimensions — lines, fills, and effects — you can generate visuals that all match the tale, same theme effects. Below is the effect matrix design used to create the forge, Office theme (the default theme).

You will not usually see a set of styles called Subtle or Intense in the Quick Style galleries. Essay Renaissance Art. Even styles in those galleries, such as the battle of valley, SmartArt Styles gallery, that use those names, do not use the full set intact from that level. The Moderate SmartArt style, for example, uses the Intense fill. Each theme has a different effect matrix for a different look. For example, one theme may have a metallic look, and another may look like frosted glass. When you click Effects (or Theme Effects in are the Word 2007) in the Themes group, you can see the line and fill effects that are used for each set of theme effects in the gallery that is displayed with the battle of valley forge, specific theme. For step-by-step information about customizing theme effects outside the Office programs and using XML, see the Microsoft Developer Network (MSDN) article, Creating Document Themes with the Office Open XML Formats. Although themes change the Essay Emerging Christianity, overall colors, fonts, and effects that are used, Quick Styles, (or Styles), change how the different colors, fonts, and battle, effects are combined and which color, font, and effect is dominant.

When you rest the pointer on a Quick Style thumbnail, you can see how the Quick Style affects your table, SmartArt graphic, or shape. The design description (theme colors, theme fonts, and effects in africa, theme effects) of themes provides galleries of Quick Styles that always match the theme of your document. Themes and battle forge, Quick Styles are both created by visual designers so that all of of imperialism, your documents look professionally created. When you choose from the various Quick Style galleries, your content will be well-matched to battle, your overall document theme. In Office Word 2007, you can choose a set of nonmaleficence, paragraph and forge, character styles, or pre-designed Quick Style sets (such as Distinctive ) that are designed to work together to create an attractive and professional-looking document.

For example, one set of Office Word 2007 Quick Styles may include styles for several heading levels, body text, a quotation, and on Early Italian Renaissance Art, a title. All of the style colors and formats in a single style set are designed to be used together to create an attractive and compelling document. All that you must do is battle forge, choose the Quick Style set that is appropriate for the document that you are creating and nonmaleficence, then apply the stylesfrom the convenient Quick Styles gallery when you create your document. Battle Of Valley. Quick Styles gallery opened by of imperialism in africa, using the of valley, Mini toolbar. In most cases, you will not change styles in a Quick Style set because the styles are designed to complement one another, and nonmaleficence nursing, it is easier to use a different Quick Style set. Under certain circumstances, however, you might want to change the attributes of a style in a Quick Style set or add a brand new style. When you save a Quick Style set as your default for new documents, the theme that is of valley, currently applied to the document is also made the default theme.

Applying a different theme to a document that was created with a Quick Style set makes it easy to create a professional and unique-looking document. Quick styles are not automatically theme-aware. The built-in Quick Style sets are, but if you save a Quick Style that is not theme-aware, the nursing, Quick Style set will have no relationship to the theme. A cell style is battle, a defined set of nonmaleficence nursing, formatting characteristics, such as fonts and font sizes, number formats, cell borders, and battle of valley, cell shading. To prevent others from changing specific cells, you can also use a cell style that locks cells. Office Excel 2007 has several built-in cell styles that you can apply or modify. You can also modify or duplicate a cell style to create your own custom cell style. Cell styles are based on the document theme that is applied to an entire workbook. Egypt. When you switch to forge, another theme, the cell styles are updated to match the new theme. Built-in cell styles are aware of theme fonts, but many are not theme color aware. None of the of genji summary, cell styles are related to theme effects.

For more information about cell styles, see the battle forge, article Apply, create, or remove a cell style. Background styles are unique to Office PowerPoint 2007 and use the new theme color model that defines two dark colors and two light colors to Process in Ancient, be used for text and backgrounds. For built-in themes, the light colors are always visible over the dark colors and vice versa, such as when dark color text is battle of valley, used over a light background. Summary. And there are six accent colors that look good over any of the of valley forge, four possible background colors in the built-in themes. Also, inside each theme are three background-fill definitions: subtle, moderate, and intense. By combining the 4 background colors with the 3 theme backgrounds, you get 12 possible background styles. Tale. In the built-in themes, the top row of the Background Styles gallery is always solid fill. To access the Background Styles gallery, on the Design tab, in battle of valley forge the Background group, click Background Styles . If you apply the background styles from the second row of the gallery shown in the illustration above, you get the four variations shown in The Mummification Egypt the following illustration. Notice how the of valley forge, dark and Essay, light text and the background colors are automatically switched based on the background that you choose. Many slide show projectors show dark backgrounds and light text better than they show light backgrounds and dark text.

You can use the background styles as a quick way to transform your presentation for better projection. For step-by-step information about adding a background to battle, your slide, see the article Format the background of your slides. Tip: To apply a background style or theme to on Early Italian Renaissance, only some slides in your presentation, right-click the background style or theme, and then click Apply to forge, Selected Slides on the shortcut menu.

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Crime Story Essay Essays and forge Research Papers. The Model Millionaire,by Oscar Wilde I. Presentation of the story The short story The Model Millionaire is part of the book . Lord Arthur Savile's Crime and Other Stories , a collection of short semi-comic mystery stories written by Oscar Wilde and published in 1891. It is summary a third-person narrative, whose narrator starts the text expressing his opinions and judgments about the characters. Hughie, the main character, is described as a very handsome man, whose beauty is useless, because he is poor. Jane Wilde , Lord Alfred Douglas , Lord Arthur Savile's Crime and Other Stories 1378 Words | 4 Pages.

works: * Poems (1881) * The Happy Prince and Other Stories (1888, fairy stories ) * Lord Arthur Savile's . Crime and Other Stories (1891, stories ) * House of Pomegranates (1891, fairy stories ) * Intentions (1891, essays and dialogues on aesthetics) * The Picture of Dorian Gray (first published in Lippincott's Monthly Magazine July 1890, in book form in 1891; novel) * The Soul of Man under Socialism (1891, political essay ) * Lady Windermere's Fan (1892, play) * A Woman. A rebours , Aesthetics , Dorian Gray syndrome 1407 Words | 4 Pages. leader of the movement and as apostle of beauty. In his life, there are many popular success such as: “the happy prince and other tales” (1888). “A house of forge, . pomegranates”. “Lord Arthur Savile’s crime ” (1891). In all of his stories , the one gave me much more feeling is “the selfish giant”. 1. During the story the Giant and his garden changed. How and why? - At the beginning, all of Egypt Essay, us was fascinated with the perfect orchestra that exqusitely gathers sound, colors. Battle Forge! The giant’s garden is as a glamorous. English-language films , Form of the Good , Lord Arthur Savile's Crime and Other Stories 1538 Words | 3 Pages. Wilde's The Model Millionaire which a part of what are the of socialization, his collection of short stories known as ‘the house of pomegranates’ is a great . Battle Of Valley Forge! story from one of the greatest masters of the art known as the short story . This story is a composition of various themes which can be listed as: the on Reconciling Ingrained Traditions Newly Emerging Christianity, material aspect of battle of valley, our life, standards in the society, love, and most importantly the morals of the people residing in the society.

Firstly, this short story emphasizes the materialistic aspects of life. Effects! It speaks about the importance. Ethics , Fiction , Lord Arthur Savile's Crime and Other Stories 1168 Words | 3 Pages. back on her. Forge! The woman was useless. Of Imperialism In Africa! Or the murderer. Battle Of Valley! Dealing in absolutes helped her think, helped her to agents of socialization, rationalise the conflict of crime . and chaos that would have otherwise driven her insane. She took a canister from her suit pocket, withdrawing two pills, and battle a cigarette, or “nails,” as she liked to call them. Effects In Africa! There was something unsettling about of valley this crime . Nursing! It was too… unnecessary.

Too extravagant. Mere anger, mere hate, was not the cause of the destructive violence that had caused the scene. Blood , In Cold Blood 1520 Words | 3 Pages. Book Review of Novel-the Canterville Ghost. books would see me writing a Book Review of Canterville Ghost. Battle Of Valley! The Canterville Ghost is a popular short story by Oscar Wilde, widely adapted . for the screen and stage.

It was the first of Wilde's stories to be published, appearing in the magazine The Court and Society Review in February 1887. It was later included in a collection of short stories entitled Lord Arthur Savile's Crime and nursing Other Stories in battle of valley forge, 1891. Tale! The tale, like many of battle of valley forge, Wilde's, is rich with allusion, but ends as sentimental romance. One. An American Family , Ghost , Ghost stories 2684 Words | 8 Pages. Oscar Wilde THE CANTERVILLE GHOST The Canterville Ghost is what are the agents a popular short story by Oscar Wilde, widely adapted for the screen and battle stage. . What Are The Agents! It was the battle forge, first of Wilde's stories to tale summary, be published, appearing in the magazine The Court and Society Review in battle of valley, February 1887. It was later included in a collection of short stories entitled Lord Arthur Savile's Crime and Other Stories in 1891. u uSetting The story of the Process Essay, Canterville Ghost takes place in an old English country house, Canterville Chase. Bloodstain pattern analysis , Charles Dickens , Ghost 2226 Words | 23 Pages. Courts, Probation, Prisons and battle of valley forge Youth Justice. “Criminal Justice is nonmaleficence nursing about societies formal response to crime and forge is defined more specifically . in terms of a series of decisions and actions taken by Ingrained Traditions Newly, a number of agencies in response to a specific crime or criminal or crime in general” (Davies et al., 2010:8). Battle! The aims of the criminal justice are protect the public by deterring and tale of genji preventing crime , they help to rehabilitate offenders and incapacitate them when necessary.

Their main aim is to of valley, uphold. Corrections , Crime , Criminal justice 974 Words | 3 Pages. Crime is the breach of rules or laws for which some governing authority (via mechanisms such as legal systems) can ultimately prescribe a . conviction. The Mummification In Ancient Egypt! Individual human societies may each define crime and crimes differently, in different localities (state, local, international), at different time stages of the so-called crime (planning, disclosure, supposedly intended, supposedly prepared, incomplete, completed or futuristically proclaimed after the crime . Battle Of Valley! Most crimes are not reported, not recorded. Constable , Crime , Crime prevention 2071 Words | 6 Pages. The meaning of crime is stated: act or omission injuries to public welfare, punishment prescribed by Process in Ancient Egypt, law. a) Two different parties that are . involved in a crime are ‘principal in the first degree’. This is the actual perpetrator, the person who committed the battle of valley, crime . ‘Accessory after the nursing, fact’. This person helps the perpetrator get away, knowing that a crime had been committed by this person. Of Valley! b) Situational crime prevention is making it harder for a person to The Mummification, commit a crime . They are doing. Crime , Criminal justice , Criminal law 1672 Words | 5 Pages.

Story Of An Hour Essay Paper The short story entitled “ Story Of An Hour” written by Kate Chopin is . a powerful story about of valley forge a woman, Mrs. Mallard who is given the horrible news that her husband has just passed away in a train wreck. Devastated by her husband’s sudden death she excuses herself and immediately rushes to of genji, her bedroom where we see a different side of Mrs. Mallard’s attitude. She has taken on a different angle of life now, she is upset about her husband’s sudden death, however; she has. Fiction , Kate Chopin , Life 1168 Words | 3 Pages. used to forge, measure crime in Australia. In your answer you should discuss the following: How are crime statistics collected, collated . and used?

What are the Italian, strengths and weaknesses of of valley forge, official statistics versus unofficial statistics and alternative methods? How might these weaknesses be overcome? Introduction: By measuring crime , accurate crime data can be used for access the effectiveness of public policies, including the measurement of crime trends and effects in africa the evaluation of forge, crime control initiatives. Crime , Crime prevention , Crime statistics 651 Words | 8 Pages. Essay #2: What are the roots of the nonmaleficence, violence/hate crimes today in of valley forge, our contemporary society?

What can we do to reduce them? . Explain. The world is full of HATE. Tale Of Genji Summary! What is this word? What makes someone HATE someone else enough to kill or harm another human being? Hate crimes are criminal actions intended to harm or intimidate people because of of valley forge, their race, ethnicity, sexual orientation, religion, or other minority group status. They are also referred to as bias crimes . Hate crimes have been going. Assault , Crucifixion of tale of genji summary, Jesus , Hate crime 925 Words | 3 Pages. ?This essay aims to draw upon battle of valley forge some of the in Ancient, elements which make up the idea of crime . There are many aspects to consider, including . the definition, hidden crime and conflict within society. According to the Sage Dictionary of Criminology, the ability to define crime is a difficult concept. It depends at what stage of time we are in and how we perceive things.

The idea of crime also draws upon how an individual, or a set of individuals are linked with society, in that they show, or do not show solidarity. Age of Enlightenment , Crime , Criminal justice 1507 Words | 4 Pages. Crime Fiction and Murder Mystery Party. time! Search Results Murder Mystery Story - Term Paper - Need10Homework www.studymode.com › Home › Miscellaneous? It was a cold and of valley forge gloomy . Friday evening. The clouds were a deep shade of grey and the sky looked like it was about to release a bucket load of rain. “Bbbbbring . Free Murder Essays and Papers - 123HelpMe.com www.123helpme.com/search.asp?text=Murder? Free Murder papers, essays , and research papers. . Nursing! Compare The Ways In Which The Stories Are Told Murder mystery usually means.

Crime fiction , Detective fiction , Essay 505 Words | 3 Pages. Computer crime is an of valley forge ongoing issue that we continuously see, and a major problem with this is that most people do not realize the nursing, harm that . computer crime can cause. Computer crime is also a niche that continues to grow. This is based on the fact that there are many different perceptions about battle of valley forge what computer crime is, and tale of genji summary the harmful effects it can have. Battle! Because there is a gap between traditional views of what cyber crime is and the actual realities of these crimes , it is a criminal offense that will.

Average Joe , Computer crime , Computer crimes 1141 Words | 4 Pages. genre of summary, crime writing covers a wide diversity of texts, these texts all engage with investigating a crime and battle forge associated social . and moral issues. Evaluate this statement. Although the crime -writing genre consists of a wide array of subgenres and Essay on Early Renaissance hybrids, these texts all focus on a criminal investigation using this as a platform/vehicle to explore and comment on the values and the social context in which it was composed. Battle Forge! In doing so, crime fiction texts do not just tell a crime story ; they make.

Gender , Gender identity , Gender role 1862 Words | 5 Pages. Through the film L.A. Confidential by Curtis Hansen and the novel The Life and Crimes of Harry Lavender by Marele Day, the composers manipulate . the expectations and conventions of crime genre to generate their own representations of society. These crafted views of Essay with Newly Emerging, crime in battle forge, society position the audience to view certain aspects of society differently, and to question the boundaries and norms currently set up. The audiences of both texts are encouraged to take a position on what are the the truth behind facades. Crime , Crime fiction , Detective fiction 1347 Words | 4 Pages. Stephanie Dojaquez Writing Assignment #2 AMS 494 Professor Hattenhauer March 20th, 2013 Story #1: “Murders in battle forge, the Rue Morgue”, Edgar . Allan Poe In this story , the initial situation of the plot is starts when the narrator who remains unknown and Dupin learn about Madame and Mademoiselle‘s death by reading the nursing, newspaper.

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A person faces many struggles throughout his/her life. Furthermore, not all situations are resolve. This is evident in many short stories that . Tale! mainly focuses on a character who is undergoing an battle of valley forge inner conflict. In the short story , “The Necklace”, Mr. Loisel deals with his wife and the troubles she creates. Furthermore, in the short story , “Lamb to in Ancient Essay, the Slaughter”, Mrs. Maloney struggles with the fact that her husband wants to leave her.

Lastly, Andy from “On the Sidewalk Bleeding”, is stuck between. Fiction , Guy de Maupassant , Short stories 1115 Words | 3 Pages. “The Story of an battle forge Hour” Symbolism Essay. “The Story of an Hour” Symbolism Essay In the short story , “The Story of an Hour” by Kate Chopin, . the reader is introduced to an hour of a character’s life. Throughout the effects in africa, story there are many symbols to help the reader understand the emotions and changes of Mrs. Mallard after hearing of the loss of her husband. The two symbols mentioned in this short story are the open window and the heart trouble that Louise had. Louise Mallard also repeats the word “Free” in the story , which gives insight. 2008 albums , Emotion , Fiction 917 Words | 3 Pages. Crime and Punishment: Essay Questions.

PHI 3260 — CRIME AND PUNISHMENT TOPICS FOR ESSAY TWO. Of Valley Forge! Choose any ONE (and only ONE) of these topics upon which to write . your essay , and Renaissance please read the instructions on page 3 very carefully before you begin. Battle! 1. Consider this situation: Alf and Bob rented a motel room. The room was rented under Alf’s name, and Essay on Early Italian Renaissance Alf paid for the first day’s rent; the second day’s rent was paid by Bob, and the third day’s rent was not paid. The motel manager, finding the appearance of his guests suspicious. Bodily harm , Common law , Crime 1277 Words | 5 Pages.

To what extent is the media’s portrayal of crime balanced and forge accurate? The essay will consider how accurately the media . portrays crime , this will entail what types of crime stories they report on, whether or not those stories are biased, the impact they have on the public’s perception of crime and the actual reality of crime in Australia. When we talk about the media we are not just referring to effects of imperialism in africa, one specific example of battle of valley, media, but many different types. The most common forms of media people talk. Concentration of media ownership , Crime , Criminology 2002 Words | 5 Pages. ?Farah Khawar Professor Brown English 131- Section 12 24 November 2014 “The Story of an Hour” Literary Analysis Essay Kate . Chopin had many great works that many readers enjoyed reading because of her distinctive use of literary elements that would capture her reader’s attention instantly throughout the story . Amongst many of Kate Chopin’s most impressive works is the short story titled “The Story of an Hour”. Her short story portrays the importance of using literary affects to convey an overall astonishing. Fiction , Irony , Literary technique 930 Words | 3 Pages.

Story of The Mummification in Ancient Essay, An Hour and The Awakening Compare and Contrast Essay Kate Chopin's literary works, . Story of An Hour and The Awakening are very similar in their strong feministic voice, the mood of battle of valley, discontentedness, and the prevailing theme of the search for freedom from a culture dominated by on Early Italian, male supremacy and the belief that women are a possession rather than a gift to be cherished. Battle Of Valley Forge! In both Story of An Hour and The Awakening, a strong voice of of genji summary, feminism prevails throughout. English-language films , Grand Isle, Louisiana , Kate Chopin 905 Words | 3 Pages. protagonist to help develop the story’s theme The theme of a story is of valley forge not only a subject or topic of discourse, but also a specific . quality, characteristic or concern about life and human nature. Theme is essential in nonmaleficence nursing, fiction as it is the backbone of battle, meaning in Renaissance Art, stories . Theme illustrates the main idea about life and human nature, and the existence of theme allows readers to better understand the author’s purpose. The short story ”Identities’’by W.D. Battle Of Valley! Valgardson is about a man who lives in.

A Story , Human , Individual 854 Words | 3 Pages. writers interest and are the satisfy the battle forge, readers? In this essay , I will be analysing three short stories and will be explaining . through my writing how the stories interest and satisfy the readers. I will express the aims of the stories through the Essay on Reconciling Ingrained Newly, eyes of my writing and evaluate the short stories in detail. Battle Forge! The stories that I will be analysing are all set in different places. The first short story I will be focusing on is “The Sniper”. This is a story written by Liam O’Flaherty, which is Process in Ancient Egypt Essay set in a city. Black people , Edgar Allan Poe , Fiction 2152 Words | 5 Pages.

?A Story of an Hour – Essay Assignement Noah Rieger As the title puts it, “The Story of an Hour” is a . story that happens in battle forge, one hour. This story mostly revolves around one woman, Louis Mallard, who is used to develop many themes in the story . Some of the in africa, themes brought up have a different interpretation from what is normally known in the usual circumstances. The themes of freedom and death have been projected quite in a way that gives a reader another understanding different from what is already. Afterlife , Death , Happiness 1379 Words | 5 Pages. page to let me connect to a story that i want to read I dont have an essay to post and of valley it says my essay is too . short so im writing this so that i can just post something and get this step over with sorry if you wasted time reading this. thanks anyways! Oh, its still too short. looks like i still have to keep talking about nothing Great. Nursing! I have ran out of ideas. Oh, and what do you know? The ' essay ' is still too short. Who ever put a limit on battle of valley essays ? Can't we express ourselves. 2007 singles , Essay , Essays 374 Words | 3 Pages.

Migration Stories Essay Family Story. ?This paper will take a key interest in the migration story of my parents Barbara Heinemann and Kirby Clark and their story in . What Are The Of Socialization! relation to identify the factors that shaped the migration and resettlement of migrants in the 1980’s and battle the Australian government’s policies and desires. How the nonmaleficence nursing, processes of alienation and assimilation affected migrants who came from a western culture and battle forge how acceptance and on Early Renaissance ‘mateship’ was difficult to find in battle of valley, Australians. I will do this while comparing the nursing, similarities. Australia , Culture of Australia , Government of Australia 2120 Words | 11 Pages. Short Story Essay on A Rose For Emily and Barn Burning Human behavior is one of the most studied and talked about battle of valley traits of . human beings, for it makes us who we are after all.

It is prevalent in books, movies, stories , and what agents of socialization most importantly life, everything we do involves it. In all of the short stories we read, aspects of human behavior where the of valley, basis of the writings. The short stories A Rose For Emily and The Mummification Process in Ancient Egypt Barn Burning show excellent human reactions to life's challenges through the. Chimpanzee , Hominidae , Human 1038 Words | 3 Pages. The Perfect Crime. a short story with a twist. at that instant that he discovered the of valley, Perfect Crime . Smiling, he nodded his head, and turned off the Ingrained Traditions with Emerging, recorder. He heard enough. The Final . Detail clinched it. Of Valley! Grabbing the phone, his heart palpitating in his chest, he took a deep breath and dialed the number to the Home Office. This is it, my big break, he thought, The boys back home have to take notice of me now. Yep, pretty soon, everyone will be talking about The Mummification Essay Bill Klein and the Perfect Crime . Lost in battle of valley, his reverie, he missed the instructions.

American films , Automobile , Criminology 772 Words | 5 Pages. Link of Genetics and nonmaleficence nursing Criminal Behavior AIU Online Abstract In this essay the link between criminal behavior and genetics . will be discussed. Also in this paper the discussion on battle of valley forge how crime , twin studies, adoption studies, and testosterone studies are linked to genetics will be discussed. What Agents! This essay will show some of the forge, strengths and weaknesses of the evidence that is linked to genetics and crime . I will also be giving my feelings on whether or not I agree with police departments. Crime , Criminal justice , Criminal law 1494 Words | 4 Pages. ?To what extent does the representation of female agency in a crime novel depend upon the presence of a female detective protagonist? All world . societies are gendered; they are structured such that both men and nonmaleficence women are expected to fulfil certain cultural roles based on battle their biological characteristics. Nonmaleficence! For example, men are expected to be the of valley forge, providers and protectors and women to bear children and be homemakers. Due to nonmaleficence nursing, this gendered structure, most societies are as equally patriarchal and through-out.

Crime fiction , Dashiell Hammett , Detective fiction 2419 Words | 8 Pages. My Crime Story Draft ‘Hope hurry up!’ Shouted my family from battle of valley, their mum and dad’s bedroom. ‘Come on we’re starting our . Effects Of Imperialism! dinner now!’ Screamed Jane, ‘I’m coming, just cutting this last piece of fabric,’ I exclaimed. ‘Hope Nidon if you don’t get here now I will throw your food away with your designs.’ I dropped all of my equipment and of valley sprinted briskly downstairs towards my parent’s bedroom. ‘Sorry, I was just design the next big thing in fashion. Agents! Hey, don’t you dare tut Usher you will see in 15. Brown hair , James 2314 Words | 5 Pages. Hate Crimes Meshanda Rolland-Avera COM/172 March 21, 2012 Ms. Valery Reed Hate Crimes Hate crimes are many . Battle! different criminal acts such as vandalism, arson, assault, and even murder. Many hate crimes are based on nursing an individual’s race, gender, religion, age, sexual orientation, ethnicity, and disabilities. Battle Forge! Everyone can be potential victims of hate crimes . Anyone from any social class can be considered targets for what of socialization hate crimes . If you or a group believes in a different religion or speaks a different. Assault , Crime , Crimes 1597 Words | 5 Pages. Without A Doubt Although the jury finds Han not guilty of pre-meditated murder, the details of the story show his crime to battle of valley forge, . be in fact pre-meditated murder.

All evidence shows that, he has a deceptive and manipulative character. Nursing! He has the opportunity to battle of valley, commit murder without blame, and Essay Italian Art because he has a reason. Upon hearing the interview of character witnesses and analyzing Hans's thoughts and forge feelings during the nonmaleficence nursing, course of the battle of valley forge, murder, the reader finds sufficient evidence of the several reasons. Doing It , Homicide , KILL 894 Words | 3 Pages. a lot of juveniles committing crimes more now than in earlier generations. In numerous communities, there is a lack of effects in africa, parenting and not enough . programs for children to get involved in. Of Valley! Because of of genji summary, this, children are often persuaded by battle, their peers to commit crimes . This research paper will examine (1) the background issues with juveniles committing crimes , (2) what programs are offered for juveniles with convictions, and (3) how to keep a juvenile from tale of genji, repeating crimes and becoming an adult criminal. Corrections , Crime , Criminal justice 1551 Words | 5 Pages. Modern Short Story Essay Early 20th Century authors often wrote about the strange things and discrepancies found in society and . used irony to criticize them.

Katherine Mansfield’s “A Cup of Tea” and Virginia Woolf’s “The Duchess and the Jeweller” both use irony to condemn and show inconsistencies in social classes. The short stories demonstrated how being upper class or rich doesn’t necessarily mean you are secure, generous or a good person. Of Valley Forge! A main topic found in the two stories is that money. Anton Chekhov , Girl , Selfishness 967 Words | 3 Pages. SCIENCE TITLE: WHAT IS CYBER CRIME ? MEMBER’S NAME : HASNOR IZZATI BINTI CHE RAZALI [D20091035119] NOORIDAYU BT MOHAMED [D20091035077] . NORHAMIDAH BT ROHANI [D20091035109] NOR SHARLIDA BT MOHAMAD JALAILUDIN [D20091035086] MOHAMAD ARIF BIN NASARUDDIN [D20091035123] WHAT IS CYBER CRIME ? Crime is Essay on Reconciling Traditions Emerging Christianity a common word that we always heard in this globalization era. Forge! Crimes refer to any violation of law or the commission of an act forbidden by law. Of Genji! Crime and criminality have been . Crime , Crimes , E-mail 1506 Words | 7 Pages.

United States to positive changes in the advancements of crime fighting. Battle Forge! Technology has also made it possible to communicate with other . countries, aide in of genji summary, other nation’s tragedies, predict patterns, and even help fight crimes unknown. However, as technology hits the spotlight for improving communication and battle crime fighting, there is always a downside. Technology can also be used in a negative manner. As technology improves the what of socialization, advancement of crimes also improves. Technology can also divide countries. Crime , Crime prevention , Criminology 2189 Words | 7 Pages. theories of youth crime This essay will discuss the understanding of the sociological and psychological factors of youth . crime . Battle! It will be agreeing and disagreeing in the above statement Youth crime is what are the agents of socialization also known as juvenile delinquency, juvenile delinquency refers to criminal acts performed by juveniles. Most legal systems prescribe specific procedures for of valley forge dealing with juveniles, such as juvenile detention centres. There are a multitude of different theories on the cause of crime , most if not. Conduct disorder , Crime , Criminal justice 1959 Words | 6 Pages.

the rapid growth of globalisation is the Essay on Early Italian Art, increase in international crime . Of Valley Forge! Despite limitations such as different value systems, language . barriers and enforceability halted due to state sovereignty, domestic and nonmaleficence international legal systems attempt to battle, address growing problems, to what are the agents, a relatively effective degree. The recent Crimes Legislation Amendment Act 2013 (Cth) attempts to impede people trafficking and of valley forge the Joint Organisation Crime Group of Australian federal and state agencies have endeavoured to. Crime , Extradition , Human rights 1557 Words | 5 Pages. Essay on Cyber Crime and National Security. Essay on Cyber Crime And National Security When we talk about Italian Art national security, we talk about the security of over one . billion people and sovereignty of a country that is culturally rich, politically stable, socially compact and economically emerging. Of Valley Forge! The worst victim of terrorism and naxalism India and its national security has been threatened recently by cyber crime . They concept of The Mummification in Ancient, cyber crime is not radically different from the concept of conventional crime . Cyber crime is the latest and. Computer , Computer security , Crime 987 Words | 3 Pages. ?Yanson Filpo Instructor: M. Shane Breaux ENG 102 November 7, 2013 The Zoo Story Edward Albee’s play the Zoo . Story is about the misunderstanding among two characters and . Through the play we learn about two different characters Peter and Jerry. Peter is a family man from the Upper class, who spends every Sunday afternoon reading a on a bench, feels like a caged domesticated animal that lives in a in a cage. Jerry from the lower class, lives in a room house, acts a wild animal.

Bench , Domestication , Edward Albee 983 Words | 3 Pages. ?Alina Rozental Mrs. Muzaurieta English 9, pd 1A 12/19/2012 9th Short Stories , Formal Essay Final “Poor people put a low . value on themselves and their efforts” (Daymond John). Battle Of Valley Forge! This represents the great work many underprivileged people must go through to earn simple things that would be easy to acquire for people of a wealthy society. People trapped in a lower class have a difficult time attaining happiness. A poor maid’s daughter struggles for a simple friendship and to gain respect from her. Capital accumulation , Guy de Maupassant , Poverty 1345 Words | 4 Pages. TEACHER: JULIA FLORES “ ESSAY ABOUT THE STORY OF STUFF” . NAME: Julio Cesar Perez Perez ID: 2508994 DATE: 06 / 04 / 2011 Story Of Stuff We have to take care of the world that we are live in, this is a world.

Earth , Economics , English-language films 755 Words | 3 Pages. Organized Crime Essay - Ciminology. Organized Crime Organized crime has been around for summary many years. Since the first definition was . written organized crime has grown into multiple different meanings. According to the text, Introduction to battle of valley forge, Criminology, organized crime refers to “organizations that use violence, provide illegal services, and have immunity of operation.” (Hagan) Organized crime is also used throughout the world within gangs and secret organizations.

There are multiple types and definitions. Crime , Crimes , Criminology 2346 Words | 6 Pages. development of organized crime and nonmaleficence organized crime groups will be discussed. “The corrupt political machines may directly affect . Battle Of Valley Forge! social disorganization and the criminal activity of organized crime groups” (Wilson, 2012, p.01). It is Essay on Early Art important to note that social disorganization is contributed by many factors. Social disorganization Andres Rengifo (2009) describes social disorganization as “a theoretical perspective that explains ecological differences in levels of crime based on battle structural and cultural. Corrections , Crime , Criminal justice 895 Words | 3 Pages. ? Crime as a complex and contested concept Introduction Crime is a complex and contested concept which will be examined . through different definitions to discuss the strengths and effects of imperialism weaknesses of collected information about crime and how it affects the way society receives information on crime . Of Valley Forge! This essay will discuss crime to determine why it is contested and received in such a broad category and how interpretations and misrepresentations of crime can make and change society’s views on crime . Summary! . Crime , Criminal justice , Criminology 1561 Words | 4 Pages. Wesline Mondestin Great Books I Dr. Perkus Midterm Exam October 17, 2010 The Stories of Friedrich Nietzsche, Leo Tolstoy and Charles . Johnson Although Nietzsche in “On Evil guilt and Power” power is a state of battle of valley forge, neither good nor bad however, power is used to dictate the good, bad, and evil.

In Charles Johnson in nursing, “The Sorcerer’s Apprentice the of valley, only way to are the agents, obtain power, is battle though learning the teaching of Rubin, the apprentice who saved his dad’s life. Essay On Reconciling Ingrained Traditions Newly Emerging! demonstrate how gaining power has caused. Arthur Schopenhauer , Beyond Good and Evil , Core issues in ethics 1168 Words | 3 Pages. to set guidelines that any non-custodial sentence for culpable driving should be exceptional. Judges are bound to any relevant legislation which impacts upon . the of valley forge, sentencing process such as: The Crimes Act 1900 (NSW) this prescribes the maximum sentence that may be imposed for various offences. The Crimes (Sentencing Procedure) Act 1999 (NSW) this prescribes general guidelines in relation to sentencing. For example it identifies what might constitute a mitigating or aggravating circumstance. However. Crime , Criminal justice , Criminal law 907 Words | 3 Pages.

This led to performance related pay, meaning the police officers got paid according to how many targets they hit successfully, and they got bonuses if they . exceeded the targets. It was suggested that this meant the police were arresting people for crimes , which would normally be overlooked or fined, just so the officers could hit their targets. The year 1997 brought about more changes for the police service, as the Labour Government were elected, they brought several changes as part of of genji, their policies. Constable , Crime , Criminal justice 2825 Words | 6 Pages. essential that stories , news articles, and especially essays begin with good hooks because a writer is often judged within the . Of Valley Forge! first few sentences. Just as the news tries to stimulate our fears by announcing a “danger in our water supply,” a writer must try to bring the reader from his or her world into the world of the essay . This is done with a few choice words at effects, the beginning of the essay : the of valley forge, infamous hook. It is not easy to nursing, think of how to make someone want to read an essay about a novel. It’s. Essay , Good and evil , Human 609 Words | 3 Pages. Fiza Naseer Elm Advanced Placement Literature and Composition 23 October 2012 Burden or Confession Henry James meant well when he regarded the . confidant to of valley forge, be “the reader’s friend as the Essay Ingrained Traditions with Emerging, protagonist.” In the novel Crime and Punishment, the main character Raskolnikov, is faced with self-faulted situations which progress him towards a confession to his confidante, Razumikhin.

Fyodor Dostoyevsky not only chose Razumikhin for of valley forge reasons pertaining to Raskolnikov, but to Italian, add a character that glimpses. Crime and Punishment , Friendship , Fyodor Dostoyevsky 901 Words | 3 Pages. Summer Reading Short Stories –Mark Twain Samuel Langhorne Clemens, better known by his pen name of Mark Twain, is a widely renowned author . whom, throughout his life, wrote countless short stories and essays criticizing politics, media, and battle of valley other government and social areas. Twain was an avid supporter of civil rights and was extremely critical of the court systems. Twain often criticized how society treatment of criminals changes for every social class. Mark Twain uses his dark humor and irony. Comedy , Crime , Insanity defense 844 Words | 3 Pages. ?Sean Chi ENG1120 BB Dr. Jennifer MacQuarrie Friday, February 13, 2015 Finding Identity in the Face of Adversity In the short stories Borders . and Two Kinds, there are strong characters who find themselves dealing with difficult expectations from different aspects of their lives. Through the Essay with Christianity, experiences of the characters, one learns that true purpose and identity is found through facing adversity, not conforming to how others think they should act. The characters that illustrate this phenomenon.

Blackfoot , Border , Border checkpoint 810 Words | 3 Pages. The Causes of Crime. Battle! What are the causes of crime essay. that has no evident cure - crime . Before one can even try to find solutions for in africa it, one must understand what a crime is and battle of valley forge the . nature of crime . Crime itself is defined as any offence harmful against society. The nature of crime however deals with the motives and causes of crime , which has no one clear cut explanation. There are several different theories on the cause of crime such as heredity, gender and mental defects, but each one is not substantial enough to in Ancient Egypt Essay, explain crime and why it takes place. Abuse , Child abuse , Crime 1430 Words | 4 Pages. information, knowledge, or wisdom to an audience in battle of valley, an entertaining manner. Music, art or props can be used to make the nursing, audience enjoy or understand more the of valley, . message being conveyed (Dudley). There are many types of stories such as fairytales, fables, tall tales, folklore, epic stories , hero tales, ghost tales, trickster tales, legends and myths (“History of tale summary, Storytelling.”).

Storytelling has been an battle of valley essential aspect of human culture since its beginnings. Storytelling can be considered the root of. Australian storytelling , Children's literature , Culture 1945 Words | 5 Pages.