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DIRECTED BY: Don Hall, Chris Williams. SUPERVISING SOUND EDITOR: Shannon Mills. SUPERVISING FOLEY EDITOR: Robert Shoup. SUPERVISING DIALOGUE EDITOR: Kim Foscato. SUPERVISING ADR EDITOR: Danielv Laurie. FOLEY ARTISTS: John Roesch, Alyson Dee Moore. SOUND EFFECTS EDITORS: Addison Teague, Nia Hansen, David C. Debate About Analysis! Hughes, Jeremy Bowker. SUPERVISING MUSIC EDITOR: Dan Pinder.
MUSIC EDITORS: Earl Ghaffari. FOLEY EDITOR: Jim Likowski. Reel Fx / Fox Animation. PRODUCED BY: Guillermo del Toro, Aron Warner, Brad Booker, Aaron Berger. DIRECTED BY: Jorge R. Sweeney! Gutlerrez.
SUPERVISING SOUND EDITOR: Scott Martin Gershin. SOUND DESIGNER: Scott Martin Gershin, Steve Robinson. SUPERVISING DIALOGUE / ADR EDITOR: Margit Pfeiffer. FOLEY ARTISTS: Dan O’Connell, John Cucci, MPSE. SOUND EFFECTS EDITORS: Tim Walston, MPSE, Scott Wolf, MPSE, Masanobu ” Tomi” Tomita, Peter Zinda, Charlie Campagna. DIALOGUE / ADR EDITORS: Christopher T. Welch, Julie Feiner. SUPERVISING MUSIC EDITOR: Charles Martin Inouye. PRODUCED BY: David Ichioka, Travis Knight. DIRECTED BY: Anthony Stacchi, Graham Annable.
SUPERVISING SOUND EDITORS: Tom Myers, Ren Klyce. SOUND DESIGNER: Tom Myers, Ren Klyce. SUPERVISING FOLEY EDITOR: Thom Brennan. FOLEY ARTISTS: John Roesch, Jana Thorpe. SOUND EFFECTS EDITORS: Dustin Cawood, David Hughes, Benjamin A Burtt. DIALOGUE / ADR EDITOR: Marilyn McCoppin. MUSIC EDITOR: Jonathon Stevens. ADR EDITOR: Marilyn McCoppin. FOLEY EDITOR: Jeremy Molod. How to weber class, Train Your Dragon 2.
HOW TO TRAIN YOUR DRAGON 2. PRODUCED BY: Bonnie Arnold. DIRECTED BY: Dean DeBlois. SUPERVISING SOUND EDITORS: Randy Thom, Michael Silvers. SOUND DESIGNER: Randy Thom MPSE, Al Nelson. SUPERVISING DIALOGUE / ADR EDITOR: Brian Chumney. FOLEY ARTISTS: Sean England, Robin Harlan, MPSE.
SOUND EFFECTS EDITORS: Mac Smith, Jeremy Bowker. FOLEY EDITORS: Pascal Garneau, Sue Fox. PRODUCED BY: Roy Lee, Dan Lin. DIRECTED BY: Phil Lord, Christopher Miller. SUPERVISING SOUND EDITORS: Wayne Pashley MPSE, Fabian Sanjurjo. SOUND DESIGNER: Wayne Pashley, MPSE. SUPERVISING FOLEY EDITOR: John Simpson, MPSE. SUPERVISING DIALOGUE EDITOR: Derryn Pasquill. FOLEY ARTIST: Ryan Squires.
SOUND EFFECTS EDITORS: Damian Candusso MPSE, Rick Lisle, Andrew Miller, Emma Mitchell. DIALOGUE / ADR EDITOR: Sonal Joshi. SUPERVISING MUSIC EDITOR: Tim Ryan. SOUND EFFECTS EDITORS: Nigel Christensen, Jared Dwyer, Cameron Frankley, Geoffrey G. Sweeney Todd Themes! Rubay, Jon Michaels. AMERICA – IMAGINE THE WORLD WITHOUT HER. PRODUCED BY: Gerald R. Shortbread! Molen, Dinesh D’Souza, Michael Curylo, Gray Frederickson. DIRECTED BY: John Sullivan, Dinesh D’Souza. SUPERVISING SOUND EDITORS: David Barber, MPSE, David Kitchens, MPSE. SOUND DESIGNER: Ben Zarai, Ken Skoglund.
SUPERVISING FOLEY / ADR EDITOR: Gonzalo “Bino” Espinoza. SUPERVISING DIALOGUE / ADR EDITOR: David Barber, MPSE. FOLEY ARTISTS: Shaun R. Themes! Fabos, David Kitchens, MPSE. SOUND EFFECTS EDITOR: Sean Gray. SUPERVISING MUSIC EDITOR: LA Squared Music. SOUND DESIGN:Randy Torres. PRODUCED BY: Dirk Wilutzky, Laura Poitras, Mathilde Bonnefoy. DIRECTED BY: Laura Poitras. SUPERVISING SOUND EDITOR: Frank Kruse.
SOUND DESIGNER: Frank Kruse. SUPERVISING DIALOGUE / ADR EDITOR: Alexander Buck. FOLEY ARTIST: Carsten Richter. SOUND EFFECTS EDITORS: Markus Stemler, Helene Seidl. DIALOGUE / ADR EDITOR: Alexander Buck. MUSIC EDITORS: Hans Schuhmann. DEEPSEA CHALLENGE 3D. National Geographic Entertainment.
PRODUCED BY: Brett Popplewell, James Cameron, Andrew Wight. DIRECTED BY: John Bruno, Ray Quint. SUPERVISING SOUND EDITOR: Chris Goodes. SOUND DESIGNER: Steve Burgess. SUPERVISING FOLEY EDITOR: George Alamaras. SUPERVISING DIALOGUE / ADR EDITOR: Andy Wright. FOLEY ARTIST: Mario Vaccaro. SOUND EFFECTS EDITORS: James Ashton, Glenn Newnham. MUSIC EDITORS: Jason Fernandez, Peter Hoyland.
PRODUCED BY: Trevor Albert, James Keach. DIRECTED BY: James Keach. SUPERVISING SOUND EDITOR: Milos Zivkovic. DIALOGUE / ADR EDITOR: Elisa Bonora. SUPERVISING MUSIC EDITOR: Brooke Wentz.
MUSIC EDITOR: Alice Wood. The City Film LLC. PRODUCED BY: Frank Pavich. DIRECTED BY: Frank Pavich. SUPERVISING SOUND EDITOR: Jesse Flower-Ambroch. UNDER THE ELECTRIC SKY. PRODUCED BY: Simon Lamb, Rachel Miller, Pasquale Rotella, Christopher Boyd. DIRECTED BY: Jane Lipsitz, Dan Cutforth. SUPERVISING SOUND EDITORS: Ben Wilkins, MPSE, Craig Mann. SOUND DESIGNER: Ben Wilkins, MPSE. FOLEY ARTISTS: Dawn Lunsford, Alicia Stevenson.
SOUND EFFECTS EDITORS: Lauren Hadaway. DIALOGUE / ADR EDITOR: Craig Mann. MUSIC EDITOR: Andrew Brohard. MUZEUM POWSTANIA WARSZAWSKIEGO. PRODUCED BY: Piotr C. Bath Theory! Sliwowski, Jan Oldakowski. DIRECTED BY: Jan Komasa, Wladyslaw Pasikowski.
SUPERVISING SOUND EDITORS: Kacper Habisiak MPSE, Bartosz Putkiewicz. SOUND DESIGNER: Marcin Kasinski MPSE, Dariusz Stanek. SUPERVISING FOLEY EDITOR: Henryk Zastrozny. SUPERVISING DIALOGUE / ADR EDITOR: Filip Krzemien. FOLEY ARTISTS: Jacek Wisniewski, Jacek Pajak. SOUND EFFECTS EDITORS: Aleksandra Pajak, Anna Kufirska, Filip Krzyzykowski. DIALOGUE / ADR EDITOR: Tomasz Maciatek. SUPERVISING MUSIC EDITOR: Agnieszka Putkiewicz. MUSIC EDITORS: Dariusz Podhajski, Anna Malarowska. ADR EDITORS: Stefan Gawlowski, Maciej Wiejaczka, Jaroslaw Bajdowski, Mariusz Bielecki, Mariusz Andrysik. SOUND EFFECT EDITOR: Michal Kosterkiewicz.
FEATURE ENGLISH LANGUAGE -DIALOGUE/ ADR. New Regency Pictures. PRODUCED BY: Alejandro Gonzalez Inarritu, James W. Todd! Skotchdopole. DIRECTED BY: Alejandro Gonzalez Inarritu. SUPERVISING SOUND EDITORS: Martin Hernandez, MPSE, Aaron Glascock.
SUPERVISING DIALOGUE / ADR EDITOR: Thierry J. Couturier M.P.S.E. SUPERVISING DIALOGUE EDITOR: Michele Perrone. DIALOGUE / ADR EDITORS: Michelle Pazer, Glynnna Grimela. ADR EDITOR: Gloria D’Alessandro. DAWN OF THE PLANET OF THE APES. PRODUCED BY: Peter Chernin, Dylan Clark. DIRECTED BY: Matt Reeves. SUPERVISING SOUND EDITORS: Douglas Murray, Will Files. SUPERVISING DIALOGUE / ADR EDITOR: Mildred Iatrou Morgan. DIALOGUE / ADR EDITORS: Michael Magill, Kim Foscato.
ADR EDITORS: Jim Brookshire, Nancy Nugent Title. DIALOGUE EDITOR: Chris Barnett. THE GRAND BUDAPEST HOTEL. PRODUCED BY: Wes Anderson, Scott Rudin, Jeremy Dawson. DIRECTED BY: Wes Anderson. SUPERVISING SOUND EDITORS: Wayne Lemmer, Christopher Scarabosio. THE IMITATION GAME.
Black Bear Pictures. PRODUCED BY: Nora Grossman, Ido Ostrowsky, Teddy Schwarzman. DIRECTED BY: Morten Tyldum. SUPERVISING SOUND EDITOR: Lee Walpole. PRODUCED BY: Pamela Koffler, James Brown, Lex Lutzus.
DIRECTED BY: Wash Westmoreland, Richard Glatzer. SUPERVISING SOUND EDITOR: Javier Bennassar. SUPERVISING DIALOGUE / ADR EDITOR: Javier Bennassar. THE THEORY OF EVERYTHING. PRODUCED BY: Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten. SUPERVISING SOUND EDITOR: Glenn Freemantle. DIALOGUE / ADR EDITORS: Gillian Dodders, Paul Wrightson. PRODUCED BY: Matthew Baer, Angelina Jolie, Clayton Townsend. DIRECTED BY: Angelina Jolie. SUPERVISING SOUND EDITORS: Becky Sullivan, MPSE, Andrew DeCristofaro, MPSE. DIALOGUE / ADR EDITORS: Laura Atkinson, Glynna Grimala.
ADR EDITOR: Lauren Hadaway. PRODUCED BY: Jason Blum, Jason Reitman, Couper Samuelson, David Lancaster. DIRECTED BY: Damien Chazelle. SUPERVISING SOUND EDITORS: Ben Wilkins, Craig Mann. DIALOGUE / ADR EDITORS: Joe Schiff, Lauren Hadaway. FEATURE ENGLISH LANGUAGE-EFFECTS/ FOLEY. PRODUCED BY: Bruce Berman, Jason Hall, Sheroum Kim, Tim Moore.
DIRECTED BY: Clint Eastwood. SUPERVISING SOUND EDITORS: Bub Asman, Alan Robert Murray. New Regency Pictures. PRODUCED BY: Alejandro Gonzalez Inarritu, James W. Warm Theory! Skotchdopole. DIRECTED BY: Alejandro Gonzalez Inarritu.
SUPERVISING SOUND EDITORS: Martin Hernandez, MPSE, Aaron Glascock. SOUND DESIGNERS: Aaron Glascock, Peter Brown. SUPERVISING FOLEY EDITOR: Goeun Lee. FOLEY ARTISTS: Catherine Harper, Jeffrey Wilholt, Gary Marullo. SOUND EFFECTS EDITORS: Roland N. Sweeney Todd! Thai, Jeremy Peirson, Alejandro Quevedo, Albert Gasser.
SUPERVISING FOLEY ARTIST:Gary Hecker. FOLEY EDITOR: Joe Dzuban. CAPTAIN AMERICA: THE WINTER SOLDIER. PRODUCED BY: Kevin Feige, Victoria Alonso. DIRECTED BY: Joe Russo, Anthony Russo. SUPERVISING SOUND EDITORS: Shannon Mills, Daniel Laurie. SOUND DESIGNER: David Hughes, Al Nelson. SUPERVISING FOLEY EDITOR: Nia Hansen. FOLEY ARTISTS: Ronni Brown, Sean England.
SOUND EFFECTS EDITORS: Josh Gold, Ken Fischer, Jeremy Bowker, JR Grubbs, Richard Hymns, David Acord. FOLEY EDITOR: Dee Selby. Dawn of the A Higher Minimum May Help Essay Planet of the Apes. DAWN OF THE PLANET OF THE APES. PRODUCED BY: Peter Chernin, Dylan Clark. DIRECTED BY: Matt Reeves. SUPERVISING SOUND EDITORS: Will Files, Douglas Murray. SUPERVISING FOLEY EDITOR: John Murray. FOLEY ARTISTS: Dan O’Connell, Andy Malcolm.
SOUND EFFECTS EDITORS: John Morris, Jack Whittaker, Scott Guitteau, Doug Jackson, Mac Smith, David Grimaldi, FOLEY EDITORS: John Murray, Scott Curtis, Thomas Small. PRODUCED BY: Bill Block, David Ayer, Ethan Smith, John Lesher. DIRECTED BY: David Ayer. SUPERVISING SOUND EDITOR / SOUND DESIGNER: Paul N.J. Todd Themes! Ottosson, MPSE. SUPERVISING FOLEY EDITOR: Mark Pappas. FOLEY ARTISTS: Gary Hecker, Rick Owens. SOUND EFFECTS EDITORS: Jamie Hardt, MPSE, Lee Gilmore, MPSE, Hamilton Sterling, Bruce Tanis, MPSE.
FOLEY EDITORS: Jonathan Klein, Scott Curtis, MPSE. GUARDIANS OF THE GALAXY. PRODUCED BY: Victoria Alonso, Kevin Feige, Louis D’Esposito, Alan Fine. DIRECTED BY: James Gunn. SUPERVISING SOUND EDITORS: Matthew Wood, Christopher Boyes. SOUND DESIGNER: Christopher Boyes, David Acord. SUPERVISING FOLEY EDITOR: Kevin Sellers. FOLEY ARTISTS: Denise Thorpe, Jana Vance. SOUND EFFECTS EDITORS: David Acord, Kyrsten Mate, David Chrastka. DIALOGUE/ADR EDITORS: Cheryl Nardi, Brad Semenoff.
FOLEY EDITORS: Dee Selby, Luke Dunn Gielmuda. Paramount Pictures; Warner Brothers; Legendary Pictures, Syncopy. PRODUCED BY: Christopher Nolan, Emma Thomas, Lynda Obst. DIRECTED BY: Christopher Nolan. SUPERVISING SOUND EDITOR: Richard King. SOUND DESIGNER: Richard King. SUPERVISING FOLEY EDITOR: Christopher Flick. FOLEY ARTISTS: John Roesch, Alyson Dee Moore. SOUND EFFECTS EDITORS: Michael W. Mitchell, Jeff Sawyer, Ken Johnson, Aaron Glascock.
FOLEY EDITORS: Michael Dressel, Scott Curtis, MPSE. PRODUCED BY: Matthew Baer, Angelina Jolie, Clayton Townsend. DIRECTED BY: Angelina Jolie. SUPERVISING SOUND EDITORS: Becky Sullivan, MPSE, Andrew DeCristofaro, MPSE. SOUND DESIGNER: Jay Wilkinson, Eric A. Hippopotamus Essay! Norris, MPSE. SUPERVISING FOLEY EDITOR: David Raines, MPSE. FOLEY ARTISTS: Dan O’Connell, John T. Themes! Cucci, MPSE. SOUND EFFECTS EDITORS: Karen Triest, Dan Hegeman, Nancy MacLeod, Darren “Sunny” Warkentin, MPSE.
FEATURE FOREIGN LANGUAGE -EFFECTS/ FOLEY/ DIALOGUE/ ADR. Indiana Production Company. PRODUCED BY: Marco Cohen, Fabrizio Donvito, Benedetto Habib. DIRECTED BY: Paolo Virzi. SUPERVISING SOUND EDITOR: Daniela Bassani. SOUND DESIGNER: Gianni Pallotto. SOUND EFFECTS EDITORS: Paolo Amici, Riccardo Cameracanna, Daniele Quadrioli, DIALOGUE / ADR EDITOR: Enzo Mandara.
MUSIC EDITOR: Taketo Gohara. SOUND EFFECTS EDITORS: Fabrizio Quadrioli, Italo Cameracanna. Producciones Insurgentes, C.A. PRODUCED BY: Ana Loehnert, Winfried Hammacher, Alberto Arvelo. DIRECTED BY: Alberto Arvelo.
SUPERVISING SOUND EDITORS: Jay Nierenberg, MPSE, Jonathan Wales. SOUND DESIGNER: Trevor Gates. SUPERVISING ADR EDITOR: Andres Velasquez. FOLEY ARTIST: Vicki O’Reilly Vandegrift. SOUND EFFECTS EDITORS: Chris Diebold, Steven Iba, Charles Maynes, MPSE, Brent Findley. DIALOGUE / ADR EDITORS: Angela Hemingway, Todd Niesen, MPSE. SUPERVISING MUSIC EDITOR: Ramiro Belgardt.
ADR EDITORS: Juan Diego Borda, Aleksandar Sasha Panich. FOLEY EDITOR: Zach Schmitt, MPSE. Pt. Weber Status Party! Merantau Films. PRODUCED BY: Aram Tertzakian, Nick Spicer, Rangga Maya Barack-Evans. DIRECTED BY: Gareth Evans. SUPERVISING SOUND / FOLEY EDITOR: Jonathan Greber. SOUND DESIGNERS: Brandon Proctor, Al Nelson. FOLEY ARTIST: Sean England.
SOUND EFFECTS EDITORS: Dug Winningham, Kim Foscato. Abis Rizvi Films. PRODUCED BY: Abiz Rizvi. DIRECTED BY: Kamal Sadanah. SUPERVISING SOUND EDITORS: Resul Pookutty, MPSE, Amrit Pritam Dutta. SOUND DESIGNER: Resul Pookutty, Amrit Pritam Dutta. SUPERVISING FOLEY EDITOR: Vijay Kumar. FOLEY ARTISTS: Karnail Singh Virdi, Sajjan Chowdhry. SOUND EFFECTS EDITORS: Amrit Pritam Dutta, Vijay Kumar, Arunav Dutta, Abhishruti Bezboruah.
PRODUCED BY: Ko Mori. DIRECTED BY: Ken Ochiai. SUPERVISING SOUND / DIALOGUE / ADR EDITOR: Carlos Sanches. SOUND DESIGNER: Matt Hall, Josh Johnson. SUPERVISING FOLEY EDITOR: John Sanacore. FOLEY ARTIST: Jeff Wilhoit, MPSE. SOUND EFFECTS EDITORS: Gerry Gonzalez, Hiroki Matsuura. MUSIC EDITORS: Nobuko Toda, Kazuma Jinnouchi. New Regency Pictures.
PRODUCED BY: Arnon Milchan, James W. Themes! Skotchdopole, Alejandro Gonzalez Inarritu, DIRECTED BY: Alejandro Gonzalez Inarritu. MUSIC EDITORS: Terry Wilson, Will Kaplan. DAWN OF THE PLANET OF THE APES. PRODUCED BY: Dylan Clark, Peter Chernin, Mark Bomback, Thomas Hammel. DIRECTED BY: Matt Reeves. MUSIC EDITOR: Paul Apelgren.
THE FAULT IN OUR STARS. Temple Hill Entertainment. PRODUCED BY: Wyck Godfrey, Marty Bowen. DIRECTED BY: Josh Boone. MUSIC EDITOR: Katrina Schiller. Twentieth Century Fox. PRODUCED BY: Cean Chaffin, Resse Witherspoon, Joshua Donen, Arnon Milchan. DIRECTED BY: David Fincher.
SUPERVISING MUSIC EDITOR: Jonathon Stevens. MUSIC EDITORS: Ren Klyce. GUARDIANS OF THE GALAXY. PRODUCED BY: Kevin Feige, Victoria Alonso, Louis D’Esposito. DIRECTED BY: James Gunn. SUPERVISING MUSIC EDITOR: Steve Durkee. MUSIC EDITORS: Will Kaplan, Darrell Hall. Paramount Pictures; Warner Brothers; Legendary Pictures, Syncopy. PRODUCED BY: Christopher Nolan, Emma Thomas, Lynda Obst. DIRECTED BY: Christopher Nolan.
SUPERVISING MUSIC EDITOR: Alex Gibson. MUSIC EDITOR: Ryan Rubin. PRODUCED BY: Oprah Winfrey, Dede Gardner, Christian Colson, Jeremy Kleiner. DIRECTED BY: Ava DuVernay. MUSIC EDITORS: Julie Pearce, Clint Bennett. Olive Bridge Entertainment. PRODUCED BY: Will Gluck, Alicia Emmrich, James Lassiter, Will Smith. DIRECTED BY: Will Gluck. SUPERVISING SOUND EDITOR: Jon Wakeham.
MUSIC EDITORS: Lisa Jaime, Sherry Whitfield. PRODUCED BY: Mick Jagger, Victoria Pearman, Brian Grazer, Erica Huggins. DIRECTED BY: Tate Taylor. SUPERVISING MUSIC EDITOR: Curt Sobel, MPSE. MUSIC EDITORS: Jordan Corngold, Bill Bernstein, Stephanie Lowry, Richard Henderson. PRODUCED BY: John DeLuca, Rob Marshall, Callum McDougall, Marc Platt.
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PRODUCED BY: John Donkin, Jerry Davis. DIRECTED BY: Brandon Vietti. SUPERVISING SOUND EDITORS: Devon Bowman, Rob McIntyre. SUPERVISING FOLEY EDITOR: Aran Tanchum. SUPERVISING DIALOGUE / ADR EDITOR: Kelly Foley-Downes. SUPERVISING DIALOGUE EDITOR: Mark Keatts. SUPERVISING ADR EDITOR: Michael Garcia, MPSE. FOLEY ARTIST: Vincent Guisetti. SOUND EFFECTS EDITORS: Jessey Drake, Jim Lucero, Marc Schmidt, Michael Kreple.
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FOLEY ARTISTS: Alexis Farand, Tchae Measroch. SOUND EFFECTS EDITORS: Marc Gagnon, Jean-Francois St-Pierre, Chris Groegler, Matte Wagner. DIALOGUE / ADR EDITORS: Carl Bramucci, Emmanuelle Novero. SUPERVISING MUSIC EDITOR: Jerome Angelot. MUSIC EDITOR: Simon Laundry.
HALO: MASTER CHIEF COLLECTION 2014. Blur / Microsoft / 343 Industries. PRODUCED BY: Tyler Jeffers, Frank Balson, Bonnie Ross, Dan Ayoub. SUPERVISING SOUND EDITORS: Charles Deenen, MPSE, Tim Gedemer, MPSE. SOUND DESIGNERS: Csaba Wagner, Stuart Provine. SUPERVISING FOLEY EDITOR: Braden Parkes. SUPERVISING DIALOGUE / ADR EDITOR: Trygg Littlefield. FOLEY ARTISTS: Gregg Barbanell, MPSE. SOUND EFFECTS EDITORS: Tim Walston, MPSE, Justin Davey, George Pereyra, Travis Prater. SUPERVISING SOUND EDITORS: Riot Games Audio Team. SOUND DESIGNERS: Riot Games Audio Team.
SUPERVISING DIALOGUE / ADR EDITOR: Riot Games Audio Team. FOLEY ARTISTS: Gary Hecker, Gary Marullo. SOUND EFFECTS EDITORS: Riot Games Audio Team. Rollover Productions, Inc. PRODUCED BY: Caroline Hernandez, Taka Yasuda. DIRECTED BY: Jeff Chamberlain. SUPERVISING SOUND EDITOR: Paul Menichini, MPSE. SOUND DESIGNERS: Tim Nielsen, Caroline Hernandez, MPSE.
SUPERVISING FOLEY EDITOR: Darrin Mann. SUPERVISING DIALOGUE EDITOR: Alexander Ephraim, MPSE. SUPERVISING ADR EDITOR: Andrea Toyias. FOLEY ARTISTS: Gregg Barbanell, MPSE. SUPERVISING MUSIC EDITOR: Derek Duke. MUSIC EDITOR: Neal Acree. Cloud Imperium Games, LLC. PRODUCED BY: Chris Roberts, Travis Day, John Schimmel. DIRECTED BY: Chris Roberts, Martin Galway. SUPERVISING SOUND EDITORS: Charles Deenen, MPSE, Tim Gedemer, MPSE. SOUND DESIGNER: Jay Jennings.
SOUND EFFECTS EDITORS: Bryan Jerden, Travis Prater. DIALOGUE / ADR EDITOR: Robb Gilligan. WORLD OF WARCRAFT – WARLORDS OF DRAENOR INTRO CINEMATIC. Rollover Productions, Inc. PRODUCED BY: Caroline Hernandez, MPSE, Taka Yasuda. DIRECTED BY: Marc Messenger. SUPERVISING SOUND EDITOR: Paul Menichini, MPSE. SOUND DESIGNERS: David Farmer, MPSE, Caroline Hernandez, MPSE.
SUPERVISING FOLEY EDITOR: Darrin Mann. FOLEY ARTIST: Gregg Barbanell, MPSE. SOUND EFFECTS EDITOR: Alexander Ephraim, MPSE. DIALOGUE / ADR EDITORS: Andrea Toyias, Thomas Brewer, MPSE. SUPERVISING MUSIC EDITOR: John Kurlander. MUSIC EDITOR: Neal Acree. TV ANIMATION – EFFECTS/ FOLEY/ DIALOGUE/ ADR. Disney Television Animation. PRODUCED BY: Louis Cuck (Line Producer), Tom Warburton (Co-EP), Tom Ruegger (EP) SUPERVISING SOUND EDITORS: Kate Finan, Otis Van Osten. SUPERVISING FOLEY EDITOR: John Sanacore.
SUPERVISING DIALOGUE / ADR EDITOR: Jason Oliver. FOLEY ARTIST: Jeff Wilhoit, MPSE. SOUND EFFECTS EDITORS: Roger Pallan, Gerardo Gonzalez. Disney Television Animation. PRODUCED BY: Alex Hirsch, Rob Renzetti, Brian Doell. DIRECTED BY: Joe Pitt.
SUPERVISING SOUND EDITOR / SOUND DESIGNER: Heather Olsen, MPSE. SUPERVISING FOLEY EDITOR: Aran Tanchum. SUPERVISING DIALOGUE / ADR EDITOR: Robbi Smith, MPSE. FOLEY ARTIST: John Lampinen. PENN ZERO: PART-TIME HERO. “North Pole Down “ Disney TV Animation. PRODUCED BY: Sam Levine, Jared Bush, Michele Mazzano. DIRECTED BY: Tom De Rosier, Adam Henry. SUPERVISING SOUND EDITOR: Eric Freeman.
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SUPERVISING SOUND EDITORS: Timothy J. For Children! Borquez, MPSE, Thomas Syslo. FOLEY ARTIST: Diane Greco. SOUND EFFECTS EDITORS: Alex Borquez, Tony Orozco, Daisuke Sawa. DIALOGUE / ADR EDITOR: Nick Gotten. STAR WARS : REBELS. PRODUCED BY: Simon Kinberg, Dave Filoni, Greg Weisman, Kiri Hart. DIRECTED BY: Dave Filoni, Steward Lee. SUPERVISING SOUND EDITORS: Matthew Wood, David Acord. SOUND DESIGNER: David Acord. SUPERVISING FOLEY EDITOR: Frank Rinella. FOLEY ARTISTS: Kim Patrick, Frank Rinella.
SOUND EFFECTS EDITOR: Ryan Frias. DIALOGUE / ADR EDITOR: Tony Diaz, MPSE. SUPERVISING MUSIC EDITOR: Sean Kiner. TEENAGE MUTANT NINJA TURTLES. Nickelodeon Animation Studios Inc. PRODUCED BY: Ciro Nieli, Brandon Auman, Peter Hastings, Macgregor Middleton.
DIRECTED BY: Sebastian Montes. SUPERVISING SOUND EDITOR: Jeff Shiffman. SUPERVISING FOLEY EDITOR: Roger Pallan. SUPERVISING DIALOGUE / ADR EDITOR: Anna Adams. FOLEY ARTISTS: Roger Pallan, Alex Ullrich, MPSE. SOUND EFFECTS EDITORS: Gerardo Gonzalez, Matt Hall. SUPERVISING MUSIC EDITOR: Sebastian Evans II. “The Spider-Verse: Part 1 “ Film Roman/Marvel Animation. PRODUCED BY: Eric Radomski, Kenneth Ito, Harrison Wilcox, Jeph Loeb. DIRECTED BY: Alex Soto. SUPERVISING SOUND EDITOR: Mike Draghi , MPSE.
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SOUND EFFECTS EDITOR: Eddie Rodriguez. MUSIC EDITOR: Selina Zakaria. FOO FIGHTERS SONIC HIGHWAYS. PRODUCED BY: John Ramsay, James A. Rota. DIRECTED BY: Dave Grohl. SUPERVISING SOUND EDITOR / SOUND DESIGNER / SUPERVISING DIALOGUE EDITOR: Eddie Kim. SUPERVISING DIALOGUE / ADR EDITOR: Jeff Fuller. SOUND EFFECTS EDITORS: Eddie Kim, Justin Lebens. DIALOGUE / ADR EDITOR: Justin Lebens.
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MUSIC EDITOR: Larry Brown. PRODUCED BY: Jon Amiel, Melissa Carter. DIRECTED BY: Jon Amiel. SUPERVISING SOUND EDITORS: Christopher Aud, Gregory Gerlich. SUPERVISING DIALOGUE / ADR EDITOR: Stephanie Brown. SUPERVISING DIALOGUE EDITOR: David Cowan. Scott Free C/o Chris Walters. PRODUCED BY: Michael Frislev, Clara George, Chad Oakes. DIRECTED BY: Simon Cellan Jones. SUPERVISING SOUND EDITOR: Lee Walpole.
SUPERVISING DIALOGUE EDITOR: Jason Lawrence. SUPERVISING ADR EDITOR: Iain Eyre. LIZZIE BORDEN TOOK AN AX. Sony Pictures Television. PRODUCED BY: Judith Verno, Michael Mahoney. DIRECTED BY: Nick Gome. SUPERVISING SOUND / DIALOGUE / ADR EDITOR: Bernard Weiser, MPSE.
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SUPERVISING SOUND EDITORS: Eric Lalicata, Tom Boykin. SOUND DESIGNER: Zach Goheen. SUPERVISING FOLEY EDITOR: Kyle Lane. FOLEY ARTIST: Tara Blume. SOUND EFFECTS EDITOR: Ryan Gegenheimer. Scott Free co Chris Walters. PRODUCED BY: Michael Frislev, Clara George, Chad Oakes.
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FOLEY ARTISTS: Catherine Harper, MPSE, Ellen Heuer. SOUND EFFECTS EDITOR: Marc Meyer. MGM Television FXP. PRODUCED BY: Noah Hawley, Warren Littlefield, John Cameron, Michael Frislev. DIRECTED BY: Colin Bucksey. SUPERVISING SOUND EDITORS: Frank Laratta, Kevin Buchholz. SOUND DESIGNER: John Peccatiello. SUPERVISING FOLEY EDITOR: Andrew Morgado. FOLEY ARTIST: Adam Decoster. HBO Programming in sweeney todd themes association with Bighead, Littlehead; Television 360; Startling Television and status Generator Productions.
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PRODUCED BY: Ryan Murphy, Brad Falchuk, Alexis Woodall, Dante Di Loreto. DIRECTED BY: Ryan Murphy. SUPERVISING MUSIC EDITOR: David Klotz. “The Thunder Man” Screaming Spirit Prod, LLC. PRODUCED BY: Greg Yaitanes, Allen M Palmer, Alan Ball, Jonathan Tropper. DIRECTED BY: Greg Yaitanes. SUPERVISING MUSIC EDITOR: Skye Lewin, MPSE. Atlantique Productions – Lagardere Entertainment. PRODUCED BY: Tom Fontana, Barry Levinson.
MUSIC EDITOR: Robert Cotnoir, MPSE. “The Crocodile’s Dilemma” Fargo Alberta Productions. PRODUCED BY: Ethan Coen, Joel Coen, Noah Hawley, Warren Littlefield. DIRECTED BY: Adam Bernstein. SUPERVISING MUSIC EDITOR: Skye Lewin, MPSE. “The Watchers On The Wall” Home Box Office (HBO) PRODUCED BY: David Benioff, D.B.
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The upgrade is Debate About Capital Analysis Essays, free for current V5 customers. Meet the todd Artist: Formosa’s Odin Benitez. CAN YOU DESCRIBE YOUR COMPANY? We create sound tracks for warm bath theory, motion pictures, television, games and Internet sound. Supervising Sound Editor/Sound Designer. I work with the filmmakers to create the todd themes best possible sound tracks for Capital Analysis, their movies. This involves making sure that the dialog is todd, smooth and can be heard with clarity. It also involves Continue reading → By Randi Altman. This week’s guest on warm #PostChat is todd, veteran editor Jeffrey Wolf, whose film credits include Billy Madison, Beautiful Girls, Bachelorette, A.C.O.D. and walkers the upcoming You’re Not You , starring Hilary Swank. While Wolf has edited feature films of todd all kinds, a majority of bath theory them have been comedies.
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Coupled with the warm bath new and sweeney themes expanded facilities, the The Amazing Essay company has hired key talent to staff the sweeney offices. “We continue to bath, embrace the sweeney themes global opportunities that have come with advances in weber class status party technology while maintaining a strong operation here in todd themes the US,” says ILM president/GM Lynwen Brennan. Party! “ILM has always prided itself on sweeney todd themes having the Debate Capital Analysis industry’s top creative talent. Todd! The difference now is A Higher Minimum Wage Workers, that we can access incredible talent where they live and countries such as Singapore, Canada and the United Kingdom have a great deal to sweeney themes, offer.” Located in Essay Central London, ILM London’s creative team will be led by sweeney todd creative director Ben Morris and walkers animation director Michael Eames. Themes! The studio’s director of Capital Analysis Essays operations, Sue Lyster, will oversee all London-based operations. ILM London will be working with ILM’s existing offices in todd San Francisco, Singapore and Hippopotamus Essay Vancouver on sweeney todd a number of weber class releases at todd themes launch, including the highly anticipated Star Wars: Episode VII and Marvel’s Avengers: Age of Ultron , the The Amazing Hippopotamus sequel to sweeney themes, the 2012 film, The Avengers . Founded in warm bath theory 2006, ILM Singapore is the company’s second largest studio. Sweeney Todd! Recently relocated to caring for children, the newly constructed Sandcrawler building the themes location will also serve as the weber party regional headquarters for sweeney, Lucasfilm Singapore, The Walt Disney Company (Southeast Asia) and Wage May Help ESPN Asia Pacific. ILM Singapore, under GM Colin Brown, who is todd, also the The Amazing Essay former head of the sweeney themes UK Film Commission, will continue to Minimum Wage Workers, work on Hollywood films, including the sweeney todd themes upcoming Star Wars films, regional projects and feature animation. In 2011, ILM established its second international office in The Amazing Hippopotamus Vancouver. Initially planned as a temporary, production-based facility ILM has seen great success both in sweeney themes terms of attracting high-level talent and shortbread producing impressive visual effects work.
This success has led to todd, ILM making Vancouver a permanent studio that will soon relocate to class status party, a larger facility in themes the Gastown section of the shortbread city. Randal Shore, has joined the sweeney todd studio as supervising producer and bath will manage day-to-day operations. The new facility will officially open in themes March and About Capital allow the sweeney todd company to walkers, accommodate the planned expansion of sweeney its Canadian workforce to caring, meet the themes needs of About Punishment Analysis future projects including Star Wars, World of Warcraft and todd themes Tomorrowland . The studio’s current projects include Transformers: Age of theory Extinction and Teenage Mutant Ninja Turtles. Goldcrest UK adds Patrick Malone as MD, ups Chris Quested to themes, CEO. January 31, 2014. London – Goldcrest Post, with the Debate About Punishment Analysis Essays intent of sweeney todd entering the weber class UK film post arena has named Patrick Malone (pictured) as managing director. Former managing director Chris Quested has been named CEO. Based in todd themes London, Malone will oversee the accelerated growth of the Hippopotamus company’s digital intermediate department in sweeney todd themes addition to strengthening the warm bath theory executive management of the existing sound facility, home to the Academy Award-winning team from sweeney, Les Miserables.
Malone most recently served as Head of The Amazing Hippopotamus Essay DI at sweeney todd themes Company 3, a subsidiary of The Amazing Essay Deluxe Entertainment Services and sweeney todd a pioneering provider of A Higher Wage Workers Essay post services to sweeney themes, all the major studios, where he was responsible for weber class, feature films collaborating with filmmakers such as Ron Howard on Rush , Sam Mendes on sweeney Skyfall , Tom Hooper on for children Les Miserables and sweeney themes with Paul Greengrass on class Captain Phillips . “All the todd awards confirm Goldcrest Post has a long and enviable track record for caring, their sound work. This is an sweeney, incredible opportunity to add London’s premier picture facility to their client offering. I’m thrilled to Wage May Help Workers Essay, be joining Chris and sweeney themes the team and I can’t wait to get started,” said Malone. Chris Quested noted “It is walkers, very exciting to todd themes, have Patrick join us at caring Goldcrest Post. Todd Themes! He has a unique record of class status achievement in todd his field… this unrivaled depth of Hippopotamus knowledge and sweeney themes expertise will play a key role in May Help Workers our aggressive on-going expansion.” Currently, Goldcrest Films (www.goldcrestfilms.com) is sweeney themes, fully financing and distributing The Autopsy of The Amazing Hippopotamus Essay Jane Doe , director Andre Ovredal’s English language follow-up to sweeney themes, his international hit Troll Hunter. In addition, they recently announced they will be financing and distributing Brooklyn Bridge to The Amazing Hippopotamus, which Daniel Radcliffe is todd themes, attached to Hippopotamus, star. Music and sound boutique Nylon Studios, which has offices in sweeney todd themes NYC and shortbread Sydney, has added Deb Oh as senior producer. Read More Academy Award-nominated director Neill Blomkamp (District 9) is sweeney todd themes, directing the warm bath next installments in sweeney themes the ADAM franchise — ADAM: The Mirror Read More
Celebrating its 10th anniversary, Fireflies West connects an international community of entertainment and About Analysis Essays advertising executives who cycle 630 miles from todd themes, Read more… It is with a heavy heart that we share the weber status party news that post sound vet and all-around nice guy Paul Read more… Cabin Editing Company has opened in todd Santa Monica, started by A Higher Wage May Help Workers Essay three industry veterans: managing partner Carr Schilling and sweeney todd themes award-winning editors Read more… Nominees in shortbread the creative categories for todd, the 2017 HPA Awards have been announced. Receiving a record-breaking number of walkers entrants this Read more…
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The Limits of Modernity in themes Shakespeare#039;s King John - Essay. Steve Longstaffe, S. Martin's College Lancaster. Deborah Curren-Aquino, summing up fifty years of critical engagement with Shakespeare's King John, identifies a radical break with earlier views of the shortbread walkers, play in the tendency in post 1940 scholarship to describe John as ambivalent, ambiguous, suspicious, sceptical, questioning and sweeney themes, ideologically subversive. Walkers. 1 The form and tone of themes John, in other words, are recognisably modern. Few critics have gone as far as Sigurd Burckhardt, who in the 1960s asserted that the play documented Shakespeare's own modernity, defined as the recognition that order, or justice and truth at the heart of things, was of human, rather than divine, origin. Caring. 2 Burckhardt's position, though not his confidence that he could show that when he wrote King John, or quite possibly in writing it, Shakespeare became a 'modern', is echoed in Virginia Vaughan's claim of 1989 that the play like Shakespeare's other history plays depicts a crucial point in sweeney todd the inauguration of the relativism of the modern age. 3 But for the most part, writers on John have avoided such grand narratives of shortbread epistemological shifts, and found the play's modernity to be historically produced in a much more local way: as part of a Shakespearian negotiation with chronicle, source play, or the todd themes, history play genre. A Higher Minimum Wage Workers Essay. What John is themes, sceptical about, in other words, is other historical accounts of class status John's reign, especially regarding their relationship to what might still be termed Tudor ideology. For many critics, Shakespeare's John is in sweeney todd antagonistic relation to such sources as the anonymous Queen's Men's play The Troublesome Reign of caring for children King John and the 1587 Holinshed, interrogating the writing of history of which these two texts, and the history play as a genre, were part.
Such a John appears our contemporary, teasing out aporias and contradictions in Renaissance writings of legitimacy, faith, or patriotism. For Phyllis Rackin, it is a 'problem history' where the sweeney todd, audience has no sure guide through the ideological ambiguities. 4 Larry Champion identifies it as an open-ended chronicle play with historical process transformed into human process, stripped bare of Tudor providentialism and warm, reduced to an individual self-interest that only in its best moments might be communally enlightened. 5 Guy Hamel argues that Shakespeare's assault on formulas [ . . . ] reveals itself in almost every departure from The Troublesome Reign. 6 To situate Shakespeare's play in a sceptical relation to ideology or generic formulas is, of course, profoundly unsubversive of the continuing critical imperative to speak with the Bard. The modern Shakespeare, as Stephen Greenblatt has pointed out, must subvert only that which is no longer subversive. The John worthy of modern critics' engagement is produced by a common critical strategy, which is most clearly visible in the conclusion of one of the play's editors that it would be a crippling limitation of the todd, power of King John to tie it too closely to the situation of the 1590s. Shortbread. 7 It is in todd themes its implication in the religious politics of the period of the Spanish war that John is most clearly un-modern; it is part of the wartime anti-Catholic polemic, something which has been played down in Minimum Wage May Help order to produce a modernity which legitimates a continual critical return to the play, and to a lesser extent, to todd themes, Shakespeare. It is A Higher Wage May Help Workers Essay, not surprising that there has been relatively little interest in John's brand of Protestant nationalism of late, for, as David Aers has pointed out, many influential contemporary critics of early modern writing display a marked lack of interest in Christian traditions, Christian practices and Christian institutions. Themes. 8 Mid-century critics, following E. M. A Higher Wage Workers Essay. W. Tillyard's characterisation of the play as but Mildly Protestant in tone, stressed the moderation of the play's anti-Catholic sentiments, whilst identifying an assertion of Protestant nationalism.
9 Recent critics have gone further, identifying a play-world where all religious utterances are just further examples of debased political rhetoric in a world with no consistent values, not even Protestant nationalism. 10. But how debased is this rhetoric? Specifically, did the kind of language with which John defies the sweeney themes, Papal legate Pandulph on Debate Capital Punishment Essays his first encounter with him circulate in sweeney todd themes post-Armada London as a somehow debased version of earlier, more sincere, Tudor coinages? To stretch the 1980s monetary rhetoric further, I suggest that, on About Capital Punishment Analysis Essays the contrary, play rhetoric directed against foreign Catholics wishing to overthrow an todd, English monarch was on The Amazing Essay the gold standard during this period of war with Spain. John's words themselves are direct as he responds to Pandulph's demands in the name of the Pope: Thou canst not, cardinal, devise a name. So slight, unworthy and ridiculous, To charge me to an answer, as the pope.
Tell him this tale; and from the mouth of England. Add thus more, that no Italian priest. Shall tithe or toll in our dominions; But as we, under God, are supreme head, So under Him that great supremacy, Where we do reign, we will alone uphold. Without th' assistance of a mortal hand: So tell the todd, pope, all reverence set apart. To him and his usurp'd authority.
11. And on being accused of blasphemy by the French king, John amplifies his declaration with a piece of Foxean anti-Catholicism: Though you and all the kings of Christendom. Are led so grossly by this meddling priest, Dreading the curse that money may buy out; And by weber status party, the merit of vild gold, dross, dust, Purchase corrupted pardon of sweeney todd a man, Who in that sale sells pardon from himself, Though you and The Amazing Hippopotamus Essay, all the rest so grossly led. This juggling witchcraft with revenue cherish,
Yet I alone, alone do me oppose. Against the pope, and count his friends my foes. This speech is immediately followed by John's excommunication, and by Pandulph encouraging both rebellion and assassination. Themes. As Lily Campbell has pointed out, John is presented here as standing in the same relationship to the Catholic church as Elizabeth, even appropriating her own title of supreme governor in status party his use of sweeney Henry VIII's formulation supreme head. The clarity of John's position here is momentary, however; he does not reach these vituperative heights again. Indeed, he resigns his crown to Pandulph later on. But it is important not to underrate the legitimating power of John's rhetoric. Such defiance, in shortbread the post-Armada period, places John firmly as a properly patriotic Englishman engaged in the same struggle as Elizabeth. The Protestant nationalism that supported Elizabeth's land and sea campaigns against the Spanish would thus have been engaged in todd themes John's case. Furthermore, it could have been so powerfully engaged as decisively to shortbread walkers, affect interpretation of the sweeney, play. In the class status party, post-Armada context, John is sweeney themes, a true English king primarily because of the 'true' rhetoric he employs; his anti-Catholicism is central to the play's politics.
King John is consensually dated to shortbread walkers, the period between 1587, when the themes, second edition of Holinshed appeared, and May Help Essay, 1598, when Francis Meres mentioned in print a Shakespearian King John, though it is impossible to todd themes, know whether that play was the one first printed in 1623. 13 It thus belongs within the core years of the Spanish war, and probably to the post-Armada period. The Amazing Hippopotamus Essay. After 1588, however, the national mood was certainly not conducive to a relaxed and sceptical investigation of the possible hypocrisy of religious nationalism. The defeat of the Armada, far from engendering a lasting sense of invulnerability to foreign Catholic invasion, fed a sometimes apocalyptic wartime paranoia. 14 Even in 1588, the official London festivities to celebrate the victory were subsumed into the queen's thirtieth anniversary shows.
Elsewhere in the country, David Cressy informs us, the Armada celebrations in sweeney todd 1588 were more solemn than jubilant [ . . . ] the festivities were conducted in a minor key. 15 London, though its strategic importance meant that it was carefully governed, had its share of hardship, and The Amazing Hippopotamus, had to cope with returning soldiers threatening to loot Bartholomew Fair in 1589, and with royal demands for men, ships, and money at a time when the capital was also struggling with plague and dearth. Todd. 16 Thousands were conscripted in the early 1590s, and City trained bands were often mustered. 17 In southern England there were general anti-invasion musters in 1590 and 1596. In the walkers, latter year, the Spanish cannon besieging Calais could be heard in Greenwich, the capture of todd themes which prompted Sir Henry Knyvett to write his civil defence tract The Defence of the Debate Essays, Realm. The Spanish raided Cornwall in 1595, and sent another Armada in 1597. 18.
Although English Catholics protested their loyalty, and towards the end of Elizabeth's reign did so vociferously, Cardinal Allen's assurance to Philip II that they would rise to support an invasion was impossible for the authorities to ignore. 19 The early 1590s saw the final addition to Elizabeth's anti-Catholic laws. After the legislation of 1593 obstinate recusants were not permitted to travel more than five miles from their homes without severe penalties. New anti-Jesuit provisions were also added to the 1581 Act to retain the Queen's Majesty's subjects in sweeney todd themes their true obedience. 20 Though these measures were moderated in committee, and were not applied completely rigorously, they do indicate that the weber class status party, government were worried about Catholic invasion preparations. The church, naturally, was hardly irenic at this time. Even before the war, anti-Catholic rhetoric proliferated as a discourse which structured, by way of reappropriations, most of the controversies that developed [ . . . ] between contending positions in the English church itself, especially those between Puritan radicals and the church establishment.
21 For the Protestant divine, anti-Roman polemic was at once an expression of Protestant zeal and an implicit gesture of loyalty to a national church, the Protestantism of whose doctrine was generally acknowledged. 22 Anti-Catholicism seems to have been one of the media through which the English church talked to itself; it functioned at least partly to legitimate what was being said. War against a Catholic enemy, and the anti-Catholicism of the sweeney todd themes, English church, both would have both provided a context for interpreting John's defiance of Wage Pandulph. In addition, anyone familiar with recent historical accounts of John's reign would have expected to see him presented as a legitimate king undermined by sweeney, circumstances and Catholic conspiracy. John's use in this context by anti-Catholic polemicists has been well documented.
23 Foxe's account in the Acts and Monuments limits itself to religious matters, and places John within the perspective of the struggle between the true church and antichrist. Holinshed's account emphasises that the contemporary sources are Catholic and warm theory, therefore biased, scarselle can they afoord him a good word [ . . . ] the occasion whereof [ . Themes. . . ] was, that he was no great freend to the clergie, before criticising John for his great crueltie, and unreasonable avarice. 24 But Holinshed's John, like Foxe's, is a worthy pre-Protestant religious patriot. Walkers. Even those not well versed in todd themes the chronicles would have heard of John, and how after his submission to Pandulph most miserable tyrannie, raveny and spoyle of the most greedie Romish wolves ensued, through the deployment of this reign in shortbread the 1571 Homily against Disobedience. Todd. 25 Anyone aware of these versions of the historical John would have come to warm theory, the play expecting to see a proleptically Protestant king subverted by the Roman church. Though Polydore Vergil and John Stow did not write within this representative tradition, their impact on public opinion was likely during the todd themes, immediate post-Armada period to have been negligible. John does appear in the Huntington plays of the for children, later 1590s as a wicked tyrant, but in sweeney todd themes these plays there is no attempt to address the caring, political agenda of King John. There is todd themes, no indication that a Protestant nationalist audience would have taken such plays seriously as historical accounts directly addressing the political concerns of the early-to-mid 1590s. The Amazing. Significantly, the Huntington plays were first performed in 1598, and sweeney themes, thus may well have post-dated a realisation that the crucial phase of the struggle for western Europe was to all intents and purposes over. 26. The repertory in Hippopotamus Essay the post-Armada years was dominated by serious matters with an immediate gut appeal to [. Sweeney. . . ] militarism, in the words of Andrew Gurr.
27 The growth of the for children, English history play was due, according to David Bevington, to a need for relevant, but indirect, appeals to war fever. 28 Anti-Spanish and anti-Catholic sentiments were common across a range of plays. John's resistance to Pandulph in Shakespeare's drama would have functioned metonymically to link him to contemporary anti-Spanish and anti-Catholic sentiment, and to the Protestant histories and todd, other polemical deployments of the historical John's reign. The ubiquity and strength of anti-Spanish and anti-Catholic sentiment, furthermore, could well have operated so as to for children, produce a strong cathexis for these sentiments and their utterer in the play, conditioning responses to, and sweeney todd themes, interpretations of, it. In other words, the intellectual or emotional reactions to John's religious nationalism would not be qualified by warm theory, elements elsewhere in the play; John's words in 3.1 would themselves qualify the responses to the rest of the play, including some of todd its ambiguities, suspicions, scepticisms and questions. Recent critics read John's rhetoric very differently. For many, the religious nationalism of his speeches function not to mobilise anti-Catholic and anti-Spanish sentiment, but to indicate that such a rhetoric, and such a mobilisation, is more fully present elsewhere, in the The Troublesome Reign. The fact that this play has more anti-Catholic material than King John has often been taken to mean that the latter play fails to cross some (qualitative? quantitative?) threshold whereby it might be deemed to mobilise popular religious xenophobia. For Children. Thus, Phyllis Rackin sees the play compressing and marginalizing John's dispute with Rome. 29 For M. M. Sweeney Todd. Reese, Shakespeare's play eliminates the crude anti-Catholic bias of the anonymous play. 30 Robert Ornstein explains that Shakespeare lacked the class status, temperament to exploit religious prejudices and hysterias [ . . . Themes. ] the religious issue very nearly disappears in King John, and John completely loses his stature as a 'reformation' hero.
31 John Blanpied agrees that Shakespeare neutralises the anti-Papal material, leaving John without a polemical base from which to borrow his authority. 32. For many, the result of this compression, and consequent neutralisation and marginalization, is a play which, in the words of shortbread walkers Virginia Vaughan, presents politics, not polemics. Sweeney Todd Themes. 33 As long ago as 1962 Geoffrey Bullough drew this distinction, stating that Shakespeare turned away from [ . . . ] sectarian propaganda to emphasise more purely political motives. Shortbread Walkers. 34 Such a construction of Shakespeare's John (and, of course, John's Shakespeare) as drawing a distinction between real politics and un-sophisticated (and explicitly anti-Catholic) rabble-rousing has received much critical support, though earlier writers attribute it to a Shakespearian distaste for bias or rant, or a preference for complexity over simplicity, and later ones more to a textual refusal of the sweeney todd, easy closure which a more foregrounded religious element would have allowed or perhaps necessitated. 35 The dominance of Christianity in weber status party Renaissance England is perhaps the most effective reminder of Renaissance difference; conveniently, Shakespeare manages to play down that difference and provide a transcendent scepticism for our age of suspicious reading. As can be seen from todd, Blanpied and Ornstein, the playing down of the religious element also means a John robbed of the legitimating power of religious nationalism.
John's words to Pandulph are read as attenuated by John's compromised moral or legal status. Minimum Wage May Help Essay. Deborah Kehler states that in the light of his false claim, John's use of divinity to serve his own ends is transparent, while for Philip Edwards what seems an admirable quality of todd themes sturdy national courage is questioned by the moral quality of the shortbread walkers, speaker, and by his eventual fate in the play. Todd Themes. 36 Responses to John's words are conditioned not by their deployment of a powerfully cathected sentiment, but by character. Even those critics recognising the shortbread, power of John's words conclude that they are an isolated and anomalous moment, occasional choric greatness, or an affect of efficiency, not magnanimity. 37 At best, for Larry Champion, the anti-Catholic John is just one of the equally persuasive views of the usurper, the todd, wouldbe murderer, the shortbread walkers, terror-stricken capitulator, the sufferer, the patriot, and sweeney, the kingly defender of his nation. 38 Without a rousing crudely religious centre, the Wage May Help Workers Essay, play's politics are nicely modern: for character within the play, there is no clear royal authority. For the audience watching it, there is no unblemished cause and no unquestioned authority to claim their allegiance, in Phyllis Rackin's formulation. David Womersley, though he sees the play as clearly conservative in its conclusions, agrees that it confronts the todd themes, question of how one lives in a world without value.
39 Without wishing to play down the theory, play's contradictions, I think that there is at least one value discernible. The play is clearly dialectical, with many causes and claims directly challenged. 40 Falconbridge has long been read as a sceptical outsider, who has a complex relationship to sweeney themes, the politics of commodity he describes, and perhaps practises. 41 More recently, readings of the play as oppositional and enquiring have been strengthened by feminist revaluations of Eleanor and Constance as subversive voices. 42 Equally clearly, John's involvement in Arthur's death may be perceived as moral weakness, just as Hubert's refusal to do the deed shows moral strength. For Children. 43 None of this, however, directly undermines John's unblemished cause of resisting Pandulph. Themes. Although he is criticised for much else within the play, the only voices raised against John's defiance are Pandulph's and those foreign kings' loyal to him, which is only to be expected, as they are the warm, targets of John's ire. The main reasons for the widespread critical perception of the play as modern in its politics are mentioned by Kehler and Edwards above: that John is illegitimate, that he is lacking in moral quality, and sweeney themes, that he later gives his crown, effectively, to walkers, the Pope. Of these, the moral argument is least persuasive.
Machiavellianism does not preclude sincerity, especially with such an affective topic. Renaissance history plays often portray monarchs as complex, and attempt to manipulate audience responses via this complexity. Holinshed recognises John's faults, but does not allow them to sweeney todd themes, reflect on his status as proto-Protestant martyr. William Camden, writing in 1605 of the Workers Essay, Tudor bugbear Richard III, recognised that albeit hee lived wickedly, yet made good laws. 44 The other two points require more detailed engagement. John's submission to the Papacy at the end of the todd, play could well have cancelled his earlier robust anti-Papalism. Through an analysis of the The Amazing Essay, representative strategies used for John's cession I will argue that it may not have done so. If he is not a legitimate king, then he is employing anti-Catholic rhetoric to bolster his position. Sweeney. He need not be shown to shortbread, believe his own words.
If this were so, John's use of religious rhetoric is on a par as a cynical manipulation of language with Richard Ill's political use of todd witchcraft accusations in Shakespeare's play and the anonymous True Tragedy of May Help Workers Richard III. John is not illegitimate just because his opponents say he is. The challenges of Constance or the Dauphin have no particular power on their own. Yet for many critics, whether or not they engage with John's modernity, it is axiomatic that John is an illegitimate king, that he is a usurper in possession of the crown when the right lies with Arthur (and, some have added, the sweeney todd, true kingliness with Falconbridge). 45 There are two cruces commonly adduced to support John's illegitimacy. A Higher May Help Workers. Both can be read differently. The first is a critical exchange in the play's first scene, where John and Eleanor discuss the implications of the French challenge just made on themes Arthur's behalf. Eleanor reproaches John for Debate About Punishment not dealing with the question sooner, as This might have been prevented and made whole/With very easy arguments of love,/Which now the manage of two kingdoms must/With fearful-bloody issue arbitrate (1.1.35-8). John replies Our strong possession and our right for us, to which Eleanor retorts, Your strong possession much more than your right,/Or else it must go wrong with you and me./So much my conscience whispers in your ear/Which none but heaven, and you and I, shall hear (1.1.39-43). Todd Themes. Most critics follow Reese's conclusion that this shows that John is king de facto and possession is his only 'right' , though Edna Zwick Boris points out that Eleanor is not denying John's right but emphasising the practical aspect of his advantage over Arthur. 46 Nothing in Eleanor's speech indicates that John has no right, or that he is a usurper.
Eleanor's qualification of John's assertion merely draws attention to the relative usefulness of possession, and the military strength it brings, in the fighting to come. Given he is up against French and other armies, it is obvious that his right alone is weber status party, insufficient. The use of conscience similarly does not have to imply a guilty recognition of the sweeney themes, facts. Even within Shakespearian usage, the word at this time could simply mean inner knowledge. 47 Eleanor does not wish others to hear because a public acknowledgement of the relative uselessness of John's right is inappropriate to Hippopotamus Essay, the dignity of his court, especially just after he has been challenged by sweeney, Chatillon. Her subsequent words and actions are consistent with her holding the weber class status, opinion that John's legitimate rule must be buttressed with her diplomatic sense. She refers to the will of Richard I, which in Holinshed plainly entitles John to the throne, in her confrontation with Arthur's mother: I can produce/A will that bars the title of sweeney todd themes thy son (2.1.470-1). Just as the Debate Capital Essays, fact that The Troublesome Reign is more anti-Catholic than John seems to license the claim that John is not anti-Catholic, so Eleanor's words that John's possession is more important than his right have led to the claim that he therefore has no right. The other key moment for themes John's illegitimacy, and for the play's exploration of the consequent instability of political legitimacy, is Falconbridge's reaction to Arthur's corpse at the end of the fourth act. Modern editors have been so sure that he accepts Arthur's claim that they have punctuated a potentially ambiguous speech so that only Debate About Analysis Essays, one interpretation is sweeney todd, possible.
In order to suggest an alternative reading which supports John's legitimacy, I will quote from the First Folio: Bast. Go, beare him in thine armes: I am amaz'd me thinkes, and loose my way. Among the thornes, and shortbread walkers, dangers of this world. How easie dost thou take all England vp,
From forth this morcell of dead Royaltie? The life, the right, and truth of all this Realme. Is fled to heauen: and England now is left. To tug and scamble, and to part by th teeth. The vn-owed interest of proud swelling State: Now for the bare-pickt bone of Maiesty. Doth dogged warre bristle his angry crest, And snarleth in the gentle eyes of peace: Now Powers from home, and discontents at home. Meet in one line: and vast confusion waites. As doth a Rauen on a sicke-falne beast,
The iminent decay of wrested pompe. Now happy he, whose cloake and center can. Hold out this tempest. Beare away that childe, And follow me with speed: Ile to the King: A thousand businesses are briefe in hand, And heaven it selfe doth frowne vpon the todd, Land. 48.
Editors of the recent Penguin, Oxford and Cambridge editions concur in seeing the party, fourth line as addressed to Hubert, who has now picked up Arthur as Falconbridge commanded, and in punctuating the passage so that From forth . . . begins a new sentence. Todd. 49 The clear interpretation is theory, that, ironically, Hubert can lift all England as he lifts Arthur's corpse. Todd. Arthur is referred to as England at 2.1.91 and Debate About Essays, 202 by Philip of France. All the life, truth and right of England, which resided in Arthur, has fled (like Astraea) to heaven, and all that remains for the country left behind is a dogfight over the remaining in bones of power. Arthur is both England, and dead royalty, and with his death dies political legitimacy. No one speaks of todd Arthur's right more eloquently than the Bastard son of Coeur de Lion, according to party, Marie Axton. 50 For others, John's illegitimacy authorises views of the play's modernity, and Falconbridge's speech marks the point where he chooses to support a king whom he has just recognised as a usurper, making his own political meaning in themes a world where there is no guarantor of legitimate rule. His decision to The Amazing, follow John must be an existential one, choosing a way despite his own awareness that whatever 'rightness' he invests it with is not inherent in sweeney it. 51. It is possible, however, to The Amazing, read the todd, speech differently.
If the Punishment Essays, thou of the fourth line is not Hubert, but the heaven to which Arthur's soul has presumably fled, Arthur need not be acknowledged as rightful monarch at sweeney themes all. Arthur's soul is Punishment Analysis Essays, imagined both as actively fleeing and passively being taken up. Arthur's body, in a familiar metaphor, is a realme from which the ruler (England, as Arthur is todd themes, English) has gone. Alternatively, the England that has left the body just suggests life, in conjunction with Englishness. Minimum Wage Workers Essay. Either way, Arthur's right is to todd, the realm of his own body. Falconbridge then shifts to status party, the larger realm, also lacking a ruler, but for the different reason that powers from sweeney themes, home, and discontents at home are in conflict. The crucial point is whether this realm refers both to warm bath theory, Arthur's body and to England. A simple gesture could make clear that the reference is to Arthur's body alone. Falconbridge is critical of sweeney todd John, but this need not impugn his legitimacy, as the terms he uses recall those used by the nobles disapproving of John's recrowning in 4.2. A Higher Minimum May Help Workers. Each reference to John can be read as critical of the sumptuousness of the ceremony, and of the new clothing associated with it, much remarked on by the nobles at the time. His first reference ironically situates John's majesty as bare-pickt rather than clothed with flesh.
Proud swelling state refers back critically to the wasteful excess of the todd themes, recrowning, as does wrested pomp (that is, pomp employed in warm theory the improper context of John's ceremony, rather than wrested from themes, Arthur). The Amazing. The final reference ironically characterises John's clothing as simple (cloak and center) and unlikely to last the tempest of disorder in the realm. Thus, although the whole speech is clearly critical of John, and registers Arthur's loss, Falconbridge is sweeney themes, not necessarily affirming Arthur's right to the crown. Falconbridge's words are difficult to understand, but an audience accepting John's legitimacy need not have understood him to challenge this right, and it is bath theory, possible to imagine a performance which makes clear that John is legitimate King. His legitimacy is further buttressed by the qualifications of Arthur's right implicit in the words and actions of sweeney themes those supporting it. A claim supported by weber class status party, a man who carries on his back the sweeney todd, spoils of a dead Richard I is not likely to warm bath theory, have impressed an themes, Elizabethan audience, even if they responded positively to the bemused and passive boy who at one point states I would that I were laid low in my grave./I am not worth this coil that's made for me (2.1.164-5). John's legitimacy, however, raises the warm theory, question of his cession of the crown to Pandulph, which happens just after the Falconbridge speech quoted above. If John is not legitimate king, then his act is robbed of political or constitutional authority, and sweeney themes, is unlikely to bind his successors.
In the 1960s John Sibly pointed out that papal claims for supremacy in England utilised historical as well as spiritual arguments, and suggests that John's illegitimacy was introduced precisely to counter these arguments. He begins from the premise that technically, John was not a usurper until Arthur's death, as he could still have resigned the A Higher Wage, crown when Arthur reached his majority, and sees Falconbridge's words before the sweeney todd, recrowning as recognising that John is now a usurper: it is immediately after the 'flight to heaven' of any 'right' John may have had in the realm, that he 'surrenders' his crown. To an Elizabethan audience, this must very forcibly have demonstrated that John had just given up what he no right to give at all; and Pandulph had 'restored' what he had no right to receive in warm bath theory the first place. 52. The cession of the crown is merely an index of the current balance of power, and for a Protestant audience devalues a morally bankrupt and/or illegitimate John still further. 53 If a legitimate John is posited, the status of this humiliating submission, to the very man John had so strongly defied earlier, needs to be addressed. The mere representation of John's submission need not have functioned simply to condemn him, despite the commonsense appeal of this position. Themes. The Homily Against Rebellion draws different conclusions. Here John's submission to Pandulph is the clearest example, in its awfulness, of the chaos into Hippopotamus Essay, which rebellion throws the country.
The details of sweeney themes John's contract with the Papacy are spelt out to indicate the extremity of the situation when Englishmen [ . . . ] brought their soveraigne lorde and naturall countrey into this thraldome and Minimum Wage Essay, subjection to a false forraigne usurper. 54 John's legitimacy emphasises the indignity of his submission. Holinshed reproduces John's charter of submission and his words of fealtie, but does not criticise him, as he does on other matters. Foxe is sweeney todd, slightly more difficult to interpret. A paragraph of the 1563 edition, omitted from the 1583 second edition, explains John's reasons for submitting as fear of the A Higher Minimum Wage Workers, French king, and the perception that nothing else could be found to avoid the todd, present destruction both of bath his person and the realm also. As a sorry subject of the sinful seat of Rome he was sure, not without shame, that being under his protection, no foreign potentate throughout the whole empire was able to subdue him.
55 The negativity of shame here may be Foxe's judgement on John, or John's own opinion of todd themes himself. But the 1583 edition reproduces John's Letter Obligatory to Debate About Essays, the Pope, and todd, is unequivocal in its identification of John as a hapless victim of Hippopotamus that execrable monster and antichrist of Rome. Thus, though an audience may well have simply cathected John's earlier anti-Papalism, the reverse is not necessarily true when considering responses to his submission. Sweeney Todd Themes. The signification of John's cession of the status, crown depended on its context, so that within a Foxean narrative it might simply indicate the effectiveness of the Papacy in todd themes persecuting and humbling its opponents. It is also important to recognise that John's cession of the crown in Shakespeare's play employs different dramatic strategies to his earlier confrontation, and that these strategies may well have directed an audience towards a response the final result of which would be to confirm John as legitimate. The representation of English kings losing crowns on the London stage of the 1590s shows signs of having been subject to careful and subtle theatrical negotiations. Though recent critics have retreated from the once-commonplace conclusion that because the 1608 quarto of Shakespeare's Richard II was the first to The Amazing Hippopotamus Essay, feature his deposition it must have been censored, there is still the possibility that the first quarto of 1597, or the sweeney todd themes, play as performed, was cut, or that Richard's abdication/deposition was somehow 'unwritable' at this period. 56 This 'unrepresented' 1590s deposition can be compared to those represented in shortbread Shakespeare's Richard III and 3 Henry VI. The 1595 quarto of the latter presents Henry's resignation of his throne to todd themes, the joint protectors Warwick and Clarence in a scene half the length of its 1623 First Folio equivalent, in which Henry accepts the arrangement so that the people of Debate About Capital Punishment this blessed land/May not be punished with my thwarting stars (4.6.21-2).
The 1590s quarto underrepresents, rather than omits, Henry's deposition In Richard III deposition is directly represented only in a stage direction in which Richard fights Richmond and sweeney todd themes, is slain. Although the visitations Richard receives in his sleep before the battle can be argued to be a displaced representation of a deposing tribunal, to whose conclusions Richard involuntarily assents, the death of the Debate About Capital Essays, king in this instance is underrepresented in todd themes that it is a fait accompli. 'Underrepresentation' was not the only strategy used in the history plays of the 1590s. The 1591 quarto of About Capital Punishment Analysis The Troublesome Reign of King John, which covers much of the same ground as Shakespeare's play, follows Foxe and the Homily in representing John's recrowning at Pandulph's hands. Sweeney Todd Themes. As with the two earlier texts, its principal strategy is to attempt to walkers, limit interpretation by presenting the deposition/abdication as primarily signifying John's helplessness in sweeney todd the face of Popish prelates' persecutions, the final wrong turning in a Troublesome Reign.
The preface identifies John as a kind of English Tamburlaine, a warlike Christian and your Countreyman; For Christs true faith indur'd he many a storme,/And set himselfe against the Man of Rome. 57 This John, as in weber status party Shakespeare's play, defies Pandulph on their first meeting, and orders Falconbridge to todd themes, ransack the abbeys, though The Troublesome Reign shows the action where Shakespeare only alludes to it. John recrowns himself in front of his nobles, explaining that he does this not because he has been deposed, but because he is The Amazing, checking the assured witnes of your loves in a ceremony to bind the todd themes, nobles to him, (Troublesome Reign, 1555). The play deals with such potentially difficult moments by providing a clear cause for events, and this applies also to John's recrowning by Pandulph. Minimum Workers. He prepares to meet the legate by assessing his situation under the sweeney themes, Papal interdict, recognising that his sins are too great for him successfully to Punishment Essays, banish Popery (though he looks forward to it happening), and sweeney todd themes, resolving to caring for children, finely dissemble with the Pope (2 Troublesome Reign, 275) as the realm's chaos is sweeney todd themes, caused by A Higher Wage May Help Workers Essay, Papal interference.
He ends by resolving equivocation: Dissemble thou, and whatsoere thou saist,/Yet with thy heart wish their confusion (283-4). On meeting Pandulph, John offers submission, penance, and todd, crusade, and The Amazing, is rejected. His first impulse is to kill Pandulph, but he again submits, to be informed that surrendering his crown is the only acceptable course. John resolves to fight rather than do so. Sweeney. At that moment a messenger enters, telling that a large French fleet has put the country into mutiny. Weber Status Party. On hearing this, John's resistance collapses. He later receives his crown back as tenaunt to the Pope (637), berates himself (Shame be my share for yeelding to the Priest), and in his last speech traces this act as increasing his troubles: Since John did yeeld unto the todd themes, Priest of warm bath theory Rome/Nor he nor his have prospred on the earth (707, 1075-6). The dramatic strategy of The Troublesome Reign is to try to contain the implications of John's submission to sweeney, the Pope by inserting it into a master narrative, the course of the ancient struggle between Roman and native Christianity (Protestantism). It provides a full account of walkers how and why John yielded, and what John perceived the consequences to have been. By this strategy, the play attempts to contain the implications of John's act for posterity.
Because the causes of the deposition easily fit into the Foxean picture of the embattled proto-Protestant subverted by Papal wiles, to represent the sweeney todd themes, deposition itself is not necessarily to provide a subversive undoing of The Amazing John's status as proto-Protestant hero. This strategy might be called directive representation: the deposition is shown, but attempts are made to todd themes, limit an audience's perception of its meaning. A third strategy is at work in for children Marlowe's Edward II, which was published twice during the 1590s also with a deposition/abdication scene. This third strategy might be characterised as overrepresentation, here defined as the representation of an action or event so that a conclusive meaning is difficult to draw from it. It is sweeney todd, not clear, for example, from Edward's abdication/deposition scene why he has given up the crown, whether he has a choice, or whether he is in shortbread a fit state to understand what he is doing. This ambiguity is foregrounded when Edward begins by comparing himself to a shadow now regiment is sweeney todd, gone. 58 He then asks if he must resign his crown as Mortimer will take it, is told that it will rather pass to his son, denies this, is asked again whether he will resign, gives his crown to Leicester, takes it back just until night, is asked again for it, refuses, gives it back to bath theory, protect his son's right on a reminder from Leicester, calls upon another to sweeney, take it from him, hands it over, and sends a handkerchief wet with his tears to queen Isabel. The switches of intent, and About Analysis Essays, the complexity of Edward's emotional state make a mockery of todd themes Winchester's bland comment in the next scene that The king hath willingly resigned his crown (5.2.28). Moreover, Edward remains alive to worry at the contradiction of his status as king without a crown or regiment. Edward's abdication/deposition is shown, but what it signifies, other than that Edward no longer has the military or emotional resources to shortbread, resist, is unclear.
The deposition scene in the later quartos of Richard II works in todd themes a similar fashion. King John clearly underrepresents John's sensitive submission to the church. Where The Troublesome Reign attempts to direct attention from the constitutional consequences by focusing on John's reasons for, and reactions to, his swearing fealty, King John takes only 65 lines (during which John also hears of the caring, effects of sweeney todd themes Arthur's death upon the rebels) to cover the period between the first mention of the idea and Falconbridge's rejection of it as an inglorious league. John is shortbread walkers, not shown reflecting upon his tactics before he meets Pandulph, or on the submission's consequences. Although the play underrepresents this episode in comparison to sweeney todd themes, The Troublesome Reign, what happens is still clear.
John states he has yielded his crown, and weber status party, Pandulph gives it back, as holding of the pope/Your sovereign greatness and authority (5.1.3-4). Underrepresentation is not, however, non-representation, though Barbara Hodgdon has recently pointed out sweeney themes that the for children, play seeks to suppress precisely those events that might divide or fracture audience response. 59 But the play can be read as recognising the problems even in themes underrepresenting John's submission, and weber class status, that it attempts to contain the negative implications of sweeney this via overrepresentation. It does not follow the Foxean strategy of presenting the class party, recrowning with minimal comment and leaving the reader to point the moral; rather, it makes it difficult to understand, and thus subject to recuperative qualification by John's easily intelligible speeches in 3.1. Overrepresenting sensitive events and topics was common in Tudor histories.
A. R. Braunmuller has identified dramatist and chronicler as sharing the problem of avoiding both censorship and todd, charges of partisanship, and as having two choices: leave out causal explanations as Fabyan did, or include too many causes (Hall's 'double grace') and About Capital Analysis Essays, avoid choosing among them. Shakespeare and Holinshed wrote confusing texts because each believed that confusion was not sedition. 60 Braunmuller's useful formulation of the available strategies is confirmed in Holinshed's preface to the reader: I have in things doubtfull rather chosen to todd, shew the diversitie of their writings, than by Hippopotamus Essay, over-ruling them, and using a peremptory censure, to frame them to sweeney, agree to my liking: leaving it nevertheless to class status party, each mans judgement, to controll them as he seeth cause. 61. It is perhaps misleading to characterise historical writing as primarily concerned with avoiding sedition, rather than as attempting to make orthodox sense out of unpromising material. Shakespeare may have attempted a different, though still orthodox, treatment of John's reign as compared to that in sweeney todd his sources, rather than avoided or covered up heterodoxy. In the Capital, present context, Holinshed's crucial point centres on the notion of controlling the sweeney, interpretation of things doubtful. Where two straightforwardly represented events contradict one another such controll would be likely to depend heavily on extra-textual factors such as previous expectations. Thus, in the case of John, an audience might compare his submission with his defiance, and conclude that no conclusion was possible.
But if the defiance was straightforward, and the submission confusing, an audience is less likely to have seen the defiance as cancelled or invalidated by the submission. Minimum Essay. The defiance would be central to a response to the play, and the submission marginal. Though John underrepresents John's submission in comparison with other texts, the todd themes, issues upon which an interpretation depend are overrepresented: the validity of a recrowning, whether John can give away his crown, and what significance such an action has. A parallel to this dramatic strategy can be seen in another text dealing peripherally with John. Thomas Wilson, writing in 1600 of the state of England, states that it is an absolute Imperiall Monarchy held neither of Pope, Emperor, nor any but of God alone, and so hath bene ever since the year of the World 2855, which was 1108 years before Christ. 62 Wilson then engages with the supposed donation of Britain to the Papacy by the emperor Constantine, which he rebuts by pointing out that subsequent conquests extinguished Rome's right. The only other threat to this independent England is caring, John's submission: after this, K John did resign the todd themes, Crowne to Pandolphus, the Capital Analysis, Pope's legate, and did receive it againe from him, to hold it of the sweeney, Pope, paying yearly a certain Tribute; but then is A Higher Wage Essay, easily answered (though it be the Pops strongest clayme) that King John was but an usurper, and being distressed besides with the themes, Barons' Warres, he was forced to do yt to have the Pope's help, but his act was never confirmed by shortbread walkers, the States of the Country and therefore frivolous.
63. This passage, written for private circulation and sweeney todd themes, not printed until 1936, stresses the constitutional importance of an engagement with John's submission, though this is for children, not a question Holinshed, Foxe or the Homily addressed. Wilson overrepresents the arguments against Papal sovereignty; John is not merely a usurper, but a distressed, enforced and frivolous usurper. The tactic here is not to provide one conclusive refutation, but to produce the impression that the cumulative force of sweeney all explanations is strong enough to show John's submission as irrelevant to the current situation. A similar process is at work in John, whereby a variety of qualifications are introduced to make a simple interpretation of the recrowning difficult to arrive at. In the play John does not explicitly challenge Pandulph's commentary on the submission's significance, but after Pandulph has left he introduces an Debate About Capital, odd qualification.
Remembering the prophecy that he would this day give off his crown, he comments I did suppose it should be made on constraint;/Heaven be thanked, it is but voluntary (5.1.28-9). Given that one of the foci of The Homily's treatment of todd John's recrowning is on the indignity of the English king being forced to submit, this statement can be seen as an attempt by bath theory, John to todd themes, reiterate his independence of Debate About Punishment Analysis Essays Pandulph, so that the recrowning is a tactic, a piece of equivocation meaning nothing to sweeney todd themes, John. At the least, the distinction between voluntary and involuntary uncrowning implies that this kind of recrowning is not as bad as its alternative. This muddle can be read as either denoting John's personal muddle (he has lost the crown but tries to About Punishment Analysis, persuade himself he hasn't) or as a piece of obliquity for which there is no clear interpretation (though the implication is that the recrowning is not what Pandulph thinks it is). Falconbridge's prompt criticism of John's inglorious league (5.1.65) further confuses matters, suggesting John has made a military bargain.
In the following scene, Pandulph is shown to be unable to honour his contract with John. Lewis, whom Pandulph has encouraged to invade, is one of the threats John fears. His first words after the truncated recrowning ceremony are to enjoin Pandulph to go to sweeney, meet the Wage May Help Workers Essay, French/And from his holiness use all your power/To stop their marches 'fore we are inflamed (5.1.5-7). Todd. Not only is Pandulph unable to provide what John needs; he is also met with a forceful declaration of royal independence of the Papacy: I am too highborn to be propertied,/To be a secondary at control,/Or useful serving-man and instrument/To any sovereign state throughout the world/[ . . . ] must I back/Because that John hath made his peace with Rome?/Am I Rome's slave? (5.2.79-82, 95-7). Bath Theory. Thus, although Pandulph clearly presents the recrowning as signifying John's subservience to the Pope, it is followed by an obscure distinction drawn by John, Falconbridge's perception that a purely political league has been made, and Lewis' declaration that he (and by implication, John) is royal and thus nobody's slave. Later, in braving Lewis, Falconbridge stresses that John's submission was voluntary, referring to todd themes, Pandulph as this halting legate here/Whom he hath us'd rather for sport than need (5.2.174-5). King John can thus be seen to use the same tactics as Wilson's State, presenting several arguments against the seriousness of John's recrowning, which have a cumulative as well as an individual effect. Class. It might even be said that much of the last third of the play is constructed to contradict Pandulph's claims of the significance of the recrowning, for only two scenes before John receives the crown back from Pandulph, he recrowns himself, and is criticised for so doing. In Act 4 John enters once again crowned (4.2.1). Sweeney Themes. Though his nobles defer to John's right to do as he likes, the ceremony is presented, in the words of Pembroke as superfluous: you were crowned before/And that high royalty was ne'er plucked off,/The faiths of men ne'er stained with revolt/Fresh expectation troubled not the land/With any longed-for change or better state (4.2.4-8). Salisbury is more blunt, stating Therefore, to The Amazing Hippopotamus, be possessed with double pomp,/To guard a title that was rich before,/To gild refined gold, to paint the lily/[ . . . ] or with taper-light/To seek the beauteous eye of heaven to garnish,/Is wasteful and ridiculous excess (4.2.9-11, 14-16).
The nobles' criticisms emphasise John's sumptuous excess, as well as his political overcompensating: In this the antique and well-noted face/Of plain old form is disfigured, so new a fashion'd robe startles and themes, frights consideration (4.2.21-22, 27, 25). The physical excess of John's coronation will later be criticised in the Bastard's soliloquy over shortbread Arthur's corpse. But just as prominent are the political arguments. John's new coronation cannot strengthen his title, as that was already refined gold. Sweeney Themes. He is trying to increase the light of the sun (himself) with a candle. Pembroke implies that the ceremony of recrowning might have some point in the context of a domestic rebellion as a reassertion of the proper relationship between king and nobles, but this does not validate the later recrowning, as no nobles are present.
The overall impression is that as John is legitimate, he cannot make himself more or less legitimate with ceremonies; that a recrowning can be a political miscalculation; and that such a ceremony does not materially alter John's supremacy. The five lines exchanged between Pandulph and John two scenes later must be read in this context. The play's overrepresentation of the issues surrounding John's recrowning works in tandem with the actual recrowning's underrepresentation. The play gives little space to this traumatic event, but contextualises it so as to suggest that, whatever it is, is not a cession of sovereignty to Wage May Help Workers Essay, the Pope by the Moses of the todd, Reformation. A post-Armada audience interpreting King John would undoubtedly have had to controll and Hippopotamus Essay, reconcile the anti-Papal John with the themes, submissive John, and to negotiate the play's contestations of class party his authority. However, the text does allow a construction of John as legitimate monarch, and sweeney, thus sincere in his anti-Catholicism.
This presentation of John would also have accorded with those in Holinshed, Foxe, the Homily and The Troublesome Reign, and would not have offended contemporary anti-Spanish or anti-Catholic nationalism. Shortbread Walkers. The model offered by critics identifying the play as modern, in contrast, situates the play as against the grain of most influential historical accounts, the predominant war fever of the theatrical repertory, and the likely mood of wartime London. At such a time, a play's religious politics are likely to themes, be powerfully inflected towards orthodoxy in at least the most uncontroversial of areas: John's legitimacy as an opponent of the warm bath, Papacy. To recognise this historical reading as possible, perhaps even likely, goes against sweeney todd, the grain of Workers Essay post-Tillyard approaches to the history plays, which David Womersley characterises by critics' unwillingness to believe that Shakespeare might have written in support of todd themes doctrines they find repugnant or risible and warm, a consequent locating of a remarkable dramatic complexity 64 in the plays. The reinvention of the history plays described from todd themes, a different perspective by Womersley and Curren-Aquino has helped to continue Shakespeare's dominance of the Renaissance canon as continually relevant politically, something which happens surprisingly frequently by the traditional critical/polemical tactic of presenting Shakespeare, or his texts, as rising above the simplicity and polemic of walkers contemporary sources. I have attempted to show how it is possible to read King John as irrelevant to modern political concerns, and that in at least one important respect Shakespeare is not our ambivalent, ambiguous, sceptical, questioning and ideologically subversive contemporary. 1 Deborah Curren-Aquino, King John: An Annotated Bibliography (New York: Garland, 1994), p. xxvi.
2 Sigurd Burckhardt, King John: The Ordering of sweeney themes this Present Time, ELH, XXXIII (1966), p. 133. 3 Burckhardt, 134; Virginia Vaughan, King John: A Study in Essay Subversion and Containment, in King John; New Perspectives, ed. Deborah Curren-Aquino (London and Toronto: Associated UP, 1989), p. 62. 4 Phyllis Rackin, Stages of History: Shakespeare's English Chronicles (London: Routledge, 1990), p. 66. 5 Larry Champion, The Noise of Threatening Drum: Dramatic Strategy and Political Ideology in Shakespeare and the English Chronicle Plays (London and themes, Toronto: Associated UP, 1990), p. 98.
6 Guy Hamel, King John and Punishment Essays, The Troublesome Reign: A Reexamination, in Curren-Aquino (1989) p. 54. 7 Stephen Greenblatt, Invisible Bullets, in Political Shakespeare: New Essays in Cultural Materialism, ed. Sweeney Todd Themes. Jonathan Dollimore and shortbread, Alan Sinfield (Manchester: Manchester UP, 1985), p. 29; King John, ed. Todd. Robert Smallwood (Harmondsworth: Penguin, 1974), p. Caring. 12. 8 David Aers, A Whisper in the Ear of Early Modernists, Culture and History 1350-1600: Essays on themes English Communities, Identities and Writing, ed.
David Aers (Hemel Hempstead: Harvester Wheatsheaf, 1992), pp. 195-6. 9 E.M.W. Debate Capital Punishment Essays. Tillyard, Shakespeare's History Plays (London, 1944; repr. Harmondsworth: Penguin, 1986), p. Sweeney Todd Themes. 220; see also M.M. Reese, The Cease of Majesty (London: Arnold, 1961), p. 270; Irving Ribner, The English History Play in the Age of Shakespeare (Princeton: Princeton UP, 1957: rev. edn, London: Methuen, 1965), pp.
121-2; David Bevington, Tudor Drama and caring for children, Politics (Cambridge, MA: Harvard UP, 1968), p. 200. 10 This argument is developed thoroughly in Deborah Kehler, 'So Jest With Heaven': Deity in King John, in Curren-Aquino (1989) p. 101. 11 King John ed E.A.J. Honigmann (London: Methuen, 1954), 3.1.75-86. Unless otherwise specified all references to Shakespeare's plays are from the Arden editions. 12 Lily Campbell, Shakespeare's Histories (San Marino, CA: Huntington Library Publications, 1947;3rd edn, London: Methuen, 1964), p. 154. 13 C.W.
Heiatt, Dating King John, NQ, xxxv (1988), p. 463 dates the play to 1593/4; Roslyn Knutson, The Repertory of Shakespeare's Company 1594-1613 (Fayetteville: Arkansas UP, 1991), p. 75 suggests 1596-97; L.A. Beaurline's edition of King John (Cambridge UP, 1990), p. 210 plumps for 1590; A.R. Braunmuller's edition (Oxford UP, 1989), p. 15 chooses 1595-96; Smallwood, p. Themes. 10 also supports 1593/4, and Honigmann, p. lviii 1590/1. 14 Carol Wiener, The Beleagured Isle: A Study of Elizabethan and warm theory, Early Jacobean Anti-Catholicism, Past Present, LV (1971), pp. 52-3; R.B. Wernham, After the Armada (Oxford: OUP, 1984), pp. 453-60. 15 David Cressy, Bonfires and Bells: National Memory and the Protestant Calendar in themes Elizabethan and Stuart England (London: Weidenfeld Nicolson, 1989), p. 119. 16 Peter Clark, A Crisis Contained? The Condition of English Towns in the 1590s, in The European Crisis of the 1590s ed. Peter Clark (London: Allen Unwin, 1985), p. 55.
18 R.B. Outhwaite, Dearth, the About Capital Punishment Analysis Essays, English Crown and the 'Crisis of the 1590s', in Clark (1985), p. 25; Henry Knyvett, The Defence of the themes, Realm (Oxford: Clarendon Press, 1906). 19 A. Shortbread Walkers. Pritchard, Catholic Loyalism in sweeney todd Elizabethan England (London: Scolar Press, 1979), pp. 6-8, 12. 20 T.E. Hartley, Elizabeth's Parliaments: Queen, Lords and Commons 1559-1601 (Manchester: Manchester UP, 1992), pp. 98-101.
21 Donna Hamilton, Shakespeare and the Poetics of Protestant England (Lexington: Kentucky UP, 1992), p. 4. 22 Peter Lake, Moderate Puritans and caring, the Elizabethan Church (Cambridge: Cambridge UP, 1982), p. 6. 23 See Carole Levin, Propaganda in the English Reformation: Heroic and Villainous Images of King John (Lewiston/Queenston, NY: Edwin Mellen Press, 1988). 24 Raphael Holinshed, Chronicles of sweeney England, Scotland and Ireland, Vol. II (London, 1807; repr.
New York: AMS Press, 1965), pp. 339, 319. 25 Certain Sermons or Homilies (1547) and A Homily Against Disobedience And Wilful Rebellion (1570): A Critical Edition, ed. Ronald Bond (Toronto and London: Toronto UP, 1987), p. 243. 26 Wernham, p. 555. 27 Andrew Gurr, Play going in Shakespeare's London (Cambridge: Cambridge UP, 1987), p. 135. 28 Bevington, p. 195.
29 Rackin, p. 187. 31 Robert Ornstein, A Kingdom for a Stage (Cambridge, MA: Harvard UP, 1972), p. 88. 32 John Blanpied, Time and the Artist in Shakespeare's English Histories (London and Toronto: Associated UP, 1983), pp. 100-101. See also William Hawley, Critical Hermeneutics and Shakespeare's History Plays (New York and A Higher Minimum Wage Workers Essay, Bern: Lang, 1992), p. 70. 33 Vaughan, 1989, p. 70; see also James Bryant's odd conclusion that John's antipapal remarks can be seen [ . . . ] not as being derogatory to the Roman Catholic Church but as an sweeney themes, expression of the weber class status, Reformation position, Tudor Drama and sweeney, Religious Controversy (Macon, GA: Mercer UP, 1984), p. 133. 34 Narrative and Dramatic Sources of status Shakespeare, ed. Geoffrey Bullough (London: Routledge Kegan Paul, 1962), Vol.
IV, p. 22. 35 For the former stance, in addition to Bullough, Reece and Ornstein cited above, see Marie Axton, The Queen's Two Bodies: Drama and the Elizabethan Succession (London: Royal Historical Society, 1977), p. 108; Philip Edwards, Threshold of a Nation (Cambridge: Cambridge UP, 1979), p. 115, and Bevington, p. Todd Themes. 198. For the latter position, see Hawley, p. 70; Champion, p. 96; Hamel, p. 55. 36 Kehler, p. Punishment Analysis. 103; see also Edward Berry, Patterns of Decay: Shakespeare's English Histories (Charlottesville: Virginia UP, 1975), p. 115. 37 Reese, p. 275; Emrys Jones, The Origins of sweeney Shakespeare (Oxford: Clarendon Press, 1977), p. Status Party. 239. 38 Champion, p. 96. 39 Rackin, p. 184; David Womersley, The Politics of Shakespeare's King John, RES, XI (1989), p. 502. See also Robert Jones, Those Valiant Dead: Renewing the sweeney todd, Past in Shakespeare's Histories (Iowa City: Iowa UP, 1991), p. 60 and Beaurline, p. 51. 40 Douglas Wixson, 'Calm words folded up in smoke': Propaganda and Spectator Response in Shakespeare's King John, Shakespeare Studies, 14 (1981), pp. 111-27 and Michael Manheim, The Weak King Dilemma in the Shakespearian History Play (Syracuse, NY: Syracuse UP, 1973), pp. 116-60.
41 Since at least James Calderwood's Commodity and for children, Honour in King John, UTQ, XXIX (1960), pp. 341-56. 42 Juliet Dusinberre, King John and embarrassing women, Shakespeare Survey, 43 (1989), pp. 37-52; Carole Levin, 'I trust I may not trust thee': Women's Visions of the World in Shakespeare's King John, in Ambiguous Realities: Women in themes the Middle Ages and the Renaissance, ed. Bath. Carole Levin and J. Watson (Detroit: Wayne State UP, 1987), pp. 219-34; Rackin, pp.
146-200. 43 A topic of interest since at least Adrien Bonjour's The Road to Swinstead Abbey: A Study of the Sense and Structure of King John, ELH, XVIII (1951), pp. 253-74. 44 William Camden, Remains Concerning Britain, ed. R. Dunn (Toronto and todd themes, London: Toronto UP, 1984), p. Weber Class Party. 246. 45 See John Elliott, Shakespeare and the Double Image of King John, Shakespeare Studies, I (1965), p. 72; R Burkhart, Obedience and Rebellion in Shakespeare's Early History Plays, English Studies, LV (1971); Kristian Smidt, Unconformities in Shakespeare's History Plays (London: Macmillan, 1982), p. 73; John Loftis, Renaissance Drama in England and themes, Spain (Princeton: Princeton UP, 1987), p. 74; Bonjour, p. Shortbread Walkers. 257; Reese, p. 263; Manheim, p. Todd Themes. 131; Edwards, p. 115, Levin, 1987, p. 221; Hamilton, p. 43; Berry, p. 115; Bevington, p. 243; Honigmann, p. xxvii; Beaurline, p. 47; Hawley, p. 64; Hodgdon, p. The Amazing. 27; Robert Jones, p. 48; Rackin, p. 162; Kehler, p. 103; Dusinberre, p. Todd Themes. 44. 46 Reese, p. Shortbread Walkers. 272; Edna Zwick Boris, Shakespeare's English Kings, the People and sweeney todd themes, the Law (London: Associated Press, 1978), p. 133.
48 Mr William Shakespeare's Comedies, Histories and Tragedies, facsimile prepared by H. Kokeritz (New Haven and shortbread, London: Yale UP, 1954), pp. 17-18. 49 Honigmann's Arden edition is closest to the First Folio, substituting an exclamation mark for its question mark; his notes indicate that the 'England' of the fourth line refers to both Arthur and the country. 51 Robert Jones, p. 60; see also Womersley, p. 502 and Smallwood, p. 38. 52 John Sibly, The Anomalous case of King John, ELH, XXXIII (1966), p. 421. 53 Emrys Jones, p. 256; Robert Jones, p. 57; Calderwood, p. 97; Bonjour, p. 264; Champion, p. 92. 55 Acts and Monuments, Vol. II (London: Seeley Burnside Seeley, 1843), p. Sweeney Todd Themes. 332.
I have checked that this passage is not present in the 1583 edition. 56 J. Leeds Barroll, A New History for weber class Shakespeare and His Time, SQ, XXIX (1988), pp. 441-64. 57 The Troublesome Reign of King John, ed. Bullough, To the Gentlemen Readers, p. 72.
All quotations from The Troublesome Reign are from this edition. 58 Edward the todd themes, Second, ed. Weber Party. W Moelwyn Merchant (London: Benn, 1967), 5.1.26. 59 Hodgdon, p. Todd. 30. 60 A.R. Braunmuller, King John and Historiography, ELH, LV (1988), p. 318. 61 Holinshed, Preface to the Reader. [Chronicles, Vol. II]. 62 Thomas Wilson, The State of England Anno Dom 1600, ed. F. For Children. Fisher, Camden Miscellany, XVI (London, 1936), p. 1.
64 Womersley, p. 499. Source: The Limits of Modernity in Shakespeare's King John, in Shakespeare and History, edited by Holger Klein and Rowland Wymer, The Edwin Mellen Press, 1996, pp. 91-118.
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Doping In Sports Essays and Research Papers. of banned performance-enhancing drugs (PEDS) in sports is commonly referred to as doping . ? The word doping is . probably derived from the Dutch word dop, the name of an alcoholic beverage made of sweeney todd, grape skins used by Zulu warriors in order to enhance their prowess in battle. The term became current around the turn of the 20th century, originally referring to illegal drugging of racehorses. ? ‘ Doping ’ however is theory, as old as competitive sport itself. Sweeney Todd Themes. ? Modern times - In 1904 Olympics marathon. Anabolic steroid , Blood , Bone marrow 1357 Words | 7 Pages. Reality We Need To Embrace Doping in sports (Performance Enhancing Drugs) has become an issue in all sports of all . levels.
In the last decade the amount of Debate About Essays, players who have been caught using performance enhancing drugs has tremendously increased. Doping is considered an artificial aid. An artificial aid allows an athlete to compete at sweeney, a higher level. However, these aids have technically been in Punishment Analysis Essays, use in themes, sports since the for children, Greeks first put on sweeney todd themes, shoes in caring, the Olympics. Doping is another artificial aid. Anabolic steroid , Anabolism , Androgen 1185 Words | 4 Pages.
? DRUGS , SPORTS , AND ETHICS Testosterone, Anabolic Steroids, and Human growth hormone . are the new trend in the sports filed, athletes are doping . What are the enhancement drugs , Why its becoming popular and sweeney themes why it should be banned? Testosterone is weber status, produced by both women and men but men produced 10 times more than women. It is male sex hormone, its effect in increasing muscle mass. Anabolic Steroids are derivatives of Testosterone which. Anabolic steroid , Doping , Drugs in sport 983 Words | 3 Pages.
Doping in todd, Sports My high school cross country coach once told me, “Ryan, greatness isn’t just given out; you have to go out and . earn it. You can only class status party, earn it through an extreme amount of hard work and todd sacrifice.” Today how ever in the twenty first century this statement can become a lie. Greatness no longer requires the same amount of dedication as it did fifty years ago. Everyday greatness is given in the forms of needles and small pills. The doping situation in professional and Debate About Analysis amateur sports. Amateur sports , Anabolic steroid , Androgen 2597 Words | 7 Pages. ?Doing steroids, which is known as doping , is a problem in sports that needs to be stopped and needs to be stopped fast. Ask . anyone with a decent knowledge of sports and current events, and they will tell you: nearly every week, another high-profile doping story makes its way to the headlines of todd themes, newspapers around the world.
A quick Google News search for “ doping ” revealed over 7,500 results from the Minimum Wage, past week alone. The stories ranged from the sweeney themes, lesser known 2 Youth Olympic Games Wrestlers who were. Alberto Contador , Anabolic steroid , Androgen 1172 Words | 5 Pages. Doping in weber class status party, Sports Steroids are a bigger problem now then they’ve ever have been. They’ve always been a problem but they’ve been . incognito to the public eye. The New York Times bring up a troubling issue that’s been going on for years and that is the misuse of sweeney todd themes, steroids in caring for children, professional level sports . The New York Times recently featured an article entitled “Steroids in Sports ” Oct 11, 2012.
In this article the times aims to sweeney convince their readers that steroid use is bad if not worse then ever before. Anabolic steroid , Androgen , Barry Bonds 1719 Words | 5 Pages. Blood Doping in Sports The controversy of blood doping stems from the misuse of blood transfusion and . the hormone erythropoietin in competitive sports . According to the World Anti- Doping Agency (WADA), blood doping by blood transfusion and Debate About Capital Essays the hormone erythropoietin (EPO) is known to increase the themes, athlete's red blood cells count to enhance oxygen intake. This method allows the athletes' body to generate more energy by increasing the bodies aerobic capacity, or VO2 max, by retrieving pints. Blood , Blood transfusion , Drugs in sport 841 Words | 3 Pages.
smokers from risking their health by smoking, why should we prohibit track stars or weightlifters from taking risks with their health in pursuit of their . goals? -Robert Simon, PhD Professor of Philosophy at Hamilton College Fair Play: The Ethics of Sport 2003 Seeking an About Capital Essays ‘Unfair’ Advantage There is no coherent argument to sweeney todd themes support the view that enhancing performance is unfair; if it were, we would ban coaching and training. Minimum May Help Workers. Competition can be unfair if there is sweeney, unequal access to particular enhancements. Drug , Drugs in sport , International Olympic Committee 825 Words | 3 Pages. Should Doping Be Allowed in Sport. The occurrence of performance enhancing drugs in sport and what they mean to the social activity Savreet Saini 20389276 TA: William KIN . For Children. 250 March 18th, 2013. Since the 1960s, following World War II, there has been an augmented use of sweeney todd themes, illicit drugs by athletes (soc notes). Doping , commonly defined as the use of a drug or blood product to improve athletic performance, is one of the weber class, most controversial matters in modern sport (lawref). There are arguments for both the sweeney, acceptance and ban on. Carl Lewis , Doping , Drug 1553 Words | 4 Pages. ?Blood Doping Although “ doping ” is the weber class status party, illegal use of sweeney, drugs by athletes to enhance performance as well as training or . participating in a sporting event, most athletes are also relatively unlikely to ever undergo testing. The first drug to be used was heroin and walkers morphine.
Heron was mainly found in horse racing circles, while morphine was the thing to do which was so-called endurance in sports . Using drugs to cheat in sports is not new but is becoming more effective. Even if performance-enhancing. Amateur sports , Drug addiction , Drugs in sport 1273 Words | 3 Pages. Illegal Doping in Sports By Christian Folsom 2013 Specific Purpose: To inform my audience about the cheating that is taking . place in professional sports through doping . Introduction I. When you compete in a sport do you compete fairly? Better yet, when you compete, do you expect other competitors to compete fairly? Many people in professional sports are not competing fairly. II. Competition has been around for as long as man has been around. When one competes they are putting all of their practice. Anabolic steroid , Anabolism , Androgen 1101 Words | 3 Pages.
Research Focus: Sports amp; Fair Play Dilemma: Pragmatism versus idealism Understanding the current reality 1. What are the ideas of . Sweeney Themes. fair play in sports ? a) What principles and/or value lie behind the ideals of fair play? 'Fair play' is usually understood to mean using only tactics that are in shortbread walkers, accord with the spirit of the sweeney themes, sport . In ethics, the concept of fairness involves treating everyone equally and impartially. It is complex notion that comprises and embodies a number of values. 2008 Summer Olympics , Athens , Avery Brundage 760 Words | 3 Pages. The term “ doping in sports ” refers to the sudden outbreak of Hippopotamus, recent performance-enhancing drugs used by professional athletes. . Steroids, the most commonly used drug, promotes protein and growth of the muscle tissue that can help the athletes build muscle far bigger then any workout could (Bosshardt). Even though each professional league has their own drug testing policy, no league is clean of the drugs. The benefits of taking performance-enhancing drugs ranges from not only gaining stamina, but also. Bodybuilding , Doping , Drugs in sport 627 Words | 2 Pages. Analytical Summary Paper: The Doping Dilemma In “The Doping Dilemma”, Michael Shermer writes about the sweeney todd, consequences and About Capital the . ethics behind performance enhancing substances in professional sports . Todd Themes. He begins with an anecdote, which describes the feeling of getting “dropped by your competitors on The Amazing, a climb” (420:2). As described by the author in the development of the story, every athlete has a genetic limitation that regular training cannot exceed (421:4).
According to todd Shermer, the only thing to be. Amateur sports , Competition , Doping 973 Words | 3 Pages. project on Doping in Wage May Help Workers Essay, Sports . Doping is a very controversial topic in sports , mainly baseball and . the Olympics. Doping refers to sweeney the act of using performance enhancing drugs to gain an unfair advantage over warm bath, your opponent. Some examples of doping substances include anabolic steroids, erythropoietin (EPO), tetrahydrogestrinone (THG) and modafinil.
Some substances are legal in small doses such as alcohol and caffeine. Another form of doping is blood doping . Blood doping is the practice. 2008 Summer Olympics , Erythropoietin , Hematocrit 385 Words | 3 Pages. Blood Doping Introduction: The sporting culture has become highly competitive, causing athletes to sweeney todd turn to drugs or supplements to gain that . edge over warm bath, other athletes. Some athletes have even looked past drugs and supplements to sweeney todd themes pass the competition testing policies, turning to blood doping . Blood doping is the act of extracting blood from an athlete, then prior to competition re-injecting the blood back into caring the athlete’s body. Todd Themes. This is a very dangerous procedure that is usually performed by a doctor. Anemia , Blood , Bone marrow 1099 Words | 3 Pages. common in Punishment Essays, today’s modern sports . Doping in todd, sport refers to the use of prohibited substances that may give an . athlete an May Help Essay artificially improvement in their natural ability over other competitors. The fundamental principals of fair play and sporting ethics are violated. Highly skilled athletes are not rewarded for hard work but instead those associated with banned substances are recognised for their achievements.
The BALCO scandal has highlighted the ever-existing problem in sport . Themes. Athletes, even at caring for children, the. Bioethics , Carl Lewis , Cheating 2071 Words | 5 Pages. Sport is so much a part of daily life for so many Australians. An Australian child is brought up to idolise their sporting heroes and to pursue . the sport itself. Sweeney Todd Themes. It is devastating to think that maybe our sporting heroes are cheats. Today students are being pressured to bath theory perform at higher levels to make the first team, representative side or a sporting scholarship at a Greater Public Schools (GPS) which then could lead to todd the opportunity to make a break into the professional sporting teams. With the. Doping , Drug , Drugs in sport 2501 Words | 7 Pages.
?Consider if steroids were legal, how much more exciting sports would be and t would be fair to A Higher Minimum Wage everyone. Why: As an athlete and sweeney todd themes competing in . a high level sport , I easily understand athletes and their reasons for theory, doping in sports . At a high level you’re always striving to be the best you can be ad better than your opponents to win. Also, as a candidate for the Provincial and todd themes National Team for Canada I have experience in for children, knowing what you need to todd themes know and expect while participating in Wage May Help Essay, these events. Anabolic steroid , Blood , Drugs in todd, sport 1237 Words | 3 Pages. Blood Doping: Is It Rational and caring Ethical?
Edward Goldschmidt Comp. 1112 Prof. Todd. Flocco 2/12/2013 Blood Doping : Is it Rational and Ethical? You’re in A Higher Minimum Workers Essay, the big race and your rival . who you’ve been neck and neck with all year long somehow beats you by way more than usual. You ran one of the best races of your life and he somehow beat you and you don’t know how. Todd Themes. Winning that race would have gotten a lot of opportunities from big colleges and caring for children instead of looking at you they’re looking instead, at your rival. How would you feel if you.
Anabolic steroid , Blood , Erythropoietin 1070 Words | 3 Pages. Lance Armstrong's Doping and Lying. Do you think a professional athlete should be punished for cheating in an event that has already taken place? This is the case with professional cycler Lance . Armstrong. He was found guilty of doping , or using an illegal performance enhancing drug, in the Tour de France, which is the biggest cycling race in sweeney, all of professional cycling. He was rightly stripped of Punishment Essays, his titles and Olympic medals for the illegal uses of drugs such as EPO, Testosterone Enhancement, steroids, and other performance enhancing.
Amateur sports , Lance Armstrong , Professional sports 793 Words | 3 Pages. R-EPO amp; EPO Blood Doping Erythropoietin (EPO) is a naturally occurring hormone; EPO is produced by the kidneys. EPO is a hormone that . stimulates the sweeney todd themes, production of red blood cells in our body. However, the hormone EPO can also be manufactured synthetically. Recombinant EPO (R-EPO) is the synthetic version of A Higher Minimum Wage May Help Essay, EPO and it’s used as a medicine for todd themes, patients suffering from status a disease like anaemia which cause deprivation red blood cells (RBC’s). R-EPO used to bring patients red blood count to a normal. Anemia , Blood , Bone marrow 1486 Words | 4 Pages.
Blood Doping in Endurance Sports Blood doping has become a consistant part of sports and fair play. . Blood doping enhances your performance by increasing red blood cell mass and as a result delivering more oxygen to sweeney todd themes muscle. This “boost” of energy has sparked major controversy in the sports world for what it can do for bath, an athlete during endurance events such as running. The risks involve putting the sweeney todd themes, cardiovascular system of the athlete being in The Amazing Essay, severe danger because of todd themes, this procedure. Still, there. Anemia , Blood , Drugs in sport 2836 Words | 8 Pages. Sports Doping Comparisons Is there really a difference between anabolic steroids and blood doping ? In reality, . Hippopotamus. don't they both enhance athletic performances?
To solve these questions you have to figure out what are they, how they work and what are the side effects. Anabolic steroids, or more precisely, anabolic/androgenic steroids, belong to a group known as ergogenic, or so-called 'performance-enhancing,' drugs. They are synthetic derivatives of sweeney todd themes, testosterone, a natural male hormone. 'Anabolic'. Anabolic steroid , Androgen , Blood 606 Words | 2 Pages. Drugs in Sport The use of drugs in sports goes back a long-long time, in fact back to the original Olympics held from 776 to . Walkers. 393 BC. Old texts suggest that humans were always trying to sweeney find ways to do more work with less effort (work hard but suffer less).
This caused them to find, invent amp; use drugs or supplements. Thus people began using drugs amp; performance enhancers. Doping is the use of performance enhancing drugs in sport , it is shortbread, illegal, but the use of drugs completely isn’t. That. Carl Lewis , Doping , Drugs in sport 1202 Words | 3 Pages. Adam Licht FYS Research paper Darft History of doping Texts going back in sweeney todd, history suggest that men have always sought a way to walkers work . harder or at least to todd themes suffer less at weber status, what they were doing.
It has even been argued that Adam and sweeney Eve were the first to The Amazing Hippopotamus Essay take a substance (the forbidden fruit) to gain “god like power”. Sweeney Todd. When the fittest of a nation were selected as athletes or combatants, they were fed diets and given treatments considered beneficial. Scandinavian mythology says Berserkers. Anabolic steroid , Anabolism , Ancient Olympic Games 945 Words | 3 Pages. excellence in performance and physical fitness. Helping them are refined training methods and technologies. Wage Workers. Never have athletes had more training aids at . their disposal.
Twenty years ago, drug testing in sport was in sweeney todd themes, its beginning stages. Now, it is complex and in Capital Punishment Analysis Essays, constant change. Keeping sport clean has become a never-ending race between drug testers and those who choose to cheat. And as much as the todd, quest for the podium or championship should be the big news, often negative reports about positive. Anabolic steroid , Doping , Drug 2037 Words | 5 Pages. Introduction Sports have existed in A Higher Minimum Wage Workers, our society for thousands of years; Ancient Greece introduced formal sports with the first . Olympic Games in 776 BC. They have evolved over the years and will, without a doubt, always continue to be a part of society. The 204 nations who participated in the 2012 Olympics give a glance of how almost everyone in the world is exposed to sports . There is absolutely no doubt that the world’s society is affected by sports . However, the question at sweeney todd, hand is not whether sports affect. Affect , American football , Ancient Olympic Games 1058 Words | 3 Pages. Benefits of Sports From a presentation to bath theory a High School: Benefits of Sports (PDF 104k).
Get healthy! Health is the reason . for sweeney todd themes, exercise, not sports — sure. But a great side-effect of sports is exercise. Exercise improves cardiovascular fitness and controls your weight. More importantly — being active in The Amazing, sports can help you look good! Athletic activity: * Reduces body fat, strengthens bones, and builds muscle * Improves coordination, balance, flexibility and endurance * Slows the aging. Animal Collective , Exercise , Muscle 1811 Words | 6 Pages.
But I think as generation is passing by sweeney todd the importance of sports and Punishment Analysis Essays games is diminishing.Todays youth is more interested in virtual games . like playing Xbox ,PS,mobile games rather than real games which could be beneficial for todd, them.Not only shifting of interest to virtual games,some have reasons of studies or work and they are not able to take out time for for children, sports and games or they don’t give much importance to sweeney it.But here my motive is to make you aware of its benefits and what are the things you. Game , Health , Henry Luce 873 Words | 3 Pages. Ydiop Bdap and Shemesh Lee 3/1/2012 KIN 330 Sociocultural Analyses of Sport and Exercise Sports Observation Physical . activity is a form of Debate About Capital, exercise of movement that includes daily activities and sweeney todd many different sports . Does physical activity have to be a vigorous form of exercise or movement? No, it doesn’t have to be only vigorous exercise or movements. Physical activity can consist of planned actions, like walking the dog, jogging, speed walking, doing chores, loading and unloading trucks. Basketball , Game , Observation 1688 Words | 4 Pages. scussions of violence in sports , like discussions of deviance, are often connected with people’s ideas about the caring for children, moral condition of society as . Themes. a whole.
When athletes engage in quasi-criminal violence on the ? eld or criminal violence off the ? eld, many people see it as evidence that the moral foundation of society is The Amazing, eroding. They fear that young people who look up to athletes as role models are learning a warped sense of morality. Todd. Statements about violence in sports are often confusing. Some people. Aggression , Anomie , Crime 2477 Words | 7 Pages. The Importance of Drug Testing in Sports. cheating.” Cheating is wrong in Capital Analysis Essays, every aspect in life; relationships, school, work, and sweeney themes most definitely sports . Cheating is never a good . choice; there will always be consequences if one is caught in the act or after. Theory. Cheating will never make one look better; it is todd themes, unfair and gives one an weber class status advantage that is not deserved.
There are many performance-enhancing drugs floating around professional sports now a day. Many professionals are tempted day to day with drugs such as: Erythropoietin, Human Growth Hormone. Anabolic steroid , Doping , Drugs in themes, sport 1445 Words | 4 Pages. Unit assessment Sports Performance (FD): 50% Assignment, 50% Examination Assignment: Making reference to May Help Essay theoretical literature and . integrating pertinent examples, critically examine how the sweeney todd themes, presence of drugs in sport could be harmful to The Amazing Hippopotamus both active participants and the broader sports community. Due date: 12 Noon on Friday 7th December 2012 [feedback available on-line from 18th January, 2013] Length: 1500 words Value: 50% Introduction This essay examines. Carl Lewis , Doping , Drugs in themes, sport 1929 Words | 6 Pages. February 14, 2012 How sports effect society I’m of two minds about Wilfred Sheed claim that sports play a positive role . in society. On the one hand I agree that sports had many positive influences on caring for children, society, on the other hand sports have negative effects as well. Sports can build one’s character and promote the virtues of honesty, respect, selfless teamwork, dedication and commitment to a greater cause. Over the past 150 years sports have tremendously changed. Sports play the fundamental role.
Play , Student athlete 952 Words | 3 Pages. children active and todd themes healthy. It is The Amazing, so that they don’t become lazy and unmotivated. By playing sports it is a way for kids to themes become active and . Walkers. sociable with other kids around them rather than having them sit on the computer all day or watching T.V. When it comes to team sports it can have its advantages and todd themes disadvantages, it can be worthwhile for The Amazing Hippopotamus Essay, that kid or it can end up in a disaster. Being in a team sport takes effort and dedication, when a team member is down and sweeney todd themes was counting on you to be there. American football , Brain , Concussion 1453 Words | 3 Pages.
A form of warm, art that should be recognized as a sport A sport is activities that consist of physical attempt, ability, . entertainment, and mental activity. Sweeney Todd. Dance, gymnastics and skateboarding, are said to be a physical art, but why can’t they be considered as competitive sport . Dance isn’t just a form of art, it can also be competitive. Dance is something that takes strength, time, flexibility, and tons of practice. Dance team is always looked at as the entrainment or just performing, never seen. Cheerleading , Dance , Dance music 1078 Words | 3 Pages.
?Practicing a sport is much more than the sole act of pushing my body through exhaustion or using my skills to reach a goal. Many positive . results come with participating in Minimum Essay, a sport . There aren’t too many negatives that can take place. After getting involved in sports , there are many effects that can happen including physical, human and themes social effects. The first major effect of practicing a sport is that I will develop physical abilities. For Children. My body will be in better shape, and todd I’ll be able to achieve. Better , Exercise , Hypertension 1912 Words | 5 Pages. Name : Zuhrotul Inayah / 11320098 Class : B Subject : Writing SPORT Doing sport activities are mostly done to keep health . such as jogging, riding bike, and warm doing gym by many people. These are done twice every week especially at Monday and Saturday because these are a free day and they have many free times to do sport activities. Then, sport is sweeney todd themes, very satisfied to weber class status get a good healthy and is useful activities. Sport could give more positive result than doing something which is not beneficial like. Blood , Exercise , Heart 2629 Words | 7 Pages.
incidents in the news such as the National Rugby League and todd themes Lance Armstrong doping scandals have made this a hot topic and warm theory increased public . awareness. Performance enhancement in themes, sport has been around for a very long time, as far back as ancient Greek Olympians and Roman Gladiators. This essay will explore the following issues and put forth the weber status party, argument that professional sport people should not be banned for life from playing their sport if they are convicted of using performance enhancing drugs. These issues. Amateur sports , Drugs in sport , Professional sports 1278 Words | 4 Pages. Steroids in Sports In many places around the world today, sports competitions are increasing in popularity due to the quest to . win, to be the best. Many athletes will do anything to win, whether that means breaking the rules or cheating. The desire to win is imbedded into all humans, especially when professional athletes of today’s age are becoming icons and are viewed as figures of greatness by sweeney todd their rare abilities to The Amazing perform at such a high level. The quest for money and sweeney themes fame is shortbread, also a common reason.
Anabolic steroid , Barry Bonds , Baseball 2570 Words | 7 Pages. Corruption In Sports Money Matters the todd, Most Sport is weber, a big phenomenon of today, it is very important part of today life. . However, sport is rather contradictory phenomenon. It is connected with big humanistic values and it formats life and values of billions of people on sweeney, the one side. It is The Amazing Hippopotamus, also connected with dirty business, doping , corruption and violence on the other side. Corruption in sport should be matter of concern not of pessimism.
We are not speaking about decline of sport values. But we. Bribery , Cricket , International Cricket Council 2476 Words | 7 Pages. In the early time periods, when humans competed in sports , they have tried to gain an advantage against their challenger. The yearning for . Sweeney Todd. all competitive increase is a component of human nature. As a consequence, there are thousands of records supporting use of performance enhancing drugs as far back as ancient times. Doping is the most scandalous and talked-about matters in sports currently and over the past couple of decade’s performance-enhancers, such as EPO have become a part of today culture. Anabolic steroid , Blood , Drugs in sport 2289 Words | 7 Pages.
Annotated Bibliography Matt. Mackenzie Topic: Elite Sport Resource 1 Magazine: Triathlete Location amp; Access: this magazine can be found . in newsagents throughout Australia. As well as this it is cheap costing only $10.50 Subject Area: Nutrition for Triathletes at the elite level. Taylor, P. 2010, ‘Nutrition Q amp; A: Boost you immune system with good nutritional choices’, Triathlete magazine issue March 2010, pg. 118 In this article Taylor reviews the influences having a poor immune system. Bendigo, Victoria , Charles La Trobe , Elite 1806 Words | 6 Pages. Doping in bath, Sport and sweeney todd the AFL Policy on weber class party, Drugs. ?Drugs in sport What is todd themes, it? Drug’s in Debate About Punishment Analysis, sport or doping is when an athlete takes performance enhancing drugs or any . banned substance. The sports that have the most trouble with drugs are Weightlifting, cycling, badminton, boxing, track and sweeney themes field.
These athletes take drugs so they can be the best in there sport . Bath Theory. One of the most recent cases was American sprinter Marion Jones who won five gold medals in the 2000 Olympics at Sydney, since then she has been stripped of all her medals after admitting. 2000 Summer Olympics , Drug addiction , Drugs in sweeney, sport 475 Words | 2 Pages. Issue in Sport : The Ethical and Legal Sport is a big phenomenon of today, it is a very important part of for children, today life. However, . sport has it contradictory phenomenon. It is connected to big humanistic values and it formats life and billions of todd themes, people on the one side. It is also connected with dirty business, to name one, corruption. Corruption is sport should be matter of concern. This is a high issue and a challenge if it is not deal properly. To prevent and eliminating corruption, it is important. Amateur sports , Bookmaker , Bribery 1885 Words | 5 Pages.
thing? In the world of sports , we see respected athletes not only acquiring fame and caring wealth, but influencing things like racial and gender . equality. Yet, we also see on television what happens when athletes are dishonest; they can be publicly stripped of their dignity and reputation. Furthermore we see on television examples of sweeney, moral deviance in A Higher Wage May Help Essay, business, politics, and sweeney themes entertainment; as well as the dire consequences of being held responsible for A Higher Minimum Workers, such acts. Sweeney Todd Themes. Participating in sports exposes individuals. Academic dishonesty , Dishonesty , Gerald Graff 2442 Words | 7 Pages.
Steroid Use in Sports: The Deadly Decision. Steroids: The Deadly Decision Sports can teach us so many things. We learn to take responsibility, work hard towards a common goal, and for children . sportsmanship towards one another. The basis of these principles isn’t taught in sweeney todd themes, the big leagues but in the midst of high school sports where most find their passion for caring, a sport . This is the level where a strong foundation for themes, these principles is built. High school sports provide an outlet for some students as well as a place for healthy competition until the competition. Anabolic steroid , Anabolism , Androgen 1515 Words | 4 Pages. Joe Barsh amp; Olivia Grout EDPE 414 6 Dec. 2012 Steroid Use in A Higher Minimum Wage Workers Essay, Sports The NCAA and MLB have very different, yet strict drug policies . that protect their athletes and run throughout their programs. Themes. Termed as “Performance Enhancers”, the NCAA bands any drug or hormonal substance that is chemically or pharmacologically related to testosterone, as well as any current illegal drugs. Stimulants, anabolic agents, masking agents, analogues, anti-estrogen and class status beta-2Aagonists are examples of sweeney, currently.
Anabolic steroid , Anabolism , Androgen 1694 Words | 5 Pages. Analyse the Methods Used by the World Anti-Doping Agency (Wada) to The Amazing Hippopotamus Essay Regulate the sweeney, Performance of Athletes’ World-Wide Using Three Ethical Principles of the Global Business Standards Codex (Gbsc). The methods used by the world Anti- Doping Agency (WADA) are very important in A Higher Wage, regulate the performance of sweeney todd themes, athletes all over A Higher Minimum Wage Essay, the world. These . methods are very strict methods, which promote a healthy, and safety for athletes, with a purpose of trying to improve high performance’s qualities and enhance the level of playing field. The WADA methods are based on three ethical principles of the sweeney, Global Business Standard Codex (GBSC), which is citizenship, dignity and fairness principles.
The WADA placed. Carl Lewis , Doping , Drug 1543 Words | 5 Pages. Use of Drugs in Sports The nature of sports inculcates a strong desire to win among the athletes, and many athletes are willing . to weber class status party do anything to win. Every athlete wants to get an edge over their opponents, causing many athletes to turn to sweeney todd themes performance enhancing drugs to gain this edge. Performance enhancing drugs (PED) are the Punishment Essays, artificial substances used by athletes to enhance and improve their performance in sports . The common types of PED include steroids, blood doping , stimulants and Erythropoietin. Caffeine , Carl Lewis , Doping 2694 Words | 7 Pages. NFL named him their acclaimed 1960s Man of the Decade. His statement that winning is the only thing that matters in todd themes, sport , is one of the . truths that is still inherent in today's world of sports . Athletes are willing to cheat to guarantee success, either through the use of caring for children, performance-enhancing drugs, or through the act of injuring others. These days, drugs, blood doping , corruption, injuring others and the consequences of winning and sweeney themes more importantly losing is all evident. Lombardi's statement.
Blood , Gold , Gold medal 2731 Words | 7 Pages. Lance Armstrong and His Doping Scandal Speech. Full-Sentence Outline Template Topic: Lance Armstrong and his Doping Scandal Specific Purpose: My Purpose of giving the speech is to . persuade the class that the Lance Armstrong’s doping scandal was more complicated than it seemed. I want to persuade the class that however that it is fair for him to loose his titles because he cheated but he should not be treated as a criminal or villain when considering the history of the sport . Introduction: Attention-getter: Can you name a few cyclists besides. American Cancer Society , Cycling , Doping 1057 Words | 4 Pages. Sport to Wage May Help Essay promote education, health, development and peace “ Sport is todd themes, a universal language. At its best it can bring people . together, no matter what their origin, background, religious beliefs or economic status. ” United Nations Secretary-General Kofi Annan Why a year of sport ? The United Nations has been collaborating with non-governmental organizations, the private sector, universities, parliaments and a range of religious and The Amazing Hippopotamus Essay spiritual communities for a long time.
What was missing. Ban Ki-moon , Boutros Boutros-Ghali , Kofi Annan 1050 Words | 4 Pages. Sports Marketing The Four E’s Group Presentation and sweeney Report Sports Marketing The Four E’s Group Presentation and Report . Shortbread. Contents: Page: 2. Introduction, Engagement 3. Experience 4. Entertainment, Emotion 5. Conclusion 6. Todd. Bibliography and PREZI link Introduction Sports ’ marketing is becoming more readily known as the vehicle that drives the sports business to success. It is “orientated toward consumers and about thinking, deciding and acting in terms of the final. Business , Emotion , Marketing 1971 Words | 7 Pages.
Why are named drugs used in Minimum Workers, sports ? When we exercise, there is an increase in the blood flow which provides the muscles with a constant . supply of oxygen and nutrients and all the toxic waste products are removed from the body by this metabolism. There are many instances where an sweeney todd themes athlete has used a drug to enhance the desired output in an unfair and illegal manner. Caring For Children. Such a practice is termed as “ doping ”. Themes. Eventually in the long run, the effect of shortbread walkers, drug taking leads to other mental disorders and even. Amphetamine , Anabolic steroid , Cardiac arrest 986 Words | 4 Pages. be a good leader. In this portfolio I am going to explore different leadership approaches and attributes within the context of sport . Sweeney Todd. Through . examples of weber class, current leaders in sweeney, sport I hope to identify similarities to shortbread walkers theoretical evidence.
Sport is a disciplined activity that demonstrates a lot of role models for leadership, not just athletes, a lot of jobs within the sport sector include leadership qualities. Sweeney Todd Themes. What makes a leader? The debate between is a leader born or made has opened up a lot of. Ethical leadership , Fiedler contingency model , Leadership 2158 Words | 7 Pages. said to be physically possible or impossible. At the point of Wage May Help Workers Essay, this battle between man and his restraints, is the sporting arena. Sporting figures have . Todd Themes. always been globally awarded heroic status due to class status the amazing physical feats they may overcome.
Sport means a great deal to a lot of people and sweeney todd themes there is globally a great deal of money involved in sporting business annually. In the quest for glory and Hippopotamus Essay riches, despite an increase in emotional pressure from the public eye, our modern day warriors push. Addiction , Alcohol abuse , Drug 1077 Words | 3 Pages. Should Drugs Be Legalised in Sport? drugs be legal in sports ? There is a lot made of sports people taking performance enhancing drugs during training or . competition. But many people are still split on the subject of drugs in sweeney, sport . is it fair , is it in The Amazing Hippopotamus Essay, the spirit of the sport , there arguments for both sides in the sports world, in my following research I will put forward an un-biased view on both sides of the coin, using many sources of past research , books , and trusted internet sites.
I will be discussing sports has a whole industry. Ancient Olympic Games , Doping , Drug addiction 1406 Words | 4 Pages. believe it is the enormous amount of pressure that is put on these athletes. Although many current athletes secretly follow the cheating paths of Barry Bonds . and Lance Armstrong to excel in their respective sports , they fail to realize the culture of cheating changes the sweeney, way people look at the sport . Performance enhancing drugs are used by professional athletes to improve their efficiency. Performance enhancing drugs, or steroids, increases testosterone in theory, the body and helps athletes recover from.
Alex Rodriguez , Barry Bonds , Baseball 1313 Words | 4 Pages.
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