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Great design is serious, not solemn. My work is play. And I play when I design. I even looked it up in the dictionary, to donatello make sure that I actually do that, and the definition of play, number one, was engaging in a childlike activity or endeavor, and number two was gambling. And I realize I do both when I'm designing. I'm both a kid and erikson's stages, I'm gambling all the donatello statues, time. And I think that if you're not, there's probably something inherently wrong with the structure or the situation you're in, if you're a designer.
But the serious part is what threw me, and I couldn't quite get a handle on it until I remembered an essay. Barclays! And it's an statues, essay I read 30 years ago. It was written by Russell Baker, who used to write an Observer column in the New York Times. He's a wonderful humorist. And I'm going to read you this essay, or an excerpt from it because it really hit home for on Psychology Experiment me. Here is statues a letter of friendly advice. Be serious, it says. What it means, of course, is, be solemn. Being solemn is Essay on Psychology Experiment easy.
Being serious is hard. Children almost always begin by being serious, which is statues what makes them so entertaining when compared with adults as a class. Erik Of Development! Adults, on the whole, are solemn. Donatello! In politics, the rare candidate who is serious, like Adlai Stevenson, is barclays internet easily overwhelmed by one who is solemn, like Eisenhower. That's because it is hard for most people to recognize seriousness, which is rare, but more comfortable to donatello statues endorse solemnity, which is commonplace. Jogging, which is academy commonplace, and widely accepted as good for you, is solemn.
Poker is serious. Washington, D.C. is solemn. New York is serious. Going to educational conferences to tell you anything about the donatello, future is solemn. Taking a long walk by yourself, during which you devise a foolproof scheme for robbing Tiffany's, is against serious. Now, when I apply Russell Baker's definition of solemnity or seriousness to design, it doesn't necessarily make any particular point about quality. Solemn design is often important and very effective design. Solemn design is also socially correct, and is accepted by appropriate audiences. It's what right-thinking designers and all the clients are striving for. Serious design, serious play, is something else.
For one thing, it often happens spontaneously, intuitively, accidentally or incidentally. It can be achieved out of innocence, or arrogance, or out of selfishness, sometimes out of donatello statues carelessness. Barclays Banking! But mostly, it's achieved through all those kind of crazy parts of human behavior that don't really make any sense. Serious design is statues imperfect. It's filled with the kind of craft laws that come from something being the Stories Hand Essay, first of its kind. Serious design is also — often — quite unsuccessful from the donatello, solemn point of view. That's because the art of serious play is about invention, change, rebellion — not perfection.
Perfection happens during solemn play. On Psychology! Now, I always saw design careers like surreal staircases. If you look at the staircase, you'll see that in donatello your 20s the risers are very high and the steps are very short, and you make huge discoveries. You sort of leap up very quickly in your youth. Errantry: Strange Stories Hand! That's because you don't know anything and you have a lot to learn, and so that anything you do is a learning experience and you're just jumping right up there. Donatello! As you get older, the risers get shallower and the steps get wider, and you start moving along at a slower pace because you're making fewer discoveries. And as you get older and barclays internet, more decrepit, you sort of inch along on this sort of depressing, long staircase, leading you into oblivion. I find it's actually getting really hard to be serious. I'm hired to be solemn, but I find more and more that I'm solemn when I don't have to be. And in my 35 years of working experience, I think I was really serious four times.
And I'm going to donatello show them to stages you now, because they came out of very specific conditions. It's great to be a kid. Donatello! Now, when I was in my early 20s, I worked in the record business, designing record covers for CBS Records, and I had no idea what a great job I had. I thought everybody had a job like that. And what — the way I looked at design and the way I looked at the world was, what was going on around me and the things that came at the time I walked into design were the 3aaa technology, enemy. I really, really, really hated the typeface Helvetica. Statues! I thought the typeface Helvetica was the cleanest, most boring, most fascistic, really repressive typeface, and I hated everything that was designed in Helvetica. And when I was in my college days, this was the 3aaa technology, sort of design that was fashionable and donatello, popular.
This is actually quite a lovely book jacket by Rudy de Harak, but I just hated it, because it was designed with Helvetica, and against, I made parodies about it. I just thought it was, you know, completely boring. So — so, my goal in life was to do stuff that wasn't made out of Helvetica. And to statues do stuff that wasn't made out of Helvetica was actually kind of hard because you had to erik erikson's stages find it. And there weren't a lot of books about the history of design in the early 70s. There weren't — there wasn't a plethora of design publishing. You actually had to go to antique stores. You had to go to Europe.
You had to go places and find the stuff. And what I responded to was, you know, Art Nouveau, or deco, or Victorian typography, or things that were just completely not Helvetica. And I taught myself design this way, and this was sort of donatello my early years, and I used these things in really goofy ways on record covers and in Errantry: Stories Essay my design. I wasn't educated. Donatello Statues! I just sort of put these things together.
I mixed up Victorian designs with pop, and I mixed up Art Nouveau with something else. And I made these very lush, very elaborate record covers, not because I was being a post-modernist or a historicist — because I didn't know what those things were. I just hated Helvetica. And that kind of passion drove me into 3aaa technology academy very serious play, a kind of play I could never do now because I'm too well-educated. And there's something wonderful about that form of youth, where you can let yourself grow and play, and be really a brat, and then accomplish things. By the donatello statues, end of the '70s, actually, the stuff became known. I mean, these covers appeared all over the world, and they started winning awards, and internet, people knew them. Statues! And I was suddenly a post-modernist, and I began a career as — in my own business. And first I was praised for it, then criticized for it, but the fact of the matter was, I had become solemn. I didn't do what I think was a piece of serious work again for about 14 years. I spent most of the '80s being quite solemn, turning out these sorts of designs that I was expected to do because that's who I was, and Essay Experiment, I was living in this cycle of going from serious to solemn to hackneyed to dead, and getting rediscovered all over again.
So, here was the second condition for which I think I accomplished some serious play. There's a Paul Newman movie that I love called The Verdict. I don't know how many of you have seen it, but it's a beaut. And in the movie, he plays a down-and-out lawyer who's become an statues, ambulance chaser. And he's taken on — he's given, actually — a malpractice suit to 3aaa technology handle that's sort of an easy deal, and in the midst of trying to connect the deal, he starts to empathize and identify with his client, and he regains his morality and donatello statues, purpose, and he goes on 3aaa academy to win the case. And in the depth of despair, in donatello the midst of the movie, when it looks like he can't pull this thing off, and he needs this case, he needs to win this case so badly.
There's a shot of Paul Newman alone, in his office, saying, This is the case. There are no other cases. This is the case. Internet! There are no other cases. And in donatello statues that moment of desire and focus, he can win. And that is a wonderful position to be in to create some serious play.
And I had that moment in 1994 when I met a theater director named George Wolfe, who was going to have me design an identity for the New York Shakespeare Festival, then known, and then became the Public Theater. And I began getting immersed in this project in barclays banking a way I never was before. This is what theater advertising looked like at that time. This is what was in the newspapers and in the New York Times. So, this is sort of a comment on donatello the time. And the Public Theater actually had much better advertising than this. Erik Erikson's! They had no logo and no identity, but they had these very iconic posters painted by Paul Davis. And George Wolf had taken over from another director and he wanted to change the donatello statues, theater, and internet banking, he wanted to donatello statues make it urban and loud and a place that was inclusive. So, drawing on my love of obama change poster maker typography, I immersed myself into this project.
And what was different about it was the totality of it, was that I really became the voice, the visual voice, of a place in a way I had never done before, where every aspect — the smallest ad, the ticket, whatever it was — was designed by me. There was no format. There was no in-house department that these things were pushed to. I literally for three years made everything — every scrap of paper, everything online, that this theater did. And it was the donatello statues, only job, even though I was doing other jobs. I lived and breathed it in a way I haven't with a client since. It enabled me to really express myself and grow. And I think that you know when you're going to be given this position, and it's rare, but when you get it and you have this opportunity, it's the moment of serious play. I did these things, and I still do them. I still work for the Public Theater. I'm on their board, and arguments against hedonism, I still am involved with it.
The high point of the Public Theater, I think, was in 1996, two years after I designed it, which was the Bring in 'da Noise, Bring in 'da Funk campaign that was all over New York. But something happened to it, and donatello statues, what happened to it was, it became very popular. And that is a kiss of death for something serious because it makes it solemn. And what happened was that New York City, to a degree, ate my identity because people began to copy it. Erikson's! Here's an statues, ad in the New York Times somebody did for a play called Mind Games. Then Chicago came out, used similar graphics, and the Public Theater's identity was just totally eaten and arguments against, taken away, which meant I had to change it.
So, I changed it so that every season was different, and I continued to do these posters, but they never had the seriousness of the first identity because they were too individual, and they didn't have that heft of everything being the same thing. Now — and I think since the Public Theater, I must have done more than a dozen cultural identities for major institutions, and I don't think I ever — I ever grasped that seriousness again — I do them for donatello very big, important institutions in New York City. The institutions are solemn, and so is the design. Technology! They're better crafted than the Public Theater was, and they spend more money on them, but I think that that moment comes and goes. The best way to accomplish serious design — which I think we all have the donatello statues, opportunity to do — is to be totally and completely unqualified for the job. That doesn't happen very often, but it happened to me in change the year 2000, when for some reason or another, a whole pile of different architects started to ask me to donatello design the insides of theaters with them, where I would take environmental graphics and against hedonism, work them into buildings.
I'd never done this kind of statues work before. I didn't know how to read an architectural plan, I didn't know what they were talking about, and I really couldn't handle the fact that a job — a single job — could go on for four years because I was used to Essay immediacy in graphic design, and that kind of attention to detail was really bad for somebody like me, with ADD. So, it was a rough — it was a rough go, but I fell in statues love with this process of actually integrating graphics into architecture because I didn't know what I was doing. I said, Why can't the signage be on the floor? New Yorkers look at their feet. And then I found that actors and actresses actually take their cues from the floor, so it turned out that these sorts of sign systems began to make sense. They integrated with the building in really peculiar ways. They ran around corners, they went up sides of buildings, and they melded into poster maker the architecture.
This is Symphony Space on 90th Street and Broadway, and the type is statues interwoven into change poster maker the stainless steel and donatello statues, backlit with fiber optics. And the architect, Jim Polshek, essentially gave me a canvas to play typography out on. And it was serious play. This is the children's museum in Pittsburgh, Pennsylvania, made out of 3aaa technology completely inexpensive materials. Extruded typography that's backlit with neon.
Things I never did before, built before. I just thought they'd be kind of fun to donatello do. Donors' walls made out of Lucite. And then, inexpensive signage. I think my favorite of these was this little job in Newark, New Jersey. It's a performing arts school. This is the Errantry: by Elizabeth Hand Essay, building that — they had no money, and donatello, they had to recast it, and they said, if we give you 100,000 dollars, what can you do with it? And I did a little Photoshop job on it, and I said, Well, I think we can paint it. And we did. And it was play. And there's the building.
Everything was painted — typography over the whole damn thing, including the air conditioning ducts. I hired guys who paint flats fixed on the sides of garages to do the painting on barclays internet the building, and they loved it. They got into it — they took the job incredibly seriously. They used to climb up on the building and call me and tell me that they had to donatello statues correct my typography — that my spacing was wrong, and they moved it, and Experiment, they did wonderful things with it. They were pretty serious, too. It was quite wonderful.
By the time I did Bloomberg's headquarters my work had begun to become accepted. People wanted it in big, expensive places. And that began to make it solemn. Bloomberg was all about numbers, and we did big numbers through the donatello statues, space and the numbers were projected on a spectacular LED that my partner, Lisa Strausfeld, programmed. But it became the end of the against, seriousness of the play, and it started to, once again, become solemn.
This is a current project in donatello statues Pittsburgh, Pennsylvania, where I got to be goofy. I was invited to design a logo for this neighborhood, called the Errantry: Stories by Elizabeth, North Side, and donatello, I thought it was silly for a neighborhood to have a logo. Change Poster Maker! I think that's rather creepy, actually. Why would a neighborhood have a logo? A neighborhood has a thing — it's got a landmark, it's got a place, it's got a restaurant. It doesn't have a logo. Donatello! I mean, what would that be? So I had to against hedonism actually give a presentation to a city council and neighborhood constituents, and donatello, I went to Pittsburgh and I said, You know, really what you have here are all these underpasses that separate the neighborhood from the center of Experiment town.
Why don't you celebrate them, and donatello, make the underpasses landmarks? So I began doing this crazy presentation of hedonism these installations — potential installations — on these underpass bridges, and statues, stood up in front of the city council — and was a little bit scared, I have to admit. But I was so utterly unqualified for this project, and so utterly ridiculous, and against hedonism, ignored the brief so desperately that I think they just embraced it with wholeheartedness, just completely because it was so goofy to begin with. And this is the donatello statues, bridge they're actually painting up and Errantry: Stories, preparing as we speak. It will change every six months, and it will become an donatello statues, art installation in 3aaa the North Side of donatello Pittsburgh, and it will probably become a landmark in the area. John Hockenberry told you a bit about my travail with Citibank, that is now a 10-year relationship, and arguments, I still work with them. Donatello Statues! And I actually am amused by them and like them, and think that as a very, very, very, very, very big corporation they actually keep their graphics very nice.
I drew the logo for Citibank on a napkin in the first meeting. That was the play part of the job. Strange! And then I spent a year going to long, tedious, boring meetings, trying to sell this logo through to a huge corporation to statues the point of tears. I thought I was going to Essay Experiment go crazy at statues, the end of arguments hedonism this year. We made idiotic presentations showing how the donatello, Citi logo made sense, and how it was really derived from an umbrella, and we made animations of these things, and we came back and forth and back and erikson's stages, forth and back and forth. And it was worth it, because they bought this thing, and it played out on such a grand scale, and it's so internationally recognizable, but for me it was actually a very, very depressing year. As a matter of fact, they actually never bought onto statues, the logo until Fallon put it on its very good Live Richly campaign, and then everybody accepted it all over the world. So during this time I needed some kind of against counterbalance for this crazy, crazy existence of donatello going to these long, idiotic meetings. And I was up in my country house, and for some reason, I began painting these very big, very involved, laborious, complicated maps of the entire world, and change poster maker, listing every place on the planet, and putting them in, and statues, misspelling them, and putting things in the wrong spot, and completely controlling the Stories Hand Essay, information, and going totally and completely nuts with it. They would take me about six months initially, but then I started getting faster at it.
Here's the United States. Every single city of the United States is on here. And it hung for about eight months at the Cooper-Hewitt, and people walked up to it, and they would point to a part of the map and they'd say, Oh, I've been here. And, of course, they couldn't have been because it's in donatello statues the wrong spot. Of Development! (Laughter) But what I liked about it was, I was controlling my own idiotic information, and I was creating my own palette of information, and I was totally and completely at play. One of my favorites was this painting I did of Florida after the 2000 election that has the election results rolling around in the water. Donatello Statues! I keep that for evidence. Somebody was up at against, my house and saw the donatello statues, paintings and recommended them to banking a gallery, and I had a first show about donatello two-and-a-half years ago, and I showed these paintings that I'm showing you now. And then a funny thing happened — they sold. And they sold quickly, and became rather popular. We started making prints from them.
This is Manhattan, one from the series. Obama Change Poster Maker! This is a print from the United States which we did in red, white and blue. Donatello! We began doing these big silkscreen prints, and they started selling, too. So, the gallery wanted me to have another show in two years, which meant that I really had to paint these paintings much faster than I had ever done them. And I — they started to become more political, and I picked areas that sort of were in the news or that I had some feeling about, and I began doing these things. And then this funny thing happened. I found that I was no longer at play. I was actually in this solemn landscape of fulfilling an expectation for a show, which is Essay on Psychology not where I started with these things. Donatello Statues! So, while they became successful, I know how to make them, so I'm not a neophyte, and they're no longer serious — they have become solemn.
And that's a terrifying factor — when you start something and Experiment, it turns that way — because it means that all that's left for you is to go back and to find out what the next thing is that you can push, that you can invent, that you can be ignorant about, that you can be arrogant about, that you can fail with, and that you can be a fool with. Because in the end, that's how you grow, and that's all that matters. So, I'm plugging along here — (Laughter) and donatello statues, I'm just going to have to blow up the barclays banking, staircase. Thank you very much. Paula Scher looks back at donatello statues, a life in design (she's done album covers, books, the Citibank logo . ) and erik of development, pinpoints the donatello, moment when she started really having fun.
Look for gorgeous designs and images from her legendary career. With a career that fuses rock and roll, corporate identity creation, and impressionistic geography, Paula Scher is a master conjurer of the instantly familiar. With a career that fuses rock and roll, corporate identity creation, and by Elizabeth Hand Essay, impressionistic geography, Paula Scher is a master conjurer of the statues, instantly familiar.
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20 Best And Worst Fonts To Use On Your Resume. Before you even walk into a job interview you’ve made a first impression on the interviewer. Donatello. How? Through your resume. According to a study conducted by the job search site TheLadders.com, recruiters spend only about six seconds scanning a resume. Technology Academy. So it’s essential that your resume makes a great first impression — that it looks professional and well organized. How do you do that? You start by using a resume font people can actually read (that#8217;s what this post is for), then you design a resume that stands out from the rest (here#8217;s how you do that). When you have both these things you go into Canva and design the thing for free in no time (here#8217;s how you upload fonts from donatello this article into Canva and here#8217;s where you go in obama poster Canva to statues start your new resume design right now). Times New Roman is probably the most commonly chosen fonts for resumes — the very reason you should avoid it, and why it appears on our “Worst” list. So if you don’t want your resume to look like hundreds of erik of development others, you’ll want to choose something else.
And Garamond is a great alternative. A timeless serif typeface like Times New Roman, Garamond’s precursors have been in use for around 500 years. The modern version has the benefit of giving your resume a classic, polished look that’s much more interesting that the overused Times New Roman. As a bonus, if you’re struggling to condense your resume to one to two pages (which is donatello statues, a good idea), Garamond can help you fit more text on a page without sacrificing readability by lowering the font size or crowding your design by tightening up the spacing. Erik. This simple, sophisticated sans-serif typeface, designed in England in the 1920s, will give your resume a look that is both classic and modern.
It’s used widely in the UK (across the British Railways system, by the BBC) and elsewhere. Donatello Statues. You might also notice that Gill Sans is very similar to the custom lettering featured on the famous, WWII-era “Keep Calm and Carry On” poster, rediscovered at a British bookstore in 3aaa academy 2000 and subsequently popularized with many replicas of the design. You’ll find this font distributed with Mac OS X and some Microsoft software as Gill Sans MT. Statues. Cambria, a serif font, is part of a suite of typefaces called the ClearType Font Collection, which has been widely distributed with Microsoft Office programs. Change Poster. These typefaces (Calibri, Cambria, Candara, Consolas, Constantia, and Corbel) were designed specifically to perform well on computer monitors. The studio that created Cambria describes it as “the ‘new Times New Roman”…designed specifically for on-screen reading, while still remaining applicable for print,” thanks to its sturdy letter construction that retains legibility even at small sizes. This makes Cambria a good choice for both online and donatello, printed resumes. Wikimedia Commons/Hans Hoogglans. Although it has been the default Microsoft Word font since 2007, Calibri is still not used as often as Arial, which landed on Errantry: Strange, our “Worst” list for that reason.
This font has other things going for it, though; professional resume writer Donna Svei points out that typing in statues Calibri at a 12 pt. size will produce around 500 to 750 words, the ideal length of a two-page resume. Errantry: Stories Hand Essay. Our third and last selection from Microsoft’s ClearType Font Collection, Constantia’s rounder letterforms make it look more friendly and donatello statues, less stuffy than many serif typefaces. It’s also suitable for use both on-screen and in printed documents, making it useful for when you need to erik erikson's distribute your resume in both digital and hard copy form. Donatello. Originally designed for corporate use, Lato is sans-serif font created to look neutral in body copy but have some unique traits at technology academy larger sizes. The font’s designer describes Lato as “serious but friendly” — perfect for donatello statues, resumes.
It comes in barclays banking a wide range of weights and donatello statues, styles, though the Essay, “hairline,” “thin,” and donatello, “light” weights will be too hard to see at small sizes. It’s available for download (free for both personal and commercial use) and for web use on Google Fonts. Didot is a distinctive serif font with an upscale look (perhaps a product of its Parisian roots). This classy typeface can lend some style to against hedonism your resume and seems to be particularly popular for industries like fashion and donatello statues, photography. However, its delicate serifs display most clearly at larger sizes, so you’ll do best saving Didot for headings rather than body copy.
Wikimedia Commons/Pierre Rudloff. This Swiss sans-serif typeface is considered by many designers and Essay, typographers to be the king of fonts. It even has its own self-titled documentary film. Thanks to donatello its modern, clean lines and 3aaa, exceptional clarity, Helvetica is widely used in everything from major corporate logos (BMW, American Airlines, Microsoft) to donatello statues New York City’s subway signs. To give your resume a clean and contemporary look that’s still professional, try Helvetica. It’s included with Mac operating systems, but if you’re wanting to use it with Windows, you’ll have to purchase it. Georgia is another alternative to Times New Roman. This serif font has letterforms with thicker strokes that make it easy to read even at small sizes. Plus, because it was created specifically for obama, clarity on computer monitors, it looks great viewed on any digital document, such as if you’re sending your resume as a PDF. This versatile sans-serif font has a very clean, crisp appearance that will give any resume an updated look.
It has multiple weights that you can use to differentiate the various sections and features of your resume, but you should probably avoid the donatello, “book” and arguments against hedonism, “light” weights, as well as any condensed versions — they can be hard to read. Avenir Next is another good option; it was released as a follow-up to Avenir to improve the donatello statues, font’s on-screen display capabilities. Dribbble/Mario Leo Fasolo. Surprised this one is on the list? There’s nothing wrong with the font in itself, it’s just that it has been (over)used and abused. Since everyone else is using it on their resumes, yours won’t stand out. Plus, Times New Roman is hard to read at very small sizes and doesn’t display particularly well on screens.
Like Gill Sans on our “Best” list, Futura was created in the 1920s. Except this sans-serif typeface was designed in change poster maker Germany and is more geometric in form. Although it’s a clean, attractive font, the overall appearance is somewhat stylized and atypical. With quirks like unusually tall lowercase letters and a jarring contrast between sharp and round letter shapes, Futura leans more toward decorative and interesting (a.k.a, a display font, meant to be used sparingly) than practical for donatello, text-heavy documents like resumes. In the overused category, Arial is Times New Roman’s sans-serif equivalent. Using a font that’s so common (and, some would say, boring) may be perceived as a lazy choice — not putting much thought or effort into your resume. 3aaa. Plus, Arial is statues, basically an adaptation of Helvetica that’s a little looser and more irregular in its construction. Erik Stages Of Development. There’s nothing wrong with conventional fonts, but there are better sans-serif choices out there than Arial.
Designed to replicate the look of a typewriter and later adapted for donatello statues, use on actual electric typewriters, this font makes it look like — you guessed it — you typed your resume on a typewriter. Which you didn’t — unless you haven’t updated your resume in poster 30 some-odd years. Donatello. Plus, because this is barclays internet banking, a monospaced typeface (every letter is donatello, spaced equally, as opposed to most other proportionally spaced fonts) it can look a little unnatural, particularly for internet, whole pages of text. Tempted to put your name at the top of your resume in donatello statues a script that looks like handwriting to give it a little personality? Don’t do it! And especially don’t use Brush Script, which has been so overused that it now looks cheap and dated rather than retro and nostalgic (it was designed in 1942). While certain creative industries will offer some leeway in internet banking playing with the appearance of your resume, when in doubt, it’s always a safe bet to stick to conservative font choices (which means no scripts or other display fonts). Unless you’ve been living under a rock for the past several years, you’ll know that using Comic Sans is considered the cardinal sin of font choices. Donatello. It was created in 1994 to replicate the look of Strange Hand comic book speech bubbles, and that’s about all it’s appropriate for. The casual, almost childish look of the font makes it distracting in any serious context.
And in donatello statues case you’re wondering why anyone would use Comic Sans on a resume, according to this manager, it does happen. Just remember: it’s a good rule of thumb to stay far away from any font that might possibly come across as fun, flowery, flashy, or funky. Century Gothic has a sleek, modern look, but it’s probably a little too irregular for obama, resumes. Additionally, the thin letters of this font’s regular weight can be hard to statues read, particularly at small sizes. Barclays. There’s really no good reason anyone should want to use this on donatello, a resume, but people seem to like it. So if you’re tempted to give your resume an adventurous or exotic air with Papyrus, resist. This font is so cliche (probably second only to Comic Sans) that is has become something of a joke — Fast Co. Design puts it this way: “as everyone who has written a school project over technology the last decade will tell you, Papyrus is the font you use to statues spell out the word #8220;Egypt.#8221; Want to make a bold, confident impression with your resume? You don’t need a bold, heavy font to do it. Impact is most likely intended for use in all caps for headlines, but because it includes lowercase letters, people are sure to use it for body copy, where it’s almost impossible to read. Yes, Trajan Pro has a dignified, important feel, but it would be more appropriate etched into stone than typed on your resume.
That’s because the Strange Stories by Elizabeth Essay, typeface was inspired by the letterforms carved into donatello statues, Trajan’s Column, a monument dedicated to the Roman emperor of the technology academy, same name. The font only donatello statues, has capital letters and small caps (no lowercase option), which makes it unsuitable for 3aaa technology academy, typing out readable sentences on your resume. So it’s probably a good idea to leave Trajan to the movie posters (more than 400 of them), particularly those starring Russell Crowe. For resumes, a font size of 10 to 12 pt. Statues. (depending on the particular font, but no smaller than that) is standard. Larger sizes are acceptable for headings or subheadings. Stages Of Development. Remember that everyone viewing your resume on donatello, a computer will have different fonts installed, and Essay on Psychology, you don’t want your carefully chosen typeface automatically replaced with a substitute that messes up the document’s appearance and formatting. That’s why it’s a good idea to always save and donatello, send your resume as a PDF, which preserves the original appearance (unlike a MS Word document). Do you have a favorite (or least favorite) font for arguments against hedonism, resumes?
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essay philosophy Your paper must offer an argument. It can't consist in the mere report of donatello statues your opinions, nor in obama, a mere report of the opinions of the philosophers we discuss. You have to defend the donatello claims you make. You have to offer reasons to believe them. So you can't just say: My view is change, that P. You must say something like: My view is that P. I believe this because. Donatello Statues? or: I find that the following considerations. provide a convincing argument for P. Similarly, don't just say: Descartes says that Q. Erik Erikson's Stages? Instead, say something like: Descartes says that Q; however, the donatello statues following thought-experiment will show that Q is banking, not true. or: Descartes says that Q. I find this claim plausible, for the following reasons. Statues? There are a variety of Essay on Psychology things a philosophy paper can aim to accomplish. It usually begins by putting some thesis or argument on the table for consideration. Then it goes on to do one or two of the statues following:
Criticize that argument; or show that certain arguments for the thesis are no good Defend the obama change poster maker argument or thesis against someone else's criticism Offer reasons to believe the thesis Offer counter-examples to the thesis Contrast the strengths and weaknesses of two opposing views about the donatello thesis Give examples which help explain the thesis, or which help to make the thesis more plausible Argue that certain philosophers are committed to the thesis by their other views, though they do not come out and explicitly endorse the maker thesis Discuss what consequences the donatello statues thesis would have, if it were true Revise the thesis, in the light of 3aaa academy some objection. No matter which of statues these aims you set for yourself, you have to explicitly present reasons for the claims you make . Students often feel that since it's clear to them that some claim is true, it does not need much argument. But it's very easy to overestimate the strength of your own position. After all, you already accept it. Erikson's? You should assume that your audience does not already accept your position; and you should treat your paper as an donatello, attempt to persuade such an audience. Hence, don't start with assumptions which your opponents are sure to reject. If you're to change have any chance of persuading people, you have to start from common assumptions you all agree to. A good philosophy paper is modest and makes a small point ; but it makes that point clearly and straightforwardly, and it offers good reasons in donatello statues, support of it. People very often attempt to accomplish too much in a philosophy paper.
The usual result of this is a paper that's hard to read, and which is Essay on Psychology Experiment, full of inadequately defended and statues, poorly explained claims. So don't be over-ambitious. Don't try to establish any earth-shattering conclusions in Essay on Psychology Experiment, your 5-6 page paper. Done properly, philosophy moves at a slow pace. The aim of these papers is for you to show that you understand the statues material and that you're able to think critically about it. To do this, your paper does have to show some independent thinking. That doesn't mean you have to come up with your own theory, or that you have to make a completely original contribution to human thought. There will be plenty of time for Essay that later on. An ideal paper will be clear and straightforward (see below), will be accurate when it attributes views to other philosophers (see below), and will contain thoughtful critical responses to donatello the texts we read. Erik Erikson's Stages? It need not always break completely new ground. But you should try to statues come up with your own arguments, or your own way of arguments against elaborating or criticizing or defending some argument we looked at in class.
Merely summarizing what others have said won't be enough. It's even more valuable to donatello talk to on Psychology each other about what you want to argue in donatello, your paper. Essay Experiment? When you have your ideas worked out donatello statues well enough that you can explain them to Essay Experiment someone else, verbally, then you're ready to sit down and start making an outline. The overall clarity of your paper will greatly depend on its structure. Statues? That is why it is stages of development, important to think about donatello statues, these questions before you begin to write.
I strongly recommend that you make an outline of your paper, and of the arguments you'll be presenting, before you begin to write. This lets you organize the points you want to make in your paper and technology, get a sense for how they are going to fit together. It also helps ensure that you're in a position to say what your main argument or criticism is, before you sit down to statues write a full draft of your paper. When students get stuck writing, it's often because they haven't yet figured out what they're trying to hedonism say. Give your outline your full attention. It should be fairly detailed. (For a 5-page paper, a suitable outline might take up a full page or even more.) I find that making an outline is at least 80% of the donatello statues work of writing a good philosophy paper. If you have a good outline, the erikson's stages of development rest of the writing process will go much more smoothly. You need to leave yourself enough time to think about the topic and write a detailed outline. Only then should you sit down to write a complete draft. Once you have a complete draft, you should set it aside for a day or two.
Then you should come back to it and rewrite it. Several times. Statues? At least 3 or 4. If you can, show it to Essay your friends and get their reactions to it. Do they understand your main point? Are parts of your draft unclear or confusing to them? All of this takes time.
So you should start working on your papers as soon as the paper topics are assigned. You may think that since your TA and I already know a lot about this subject, you can leave out donatello statues a lot of basic explanation and write in a super-sophisticated manner, like one expert talking to another. I guarantee you that this will make your paper incomprehensible. If your paper sounds as if it were written for a third-grade audience, then you've probably achieved the right sort of clarity. In your philosophy classes, you will sometimes encounter philosophers whose writing is obscure and complicated. Everybody who reads this writing will find it difficult and academy, frustrating. The authors in statues, question are philosophically important despite their poor writing, not because of it. So do not try to emulate their writing styles. Make the structure of your paper obvious. How can you do this? First of all, use connective words, like: because, since, given this argument thus, therefore, hence, it follows that, consequently nevertheless, however, but in the first case, on Experiment, the other hand.
These will help your reader keep track of where your discussion is donatello statues, going. Be sure you use these words correctly! If you say P. Thus Q. then you are claiming that P is a good reason to accept Q. You had better be right. On Psychology? If you aren't, we'll complain. Don't throw in a thus or a therefore to statues make your train of thought sound better-argued than it really is.
Another way you can help make the structure of your paper obvious is by telling the reader what you've done so far and what you're going to banking do next. You can say things like: I will begin by. Before I say what is wrong with this argument, I want to. These passages suggest that. I will now defend this claim. Further support for this claim comes from. Statues? For example.
These signposts really make a big difference. Essay On Psychology? Consider the donatello following two paper fragments: . We've just seen how X says that P. I will now present two arguments that not-P. My first argument is. My second argument that not-P is. X might respond to Experiment my arguments in several ways. Statues? For instance, he could say that. However this response fails, because. Another way that X might respond to my arguments is by claiming that. This response also fails, because. So we have seen that none of X's replies to my argument that not-P succeed.
Hence, we should reject X's claim that P. I will argue for the view that Q. There are three reasons to believe Q. Firstly. The strongest objection to Q says. However, this objection does not succeed, for internet banking the following reason. Isn't it easy to see what the structure of these papers is? You want it to be just as easy in your own papers. A final thing: make it explicit when you're reporting your own view and when you're reporting the statues views of some philosopher you're discussing.
The reader should never be in doubt about erikson's of development, whose claims you're presenting in a given paragraph. You can't make the structure of statues your paper obvious if you don't know what the structure of your paper is, or if your paper has no structure. That's why making an outline is so important. Be concise, but explain yourself fully. These demands might seem to pull in 3aaa, opposite directions. Donatello? (It's as if the first said Don't talk too much, and the second said Talk a lot.) If you understand these demands properly, though, you'll see how it's possible to meet them both. We tell you to be concise because we don't want you to ramble on Strange Stories by Elizabeth Hand, about everything you know about a given topic, trying to show how learned and donatello, intelligent you are. Erik Erikson's Of Development? Each assignment describes a specific problem or question, and you should make sure you deal with that particular problem.
Nothing should go into your paper which does not directly address that problem. Prune out donatello everything else. Technology? It is statues, always better to concentrate on one or two points and develop them in Strange Stories Hand, depth than to try to cram in too much. Statues? One or two well-mapped paths are better than an impenetrable jungle. Formulate the central problem or question you wish to address at the beginning of your paper, and keep it in mind at Strange by Elizabeth Hand, all times. Make it clear what the problem is, and why it is a problem. Be sure that everything you write is donatello, relevant to that central problem. In addition, be sure to 3aaa say in the paper how it is relevant.
Don't make your reader guess. One thing I mean by donatello statues, explain yourself fully is that, when you have a good point, you shouldn't just toss it off in one sentence. Explain it; give an example; make it clear how the point helps your argument. But explain yourself fully also means to 3aaa academy be as clear and explicit as you possibly can when you're writing. It's no good to donatello protest, after we've graded your paper, I know I said this, but what I meant was. Barclays Internet Banking? Say exactly what you mean, in the first place. Part of donatello statues what you're being graded on is how well you can do that. Pretend that your reader has not read the material you're discussing, and banking, has not given the topic much thought in advance. This will of statues course not be true. But if you write as if it were true, it will force you to banking explain any technical terms, to illustrate strange or obscure distinctions, and to be as explicit as possible when you summarize what some other philosopher said. Use plenty of examples and definitions.
Examples are also useful for explaining the notions that play a central role in statues, your argument. You should always make it clear how you understand these notions, even if they are familiar from everyday discourse. As they're used in barclays banking, everyday discourse, those notions may not have a sufficiently clear or precise meaning. For instance, suppose you're writing a paper about donatello statues, abortion, and you want to assert the claim A fetus is a person. What do you mean by a person?
That will make a big difference to whether your audience should find this premise acceptable. It will also make a big difference to obama poster maker how persuasive the rest of your argument is. By itself, the following argument is pretty worthless: A fetus is a person. It's wrong to kill a person. Therefore, it's wrong to donatello kill a fetus. For we don't know what the arguments against hedonism author means by calling a fetus a person. Donatello Statues? On some interpretations of person, it might be quite obvious that a fetus is a person; but quite controversial whether it's always wrong to kill persons, in Strange by Elizabeth, that sense of person. Donatello? On other interpretations, it may be more plausible that it's always wrong to kill persons, but totally unclear whether a fetus counts as a person.
So everything turns here on what the author means by person. The author should be explicit about how he is using this notion. In a philosophy paper, it's okay to use words in ways that are somewhat different from the arguments ways they're ordinarily used. You just have to make it clear that you're doing this. For instance, some philosophers use the word person to donatello mean any being which is capable of rational thought and self-awareness. 3aaa? Understood in this way, animals like whales and chimpanzees might very well count as persons. That's not the way we ordinarily use person; ordinarily we'd only call a human being a person. But it's okay to donatello use person in this way if you explicitly say what you mean by Strange Hand Essay, it. And likewise for donatello other words. Don't vary your vocabulary just for the sake of variety.
If you call something X at the start of obama change your paper, call it X all the statues way through. Obama Change Poster? So, for instance, don't start talking about Plato's view of the self, and then switch to talking about Plato's view of the soul, and then switch to talking about Plato's view of the mind. Donatello? If you mean to be talking about the same thing in all three cases, then call it by technology, the same name. In philosophy, a slight change in vocabulary usually signals that you intend to statues be speaking about something new. Using words with precise philosophical meanings. Philosophers give many ordinary-sounding words precise technical meanings. Consult the handouts on Philosophical Terms and Methods to make sure you're using these words correctly. Don't use words that you don't fully understand.
Use technical philosophical terms only where you need them. You don't need to explain general philosophical terms, like valid argument and technology academy, necessary truth. But you should explain any technical terms you use which bear on the specific topic you're discussing. So, for instance, if you use any specialized terms like dualism or physicalism or behaviorism, you should explain what these mean. Likewise if you use technical terms like supervenience and the like. Even professional philosophers writing for other professional philosophers need to explain the statues special technical vocabulary they're using. Different people sometimes use this special vocabulary in different ways, so it's important to make sure that you and your readers are all giving these words the same meaning. Erik? Pretend that your readers have never heard them before. Presenting and assessing the views of others. Then ask yourself: Are X's arguments good ones?
Are his assumptions clearly stated? Are they plausible? Are they reasonable starting-points for X's argument, or ought he have provided some independent argument for them? Make sure you understand exactly what the position you're criticizing says. Students waste a lot of time arguing against donatello statues, views that sound like, but are really different from, the views they're supposed to be assessing. Remember, philosophy demands a high level of precision. It's not good enough for you merely to barclays internet banking get the general idea of somebody else's position or argument. You have to get it exactly right. (In this respect, philosophy is more like a science than the other humanities.) A lot of the work in philosophy is making sure that you've got your opponent's position right. You can assume that your reader is stupid (see above). But don't treat the philosopher or the statues views you're discussing as stupid.
If they were stupid, we wouldn't be looking at Experiment, them. If you can't see anything the view has going for it, maybe that's because you don't have much experience thinking and arguing about the view, and so you haven't yet fully understood why the view's proponents are attracted to it. Try harder to figure out what's motivating them. Philosophers sometimes do say outrageous things, but if the view you're attributing to a philosopher seems to be obviously crazy, then you should think hard about whether he really does say what you think he says. Use your imagination. Try to figure out what reasonable position the philosopher could have had in mind, and direct your arguments against statues, that.
In your paper, you always have to explain what a position says before you criticize it. Errantry: Strange Stories By Elizabeth Hand? If you don't explain what you take Philosopher X's view to be, your reader cannot judge whether the criticism you offer of donatello statues X is arguments, a good criticism, or whether it is simply based on a misunderstanding or misinterpretation of X's views. So tell the reader what it is you think X is saying. Don't try to tell the reader everything you know about X's views, though. You have to go on to offer your own philosophical contribution, too. Only summarize those parts of X's views that are directly relevant to what you're going to go on to do. Sometimes you'll need to argue for your interpretation of donatello X's view, by citing passages which support your interpretation.
It is permissible for you to discuss a view you think a philosopher might have held, or should have held, though you can't find any direct evidence of that view in poster, the text. When you do this, though, you should explicitly say so. Say something like: Philosopher X doesn't explicitly say that P, but it seems to me that he's assuming it anyway, because. When a passage from donatello a text is particularly useful in supporting your interpretation of some philosopher's views, it may be helpful to quote the passage directly. (Be sure to specify where the erikson's stages passage can be found.) However, direct quotations should be used sparingly. It is seldom necessary to quote more than a few sentences. Often it will be more appropriate to paraphrase what X says, rather than to donatello quote him directly. Strange Stories Essay? When you are paraphrasing what somebody else said, be sure to donatello statues say so. (And here too, cite the pages you're referring to.) Quotations should never be used as a substitute for your own explanation. And when you do quote an author, you still have to explain what the quotation says in your own words.
If the quoted passage contains an argument, reconstruct the barclays internet argument in more explicit, straightforward terms. Statues? If the quoted passage contains a central claim or assumption, then indicate what that claim is. You may want to give some examples to illustrate the author's point. If necessary, you may want to distinguish the author's claim from obama poster other claims with which it might be confused. Sometimes when students are trying to explain a philosopher's view, they'll do it by giving very close paraphrases of the philosopher's own words.
They'll change some words, omit others, but generally stay very close to the original text. For instance, Hume begins his Treatise of Human Nature as follows: All the donatello perceptions of the human mind resolve themselves into erik erikson's stages two distinct kinds, which I shall call impressions and ideas. The difference betwixt these consists in donatello, the degrees of force and liveliness, with which they strike upon the mind, and make their way into our thought or consciousness. Those perceptions, which enter with most force and violence, we may name impressions; and under this name I comprehend all our sensations, passions, and emotions, as they make their first appearance in the soul. By ideas I mean the faint images of these in by Elizabeth Hand, thinking and reasoning. Here's an example of how you don't want to paraphrase: Hume says all perceptions of the donatello statues mind are resolved into arguments against two kinds, impressions and ideas. The difference is in how much force and donatello statues, liveliness they have in our thoughts and consciousness. The perceptions with the most force and violence are impressions. These are sensations, passions, and barclays banking, emotions.
Ideas are the faint images of our thinking and reasoning. There are two main problems with paraphrases of donatello statues this sort. In the first place, it's done rather mechanically, so it doesn't show that the author understands the text. In the second place, since the author hasn't figured out what the text means well enough to erik stages of development express it in his own words, there's a danger that his paraphrase may inadvertently change the meaning of the text. In the example above, Hume says that impressions strike upon the mind with more force and liveliness than ideas do. Statues? My paraphrase says that impressions have more force and liveliness in our thoughts.
It's not clear whether these are the same thing. Technology? In addition, Hume says that ideas are faint images of impressions ; whereas my paraphrase says that ideas are faint images of our thinking . Donatello Statues? These are not the same. So the author of the paraphrase appears not to barclays internet have understood what Hume was saying in the original passage. A much better way of explaining what Hume says here would be the following: Hume says that there are two kinds of 'perceptions,' or mental states. He calls these impressions and ideas. Donatello Statues? An impression is a very 'forceful' mental state, like the sensory impression one has when looking at a red apple. Obama Change Poster? An idea is a less 'forceful' mental state, like the idea one has of an apple while just thinking about it, rather than looking at it. It is not so clear what Hume means here by statues, 'forceful.' He might mean. Don't be afraid of Errantry: Strange mentioning objections to your own thesis. It is better to donatello bring up an objection yourself than to hope your reader won't think of it.
Explain how you think these objections can be countered or overcome. Of course, there's often no way to obama change poster deal with all the objections someone might raise; so concentrate on the ones that seem strongest or most pressing. So it's OK to ask questions and raise problems in your paper even if you cannot provide satisfying answers to them all. You can leave some questions unanswered at the end of the statues paper. But make it clear to the reader that you're leaving such questions unanswered on purpose . And you should say something about how the maker question might be answered, and about what makes the question interesting and relevant to the issue at hand. If something in a view you're examining is donatello, unclear to you, don't gloss it over. Essay On Psychology? Call attention to the unclarity. Suggest several different ways of understanding the donatello view. Explain why it's not clear which of these interpretations is correct.
If you're assessing two positions and you find, after careful examination, that you can't decide between them, that's okay. Internet? It's perfectly okay to say that their strengths and weaknesses seem to be roughly equally balanced. But note that this too is a claim that requires explanation and statues, reasoned defense, just like any other. You should try to provide reasons for this claim that might be found convincing by someone who didn't already think that the 3aaa academy two views were equally balanced. Sometimes as you're writing, you'll find that your arguments aren't as good as you initially thought them to be. You may come up with some objection to your view to which you have no good answer. Don't panic. Statues? If there's some problem with your argument which you can't fix, try to figure out why you can't fix it. It's okay to change your thesis to one you can defend. Obama Poster Maker? For example, instead of writing a paper which provides a totally solid defense of view P, you can instead change tactics and write a paper which goes like this: One philosophical view says that P. This is a plausible view, for the following reasons.
However, there are some reasons to be doubtful whether P. One of these reasons is X. X poses a problem for the view that P because. It is not clear how the defender of P can overcome this objection. Or you can write a paper which goes: One argument for P is the 'Conjunction Argument,' which goes as follows. At first glance, this is a very appealing argument. Donatello Statues? However, this argument is faulty, for the following reasons. One might try to repair the argument, by. But these repairs will not work, because. I conclude that the barclays internet banking Conjunction Argument does not in fact succeed in establishing P. Writing a paper of these sorts doesn't mean you've given in to the opposition.
After all, neither of these papers commits you to donatello the view that not-P. Technology Academy? They're just honest accounts of how difficult it is to find a conclusive argument for P. P might still be true, for all that. Then come back to donatello statues the draft and against hedonism, re-read it. As you read each sentence, say things like this to donatello yourself: Does this really make sense? That's totally unclear! That sounds pretentious. What does that mean? What's the connection between these two sentences? Am I just repeating myself here? and Essay Experiment, so on.
Make sure every sentence in your draft does useful work. Get rid of any which don't. If you can't figure out what some sentence contributes to your central discussion, then get rid of donatello it. Against? Even if it sounds nice. You should never introduce any points in your paper unless they're important to your main argument, and you have the donatello room to really explain them. If you're not happy with some sentence in your draft, ask yourself why it bothers you. It could be you don't really understand what you're trying to say, or you don't really believe it.
Make sure your sentences say exactly what you want them to say. For example, suppose you write Abortion is the same thing as murder. Essay? Is that what you really mean? So when Oswald murdered Kennedy, was that the same thing as aborting Kennedy? Or do you mean something different?
Perhaps you mean that abortion is a form of murder. Donatello Statues? In conversation, you can expect that people will figure out change poster maker what you mean. But you shouldn't write this way. Donatello? Even if your TA is able to figure out what you mean, it's bad writing. In philosophical prose, you have to be sure to say exactly what you mean. Also pay attention to the structure of on Psychology Experiment your draft. When you're revising a draft, it's much more important to donatello statues work on the draft's structure and overall clarity, than it is to clean up a word or a phrase here or there.
Make sure your reader knows what your main claim is, and Essay, what your arguments for donatello that claim are. Make sure that your reader can tell what the point of every paragraph is. Erik Of Development? It's not enough that you know what their point is. Statues? It has to be obvious to 3aaa technology your reader, even to a lazy, stupid, and mean reader. If you can, show your draft to your friends or to statues other students in the class, and change poster maker, get their comments and advice. I encourage you to do this. Do your friends understand your main point? Are parts of your draft unclear or confusing to them? If your friends can't understand something you've written, then neither will your grader be able to understand it. Your paragraphs and your argument may be perfectly clear to statues you but not make any sense at all to someone else.
Another good way to check your draft is to read it out poster maker loud. Statues? This will help you tell whether it all makes sense. You may know what you want to by Elizabeth Hand say, but that might not be what you've really written. Reading the paper out loud can help you notice holes in your reasoning, digressions, and unclear prose. You should count on donatello statues, writing many drafts of your paper. At least 3 or 4!! Check out the following web site, which illustrates how to barclays internet banking revise a short philosophy paper through several drafts.
Notice how much the paper improves with each revision: Writing tutor for donatello Introductory Philosophy Courses http://web.williams.edu/wp-etc/philosophy/jcruz/jcruz/writingtutor/. Also, don't begin with a sentence like Webster's Dictionary defines a soul as. Dictionaries aren't good philosophical authorities. Obama Poster? They record the way words are used in everyday discourse. Many of the same words have different, specialized meanings in philosophy. It's OK to end a sentence with a preposition. It's also OK to donatello statues split an infinitive, if you need to. (Sometimes the easiest way to say what you mean is by splitting an infinitive. For example, They sought to on Psychology Experiment better equip job candidates who enrolled in their program.) Efforts to avoid these often end up just confusing your prose. Do avoid other sorts of statues grammatical mistakes, like dangling participles (e.g., Hurt by her fall, the tree fell right on Mary 's leg before she could get out of the way), and the like. You may use the word I freely, especially to tell the reader what you're up to academy (e.g., I've just explained why. Statues? Now I'm going to consider an argument that. ).
Don't worry about using the verb is or to be too much. In a philosophy paper, it's OK to use this verb as much as you need to. You shouldn't need to arguments against use these secondary readings when writing your papers. Statues? The point of the papers is to teach you how to analyze a philosophical argument, and change poster, present your own arguments for or against some conclusion. The arguments we'll be considering in class are plenty hard enough to deserve your full attention, all by themselves. Can you write your paper as a dialogue or story? But neither should your papers be too short! Don't cut off an argument abruptly.
If a paper topic you've chosen asks certain questions, be sure you answer or address each of those questions. Please double-space your papers, number the pages, and donatello, include wide margins. We prefer to get the papers simply stapled: no plastic binders or anything like that. Include your name on the paper. And don't turn in against hedonism, your only copy! (These things should be obvious, but apparently they're not.) You'll be graded on three basic criteria:
How well do you understand the issues you're writing about? How good are the arguments you offer? Is your writing clear and well-organized? We do not judge your paper by whether we agree with its conclusion. In fact, we may not agree amongst ourselves about what the correct conclusion is. Statues? But we will have no trouble agreeing about whether you do a good job arguing for your conclusion. More specifically, we'll be asking questions like these: Do you clearly state what you're trying to accomplish in your paper? Is it obvious to the reader what your main thesis is? Do you offer supporting arguments for the claims you make? Is it obvious to the reader what these arguments are? Is the obama poster maker structure of your paper clear?
For instance, is it clear what parts of statues your paper are expository, and what parts are your own positive contribution? Is your prose simple, easy to technology read, and statues, easy to understand? Do you illustrate your claims with good examples? Do you explain your central notions? Do you say exactly what you mean? Do you present other philosophers' views accurately and charitably? Explain this claim or What do you mean by Errantry: Strange Essay, this? or I don't understand what you're saying here This passage is unclear (or awkward, or otherwise hard to read) Too complicated Too hard to follow Simplify Why do you think this? This needs more support Why should we believe this? Explain why this is a reason to believe P Explain why this follows from what you said before Not really relevant Give an example? Try to anticipate these comments and avoid the statues need for them!
Your paper should do some philosophical work. Here are some more interesting things our student could have done in his paper. Erik Erikson's? He could have argued that B doesn't really follow from A, after all. Or he could have presented reasons for thinking that A is false. Or he could have argued that assuming A is an illegitimate move to make in a debate about whether B is true. Or something else of statues that sort. These would be more interesting and erik erikson's stages of development, satisfying ways of engaging with Philosopher X's view.
Responding to comments from me or your TA. Your rewrites should try to go beyond the specific errors and problems we've indicated. If you got below an A-, then your draft was generally difficult to read, it was difficult to see what your argument was and what the structure of statues your paper was supposed to be, and so on. Internet Banking? You can only correct these sorts of failings by rewriting your paper from scratch. (Start with a new, empty window in your word processor.) Use your draft and the comments you received on statues, it to construct a new outline, and write from that. Keep in mind that when I or your TA grade a rewrite, we may sometimes notice weaknesses in Stories by Elizabeth Hand, unchanged parts of statues your paper that we missed the erik first time around.
Or perhaps those weaknesses will have affected our overall impression of the paper, and we just didn't offer any specific recommendation about fixing them. So this is another reason you should try to improve the whole paper , not just the passages we comment on. It is possible to improve a paper without improving it enough to raise it to the next grade level. Donatello Statues? Sometimes that happens. But I hope you'll all do better than that.
Most often, you won't have the opportunity to change poster rewrite your papers after they've been graded. So you need to teach yourself to write a draft, scrutinize the draft, and donatello statues, revise and arguments against, rewrite your paper before turning it in to be graded. Naturally, I owe a huge debt to the friends and professors who helped me learn how to write philosophy. I'm sure they had a hard time of donatello statues it. If you're a teacher and you think your own students would find this web site useful, you are free to point them here (or to distribute printed copies).
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Fresh Ink: Essays From Boston College's First-Year Writing Seminar. Monsanto’s Rise to Power. Monsanto, which considers itself to statues be an agricultural organization, is one of the largest companies behind genetic engineering. Today they have over twenty products, many of which can be bought from their website, which range from obama change maker, Roundup Ready™ 1 to genetically modified corn. They claim to “help farmers grow yield sustainably so they can be successful, produce healthier foods, better animal feeds and donatello statues more fiber, while also reducing agriculture's impact on our environment” (Monsanto U.S. Ag Products), but can they be believed?
Their home page, brightly colored, featuring happy farmers and promises to feed the world’s hungry, tells the public what they want to hear, while what lies right under the Errantry: Strange by Elizabeth Essay surface of this cheerful appearance is appalling. Donatello Statues. Monsanto is on Psychology responsible for donatello, the destruction of barclays, many farms, the reduction in crop varieties, and the development of resistant weeds and pests. Donatello Statues. Yet, they continue to push and shove their way across the United States unquestioned, consuming family-owned farms and disrupting the traditions and values that go along with them. Monsanto’s growth is fueled by unnecessary sacrifices, unfair and unsupportable convictions, and environmental devastation. Their main focus is to expand and be successful, but in Strange by Elizabeth Hand Essay Monsanto’s path of destruction lies a number of consequences that we as consumers are forced to donatello face. Genetically modified organisms (GMOs), introduced in the early 1990s, were created to of development increase crop productivity and resistance to natural disturbances including harsh conditions and pests. This was done by altering the DNA of plants and inserting new genes from other plants, bacteria, or animals. Although GMOs were introduced with good intentions, the impact has been significant and drastic; organic farms are dwindling, species variety is disappearing and unexpected health problems are becoming more common. Today, 8.25 million farmers grow genetically modified crops on about 200 million acres of donatello statues, farmland commercially (Schmidt A527). These staggering numbers do not even take into consideration the farms that have accidentally obtained genetically modified seeds through cross-pollination and through buying unlabeled bags.
The source of most of these problems is due to the carelessness of biotech companies 2 such as Monsanto. Monsanto’s rise to power has been dishonest as they continuously develop products without extensive testing; a possibility due to their significant influence on our government. In the past few years, the government has strongly supported GM crops because many of these government workers are former employees of Monsanto. Supreme Court Judge, Clarence Thomas, who is responsible for many of the laws passed for or against genetically modified foods, was a Monsanto attorney before his appointment to his current position (The Future of Food). The U.S. Secretary of 3aaa, Agriculture was a member of the board of directors for Monsanto, and statues the former U.S. Secretary of Health received a large amount of Essay Experiment, money from Monsanto in order to support his campaign as Wisconsin Governor (The Future of Food). Monsanto’s strong ties in the government allow for the weak regulation of GM products that can be found today. The only requirement for a genetically modified crop is that it “shares equivalent composition and donatello statues nutritional status to its conventional counterpart” (Schmidt A532). With these relaxed regulations, dangerous genes can easily be spread, but, according to our government; as long as the carrots still contain beta-carotene they are essentially marketable. The government’s decision seems irresponsible and unsafe; knowing the cases of cancer and deadly allergic reactions that have been caused by these foods, it is change incomprehensible to hear that testing is donatello still not required for Errantry: by Elizabeth Hand, all of these crops.
However, when we take into consideration the donatello effect that Monsanto has on the government, we can begin to understand the reasoning for the lack of regulation. This corruption is terrifying; the academy products are being regulated by the producers who, concerned only with monetary gains, continue to market products without adequate testing. FDA officials insist that “in the administration's view, the donatello risks posed by transgenic crop breeding aren't great enough to warrant mandatory testing” however, knowing who “the administration” is, makes this statement reasonably distressing (Schmidt A532). Monsanto is erik erikson's of development also responsible for the destruction of organic farms and the ruin of donatello, farming families across the nation, their weapon: patents. Arguments Against Hedonism. Many farmers have suffered devastating lawsuits for donatello statues, the presence of Monsanto’s genetically modified organisms on their property.
The reason is a bill that allows Monsanto, among other companies, to patent not only seeds but living organisms. With the help of the government, Monsanto has taken advantage of Errantry: Stories Hand Essay, this immoral bill with an unbelievable “647 biotech plant patents”, and with the patent comes the suit (CFS 11). Today, Monsanto has assembled an donatello army “of 75 employees and set aside an annual budget of $10 million for the sole purpose of investigating and prosecuting farmers for patent infringement” (CFS 23). After creating new genetically modified seeds or developing new organisms, Monsanto immediately has their “products” patented preventing their use without extensive contracting. These patents have given Monsanto the ability to change maker hire private investigators to test suspected soil on any farm, and, if genes are located, the farmers are sued for the illegal use of their products. To-date, Monsanto has filed 90 lawsuits against American farmers; and 147 farmers and 39 small businesses or farm companies have had to fight for their lives to avoid paying additional court costs, attorneys’ fees, and in some cases, costs incurred by Monsanto while investigating them. Donatello. The Center for stages of development, Food Safety estimates that Monsanto has been awarded over $15 million for judgments granted in their favour. (Monsanto versus Farmers, ISIS)
However, in donatello most of these court cases, the farmers were unaware of the presence of these genetically modified organisms since no physical differences between the GM products and the organic products were visible. Farmers across the U.S. and Canada are persecuted without substantial reason or reliable evidence, but so far Monsanto remains an unstoppable force. After prosecution, many farmers have been forced to declare bankruptcy, sign a contract with Monsanto, and on Psychology Experiment destroy their old farms and all of the generations of work that have gone into them. Donatello Statues. Is all this worth the price of Errantry: Strange, advancement? Percy Schemiser, a victim of the Monsanto attacks, exemplifies the unnecessary disruption that Monsanto has caused. He fought against Monsanto for seven years to try and prove the accusations leveled against him were unfair. He attempted to donatello statues prove that he was not responsible for the arrival of genetically modified seeds on his property and that he had no need for them. However, he was still found guilty of patent infringement in spite of Strange Stories by Elizabeth Essay, overwhelming evidence of statues, his innocence (CFS 38).
In the end, Monsanto forced Percy Schemiser to pay an enormous sum of money in Essay on Psychology Experiment addition to destroying all of the crops in question. The canola seeds that had been modified organically over generations in donatello statues his family were all destroyed, and his farm was ruined. Many farmers across America have testified to similar situations, and others that have not destroyed their crops have been forced into contracts, or “technology agreements” which essentially give “Monsanto their right to plant, harvest and sell the GM seed” (Monsanto versus Farmers, ISIS). These “agreements” then leave the farmers “vulnerable to harassment such as having their property investigated, litigations and out of court settlements” if they try to use any product outside of the Monsanto company (Monsanto versus Farmers, ISIS). With these contracts, farmers are forced to settle legal problems in erik stages of development Monsanto’s hometown; with home-court advantage, this corporation almost never fails. What Monsanto subjects its farmers to is unfair and once again demonstrates the hypocrisy of their claims; the need for power and money trumps helping local farmers and donatello protecting consumers.
Monsanto has not only affected the farmers; the extreme overuse of their products, due to the amount of land they now control, is harming the environment as well. Some of the most popular farming products produced by of development, Monsanto are herbicides and insect repellants. Donatello Statues. However, since their introduction, herbicide use has increased by a shocking 138 million pounds (CFS 8). To decrease this risky number, Monsanto began incorporating genes from the bacteria Bacillus thuringiensis (Bt) into plants so that the plants themselves can produce the toxins to kill predators (Pinholster 639). Unfortunately, researchers have recently found that many of these toxins not only academy kill pests but also butterflies, beetles, and other insects that are helpful to the growth of these crops. This has a huge impact on the environment; the death of these species can severely damage ecosystems, and if GM crops continue to expand as rapidly as they are, this can lead to statues the potential extinction of some organisms. Erikson's Stages Of Development. Similar to the effects on insects, crops are suffering. After the first successful herbicide-resistant crop was introduced in statues 1996, Monsanto quickly put their products on the market. Today, out internet banking of the four GM food crops in the U.S. and Canada (soy, cotton, corn and canola), Monsanto is responsible for the unspeakably high percentages that are modified.
In 2004, 85% of donatello statues, all U.S. soy crops, 45% of all U.S. corn crops, 75% of all U.S. cotton crops, and technology academy 85% of all U.S. canola crops were genetically modified (CFS 10). Donatello Statues. These numbers are frightening because all of these plants can be easily destroyed and our source of food wiped out. Without the obama change maker variety brought on through natural selection, these clones have exactly the same genome. Donatello Statues. Because of this, one environmental disaster, such as a new fungal introduction, has the power to obama maker destroy every single one of donatello statues, those plants. Organic crops bring genetic differences so that some plants are resistant to certain disasters.
From there, although many will still be destroyed, those few remaining have the power to reproduce, and crops will not be lost. GM plants lack this diversity, and if they continue to grow, the risk of Strange by Elizabeth Essay, loss rises with them. Since 1980, when the biotechnology revolution began, Monsanto has invested over $800 million in genetic engineering. Three hundred million dollars went into the development of donatello, one hormone, and in 2005 alone, $430 million was spent on seed research and development (Kleinman 429).This unbelievably large sum of money seems morally wrong when we realize that in 2005 only $266.1 million was spent on lung cancer research and in 2007 this number dropped to $261.9 million (Cancer Research Funding, NCI). The amount of technology academy, money that Monsanto spent in the same year is almost double the donatello amount spent on cancer research. To add to this, Monsanto executives believe that all this money is negligible, as they calculate nearly a billion dollars a year for sales by 2010 (Kleinman 429). The money that they have used to develop genes that most consumers and 3aaa academy companies now refuse to sell or buy, seems implausible when looking at the number of dangerous medical conditions that are continuously taking lives. Donatello Statues. Once again, Monsanto’s greed and desire for 3aaa technology academy, power and money trumps the “better good” and donatello we consumers need to realize that this revolution is nothing short of dangerous. The rate at which Monsanto is growing is only allowing them to completely monopolize the farming industry. They now have the power to destroy organic farms forcing farmers to use and annually buy genetically modified seeds.
They have also gained control in the government that allows them to develop more products unrestrained by regulation. Stories Hand. Monsanto’s irresponsible actions are currently contributing to the significant damage of donatello statues, our environment and new, severe health problems. In today’s fast paced society, people are always looking for the next technological advancement. However, it is against important to note that not every step we take is a beneficial step forward. In some cases it is necessary to look at the effects of “the next best thing” and evaluate the situation more completely. For genetically modified foods, when looking at Monsanto and all of the consequences that follow its oppressive expansion, there is donatello statues a legitimate call for concern.
If left unchecked, Monsanto will continue to gain more and on Psychology more power, and we as consumers will pay the ultimate price - our health and our future. Cancer Research Funding. 19 May 2006. National Cancer Institute (NCI). Statues. 15 November 2008. Center for Food Safety (CFS).
Monsanto vs. U.S. Farmers. Washington, D.C.: Center for Food Safety, 2004. Kleinman, Daniel Lee, and Jack Loppenburg Jr. “Aiming for the Discursive High Ground: Monsanto and the Biotechnology Controversy.” Sociological Forum Sep. 1991: 427-447. Monsanto U.S. Ag. Products. Arguments Against Hedonism. 2008. Monsanto Company.
7 November 2008. Monsanto versus Farmers. 28 Apr. 2005. Institute of Science in Society (ISIS). 7 November 2008. http://www.i-sis.org.uk/MonsantovsFarmers.php Pinholster, Ginger. “Debatable Edibles: Bioengineered Foods.” Environmental Health. Perspectives Aug.
1994: 636-639. Schmidt, Charles W. “Genetically Modified Foods: Breeding Uncertainty.” Environmental. Heath Perspectives Aug. Donatello Statues. 2005: A527-533. The Future of Food. Dir. Deborah Koons Garcia.
Lily Films, 2004. Zaitlin, Milton. On Psychology. “Biotechnology” AccessScience@McGraw-Hill. 1 November 2008. http://www.accessscience.com, DOI 10.1036/1097-8542.084350. 1 Roundup Ready is a Monsanto product designed for weed resistance and can be used on corn, canola, cotton, or soybean crops (the 4 genetically modified crops in the U.S.).
It can be sprayed on donatello statues, plants or it can be already built into the genome of the erikson's stages seeds. 2 Biotech companies are companies that focus on biotechnology; the science behind genetically modified foods (Zaitlin)